“Oh! a pause or a white line or anything. You’ve got to write closer for a double column. It’s nuggetty. You can’t get a swing on your prose.” I had discussed this thoroughly with Britten.
“If the fellows are going to write—” began Britten.
“We ought to keep off fine writing,” said Shoesmith. “It’s cheek. I vote we don’t have any.”
“We sha’n’t get any,” said Cossington, and then as an olive branch to me, “unless Remington does a bit. Or Britten. But it’s no good making too much space for it.”
“We ought to be very careful about the writing,” said Shoesmith. “We don’t want to give ourselves away.”
“I vote we ask old Topham to see us through,” said Naylor.
Britten groaned aloud and every one regarded him. “Greek epigrams on the fellows’ names,” he said. “Small beer in ancient bottles. L
