Practice of repetition, tends closer to the best of renewing, in the feel of integration and perfection. But for the current artwork in preferred, and for avant- garde in particular, the most effective irremediable and absolute aesthetic error is a traditional inventive introduction, an artwork that imitates and repeats itself. From the traumatic cutting-edge yearning for what Remy de Gourmont selected to name, suggestively, "le beau inedit" derives that sleepless and fevered experimentation that's one of the most characteristic manifestations of the avant-garde; its assiduous labor is an everlasting web of Penelope, with the weave of its forms remade each day and unmade each night time. Perhaps Ezra Pound supposed to indicate each the need and the problem of such an task while he as soon
