Those who became too poor to sustain themselves, whether because of age or depletion, disappeared: the despots had little tolerance for burdens.
"But how?" she asked.
That was the key question. She had more or less understood the answers to the others, for they were common knowledge. But since the magic power Nona had was no more than that possessed by the despots, that was not enough to oppose them. It merely signaled her nature. Perhaps it would continue to grow as she aged-but not if she started having babies. Since it would be hard to avoid having babies if the despots remained in power, that prospect seemed insufficient.
"You must ask the Megaplayers," her mother murmured, hardly loud enough to be heard.
The Megaplayers! But they were long gone, now hardly more than a memory. Only their giant stone instruments remained, weathering at the brink of the sea, awesome monuments to the greatness of the past. Of course the despots would not have a chance if the Players returned! Yet surely the Megaplayers were dead.
Her mother shook her head. "They live."
How could she know that? But Nona trusted her. The Players lived.
Still, how could she find the Players, to ask them anything? And if she did, why would they pay any attention to her? She was only a lowly theow woman.
Her mother smiled. "Music."
If there was one thing Nona excelled at, it was music. She had a natural talent for it, enhanced by her magic, which sublimated in this expression. Now she realized that the Megaplayers had to be musical. Consider their instruments!
So she had her answer. She would have to seek the Players where their instruments lay. She would have to appeal to them, and if they responded, they might act to abolish the despots. It would be easy, for them, for the magic of the Megaplayers was like none known since.
Yet what had banished the Players, long ago? Surely it could only have been some power even greater than they. Where was that power now?
Nona shook her head. Whatever the answers were, she had perhaps two months to find them. Then she would be eighteen, and her fate would pursue her.
She could not risk a trip alone to the instruments. This was not because there was physical danger, for the region was sanguine. It was because it might alert the suspicion of the despots. She had to have a seemingly unrelated pretext to go there.
So she did the obvious: she made a date with Stave to view the sea. The fact was that the place of the instruments was a rendezvous for lovers, because of the bracing sea