I didn’t go upstairs immediately.
Instead, I stood frozen at the bottom of the stairs, holding my breath, straining to listen.
The footsteps continued—slow, deliberate—like whoever it was knew I was listening, and was deliberately trying to terrify me.
I reached for the old desk lamp nearby—the only weapon I had—and carefully crept upward.
The house was deathly silent. Yet the hallway on the second floor was wide open, a cold wind gusting through the window. I was certain I had shut it the night before.
In the middle of the hallway lay a new painting. Different from the others — this time, it was me being killed. My eyes wide open, blood streaming down my forehead, and her hands around my neck, squeezing like a lover full of hatred.
I turned away, heart pounding—and then nearly jumped out of my skin.
She was standing at the far end of the hallway.
Not in a painting. Not a shadow. She was real.
Moonlight poured through the window, casting a pale glow over her face. Her tangled hair obscured her eyes. She just stood there—silent, motionless.
I blurted out,
“I... I’m sorry.”
I don’t know why those words escaped my lips.
When I blinked, she vanished.
I rushed forward—there was no one there.
Only an old diary lay on the floor. Its leather cover embroidered with a name: EVA.
I carried it downstairs, opened it, and began to read. The handwriting was soft and neat, each line soaked in sorrow.
“He doesn’t remember every time he kills me. But I remember it all.”
“I started leaving traces—paintings, videos, sounds—in the hope that he might wake up.”
“Or that I might escape.”
I read every word, my chest tightening with a cold ache.
Did I really kill her?
Or was this all some cruel trick my mind was playing on me?