One morning, about eleven, Dorothea was seated in her boudoir with a map of the land attached to the manor and other papers before her, which were to help her in making an exact statement for herself of her income and affairs. She had not yet applied herself to her work, but was seated with her hands folded on her lap, looking out along the avenue of limes to the distant fields. Every leaf was at rest in the sunshine, the familiar scene was changeless, and seemed to represent the prospect of her life, full of motiveless ease—motiveless, if her own energy could not seek out reasons for ardent action. The widow’s cap of those times made an oval frame for the face, and had a crown standing up; the dress was an experiment in the utmost laying on of crape; but this heavy solemnity of clothing m
