He thrust open the door of his cabin, eager to enlist Gregson in his enthusiasm. The artist was not in. Philip noticed that the cartridge-belt and the revolver which usually hung over Gregson's bunk were gone. He never entered the cabin without looking at the sketch of Eileen Brokaw. Something about it seemed to fascinate him, to challenge his presence. Now it was missing from the wall.
He threw off his coat and hat, filled his pipe, and began gathering up his few possessions, ready for packing. It was noon before he was through, and Gregson had not returned. He boiled himself some coffee and sat down to wait. At five o'clock he was to eat supper with the Brokaws and the factor; Eileen, through her father, had asked him to join her an hour or two earlier in the big room. He waited until f
