Ellipsis

Acclaim for Ellipsis

Acclaim for EllipsisFrom the opening sentence, Ellipsis is strangely engaging: what is it about a red scarf that could make someone choose someone else? And what if that choice turns out to have been thrust on the other as some premeditated plan?

Lyrical prose intertwines with an elegiac and introspective narrative. Rather than being pretentious, there is an earthy, inviting undertone to Dudley’s text, despite the curious storyline that plays with initial impressions and twists them around and around again.

This is a work of literacy rather than prosaic shelf fodder. Think artsy, melancholic and slightly bewildering and you’ll be near enough to understanding Ellipsis.

(Excerpt from review by The Truth About Books.)

*

Well, how could I resist a novel that shares its name with the punctuation mark I overuse the most?

Ellipsis is an interesting debut from Nikki Dudley that (happily) never quite settles into the shape you might expect.

What’s particularly striking about the central mystery is less the actual events of the plot than the way Dudley plays with the reader’s perception; one is led to conceptualise the story in a particular way, then finds that it’s not the right way – but it’s hard to shake off the original interpretation, so strongly has it been established. And the ending produces a further twist that leaves us on shifting sands once again.

As its title suggests, Ellipsis revolves around gaps in knowledge – in the reader’s knowledge of what happens, and in the characters’ knowledge of events, people, and even of themselves. And those gaps add up to an intriguing, satisfying read.

(Excerpt from review by David Hebblethwaite.)