Chapter 4: The Room We Changed

895 Words
I spent the next three days avoiding Room 1808. The room kept finding me anyway. Its number appeared on the wiring schedule, the fixture list, and the committee's renovation plan. I'd been assigned to choose the lighting there because I knew the room well. That was the official reason. I drafted three versions of the plan and rejected all of them. The old design had relied on a chandelier that made the suite look grand and a pair of bedside lamps that made everything else look tired. I wanted to keep the sense of intimacy without turning the room into a museum of its own past. On Thursday, I brought Julian the latest drawings. He was at the long worktable, sorting photographs of the hotel's original interior. "I thought you were keeping away from 1808." "I'm working on 1808." "That's a difference." "Not a large one." I unrolled the plan. "The original sconces stay, but I want to add recessed floor lighting behind the headboard. It'll make the ceiling feel lower without changing the architecture." Julian studied the diagram. "The room doesn't need to feel lower." "It feels like a ballroom with a bed in it." "Maybe guests like the space." "Guests like a room that makes them want to stay." His eyes met mine. "And you think this will?" "I think it gives them a reason to stop looking at the ceiling." He looked at the drawing again. "It could work." "Could?" "I want to see the sample." "You always want to see the sample." "I'm the architect." "And I'm the lighting designer." "Then we both get to be difficult." We carried the sample up together. The light bar sat behind a strip of reclaimed walnut, and the effect was subtle, a warm line at the edge of the wall. It softened the room without making it dim. Julian stood with his arms folded. "It's good." "Say it like you mean it." "It's very good." "Thank you." We stood in the empty suite. I could see the two paint buckets where we'd sat on our first night together. They were long gone, but the room still held the memory of them. I remembered his palm at the back of my neck and the rain striking the windows. I remembered what came afterward, too. I had stayed until dawn, then left without telling him whether I'd be back. "Does this room bother you?" I asked. "Sometimes." "What about it?" "It makes it easy to remember things the way I want to." I leaned against the doorframe. "I remember things the way they happened." "Do you?" "I remember every time you stood at my door." "Do you remember how many times I didn't?" "Yes." He turned toward me. "That's not the whole story." "No. It isn't." A contractor called for Julian from the hallway. He started to answer, then looked back at me. "Are we done?" "With the sample? Yes." "I mean the conversation." "I don't know." He nodded once and went out to speak to the contractor. I wanted to follow. Instead, I took photographs of the light. That evening, Julian emailed the committee to approve the sample. He copied me and Lila. No personal note. No reference to the room. I read the email twice, then opened a message to him. I'm sorry I made this room part of our relationship. I stared at it until I had to turn off my phone and go for a walk. By the time I came back, the sentence still seemed true. I added, I don't know how to stop missing what we had. I didn't send it. The next morning, I went to the site office to print the final fixture list. Julian was alone, drawing a line across a floor plan. I set a paper coffee cup beside him. "It's coffee," I said. "Not a message." "I didn't think it was." "Do you want it?" "I do." He took a sip. "It's not terrible." "That's high praise." "You're welcome." I sat across from him. "I've been thinking about what you said. About the old ending." "Okay." "I don't know how to do something different." "You don't have to know yet." "I hate that answer." "I know." "Can you stop saying you know?" "I can try." I leaned back. "I think the worst part is that you don't have to chase me anymore." "You told me not to." "I know." "I can't keep treating 'leave' as a secret invitation." My eyes stung, and I looked down at the fixture list. "I'm not asking you to." "I know that, too." He touched the edge of the paper cup with one finger. "If you want to try again, I need you to tell me what you want before you're afraid of losing it." "That's a lot to ask." "It is." "And if I can't?" "Then we keep working. We don't have to be together." I heard the steadiness in his voice and hated how much I wanted to lean on it. "Do you still love me?" He didn't answer at once. "Yes." The word came quietly. It didn't fix anything. "I love you, too," I said. Julian lowered his eyes to the drawing. "That's a start. It isn't a plan." "No," I said. "It isn't." I left the room before I could ask him to make it one.
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