CHAPTER 14
Yomi would determine that he learnt nothing new from Hans Zimmer. Much of their discussion was confirmation of what he had gleaned from time spent with Baba Lamidi. The only difference was that Hans told the story with more enthusiasm and more drama, in his eagerness to show how much he had grown from a novice to hobnobbing with the master drummers. They had both been helpful, Hans and Baba Lamidi, even though most of what he learnt from them was not directly useful to his play. From the slush of conversation however, he had been able to isolate the dancer and the drummer in the actual acts of the dancing and the drumming. He was now able in his mind to construct the soul of Ojelabi, the master Bata dancer.
Yomi was again in the garden of his house, doing his dance routines
