I couldn’t sleep. All night, I sat staring at the diary.
Memories came back in fragments—vague, broken—like a film reel cut and spliced in the wrong order. Eva had existed. I had loved her. But something had happened. Something terrible.
I returned to the basement—this time, without fear.
The shatt
ered mirror lay on the floor; the blood had long since dried. I studied the photos carefully—and then noticed something: in almost every picture, Eva wore a small music box around her neck, like a talisman.
I had never seen it anywhere else.
I tore through the basement. Under a rotten chair, I found the music box—broken, its mechanism bent out of shape. Yet it still played a warped, slow melody, like a lullaby for someone dying.
I went upstairs, to the bedroom at the end of the hall—the one room I had never dared to enter.
The door was locked.
Using an old hairpin, I picked the lock. The door creaked open—cold air rushed out like something waking after a long imprisonment.
The room was dusty, but neat.
The walls were covered with paintings I had made of Eva—not the death scenes, but moments of joy: her smiling, reading, dozing on the chair. Ordinary, happy moments.
I wept. These images, I no longer remembered. That love—I had completely forgotten.
On the dressing table was a folder. I opened it.
Inside were psychological treatment records—with my name.
Diagnosis: Dissociative Identity Disorder (DID).
“The patient exhibits signs of dissociating from violent behavior by forming an alternate personality that does not take responsibility for actions.”
I couldn’t read any further.
When I looked up, Eva was behind me—in the mirror.
This time, she didn’t cry.
She whispered:
“Stop running, love. You know what’s coming next, don’t you?”
I froze.
The room grew colder.
She touched my shoulder.
And I remembered everything.