The sun fell softly over the Tuscan hills, painting the vineyard in liquid gold. Rows of vines curved like ancient prayers across the land, silent and waiting, their leaves whispering secrets only the wind could understand. A stone villa stood among them, noble and weathered, its windows catching the last light of day like quiet memories.
But for Anindya Prameswari Santoro, it did not yet feel like home.
She stood at the edge of the vineyard, a woven basket on her hip, her hands stained with soil and sweet grapes. The earth was warm beneath her bare feet. Above her, the sky held that particular stillness that only comes before a story begins.
It had been four months since her parents died.
Four months since a rainy road in Indonesia tore her world in half. Since the funeral, the empty house, the scent of her mother’s hair oil fading from her pillow. Four months since she boarded a flight with her grief tucked in her chest like a second heartbeat, and arrived here—in the land of her father’s blood, where people said her name with unfamiliar rhythm and kindness she did not know how to return.
Her grandmother welcomed her with olive oil kisses and a bed that smelled of rosemary. But the rest of the world felt foreign. She was too quiet. Too young. Too beautiful, they said. Too poor, they whispered.
Still, she worked.
The land did not judge her. The vines asked no questions. The sun warmed her without condition. So she gave herself to it—quietly, completely.
Then came the car.
It arrived like a storm dressed in black—sleek, polished, powerful. The kind of car that did not belong among dirt paths and straw hats. The man who stepped out was tall, precise, and so sharply dressed he might have sliced the air itself. His gaze swept the vineyard with the disinterest of someone born to own what others tend.
Maximilian Raffaele Beaumont had returned.
He was thirty years old, an heir carved in marble. Cold, distant, and cloaked in the silence of men who never had to ask for anything. He had not set foot on this land in a decade. The rumors said he’d come to sell it all. To erase the vineyard like a signature from an old letter.
Anindya did not look up when he passed. She simply kept picking grapes. But she felt him watching.
And he noticed her.
Not just her beauty—though it was undeniable—but something quieter. The way she moved through the vineyard as if she belonged to the soil. The way the wind didn’t shift around her, but with her. The way she didn’t try to be seen—but made it impossible not to see her.
That evening, he stood alone on the old stone balcony his father once loved. The land stretched out before him like a memory. He lit a cigarette, took one drag, then let it die between his fingers. And in the distance—just beyond the last row of vines—he saw her again.
She was walking slowly, a linen dress brushing her ankles, her hair unbound and gilded by the sun’s retreat. She looked like she belonged to another time. Or maybe he had simply forgotten what softness looked like.
He didn’t know her name. Not yet.
But something in him—a part long buried beneath ambition and silence—whispered:
“That girl is not passing through your life.
She is your life.”
⸻
And so it began.
Not with a word. Not with a smile. Not even with a glance exchanged.
But with the quiet ache of two hearts rooted in the same soil,
waiting for the season of their bloom.