Marsh found her in the churchyard, reading her mother's headstone as if it might reveal secrets. The November wind cut through her inadequate London coat, but she'd needed to escape the house, its accumulated weight of silence and suspicion.
"Ms. Vance." He didn't sound surprised to find her here. "I hoped we might continue our conversation."
"Have you arrested someone?"
"Not yet." He fell into step beside her as she walked toward the older graves, the Vance family plot where generations rested.
"I've learned more about your father's final days. He was agitated, according to Mrs. Patterson. Making phone calls and receiving visitors at unusual hours."
"Gabriel Ashworth."
"Among others." Marsh paused at a weathered stone, 1847, a child's brief life measured in months.
"Your father also contacted a private investigator in London. Asked him to locate someone in Vienna." Eleanor's hand found the photograph in her pocket.
"Did he say who?"
"Not to the investigator. But the description matches a man named Stefan Brenner. Former musician, now living in Salzburg. Your mother knew him, apparently. Before her marriage."
"My father hired someone to find my mother's former lover." Eleanor heard how strange it sounded.
"Three weeks before he died. At the same time, he changed his will."
"Leaving everything to you." Marsh turned to face her, his expression carefully neutral.
"Ms. Vance, I need to ask directly: Did your father ever suggest that your mother's death was not natural?" The directness startled her.
"He never spoke of her at all. To me."
"But to others?"
"I don't know." She thought of Mrs. Patterson's panic, Gabriel's unexplained knowledge.
"Detective, I found something. A photograph hidden in his study. My mother with this Brenner, in Vienna. Dated the year before I was born." Marsh's stillness was its own answer.
"You should have given this to my team."
"I found it last night. I haven't. " She stopped, recognizing her own defensiveness. "I'm not accustomed to trusting authorities. My father taught me that."
"And now?"
"Now I'm telling you." She handed him the photograph. "I think my father suspected my mother was murdered. I think he spent twenty-two years wondering and finally decided to act. And I think whoever killed her, or helped cover it up, killed him before he could expose the truth." Marsh studied the image, his thumb brushing its edge with unexpected gentleness.
"This is quite a theory."
"It's a starting point. Which is more than you had yesterday."
"True." He looked up, and she saw something shift in his assessment respect, perhaps, or the recognition of an equal. "Ms. Vance, I need to advise you against investigating independently. This is an active murder inquiry."
"And if the murderer is still here, in this village, watching me stumble through my father's house?" Eleanor stepped closer, close enough to smell his soap, something clean and simple.
"I spent eleven years building a life that doesn't include Thornwood, Detective. I didn't want to return. But I'm here now, and someone killed my father, and possibly my mother, and I will not be pushed aside for my own protection." Marsh's eyes held hers. In the grey morning light, she noticed flecks of amber in the brown, the small scar above his eyebrow, the way his mouth softened when he wasn't maintaining professional distance.
"You're not what I expected," he said finally. "Neither are you." The admission surprised her. "I thought you'd be older. More cynical."
"I was a teacher before. History, at a comprehensive in Leeds." He smiled, transforming his serious face. "I changed careers after my sister died. Unsolved case. I thought I could do better." The vulnerability of this confession offered without apparent calculation disarmed her.
"Could you?"
"Sometimes. Not always." He handed back the photograph. "Keep this. But I'm trusting you, Ms. Vance. Don't make me regret it."
"Eleanor. If we're trusting each other."
"Daniel." He said it carefully, as if testing the weight.
"Eleanor, I need to tell you something that hasn't been made public. The potassium levels in your father's blood we found similar traces in preserved tissue from your mother's autopsy. The original pathologist didn't test for it. But comparing the samples, the methodology appears identical." She felt the ground shift, the world reconfiguring.
"The same killer. After twenty-two years."
"Or someone who learned from the original crime. Someone with access to your mother's medical records, your father's recent concerns." He paused. "Someone who knew them both intimately."
"Gabriel Ashworth is a doctor."
"Gabriel Ashworth was fifteen when your mother died." But Daniel didn't dismiss the suggestion. "However, his father, Sir Reginald Ashworth, was your mother's physician. He signed her death certificate." Eleanor remembered Sir Reginald tall, cold, dismissive of village concerns. He'd retired to Spain years ago.
"He's still alive?"
"He died last month. Heart failure." Daniel's tone was carefully neutral. "In a private clinic in Marbella. I requested the autopsy results yesterday. Elevated potassium levels." Three deaths. Three hearts stopped. The pattern was unmistakable now, a chain of silences extending backwards through her entire life.
"Who else knows?"
"Currently? My superintendent, the pathologist, and now you." Daniel's hand found her elbow, steadying her. "Eleanor, this is larger than your father's murder. This suggests an organized effort to eliminate anyone who might expose the truth about your mother's death. And if that's the case, you her daughter, the heir to whatever secret she possessed are very likely in danger."
She should feel fear. Instead, she felt the strange clarity that came in court when a case finally revealed its structure, when the path to victory became visible through the maze of evidence.
"Then I need to understand what she knew. What was worth three lives, possibly more."
"Stefan Brenner may be the only one who can tell us." Daniel released her elbow, but his gaze remained intent. "I'm flying to Salzburg tomorrow. Officially, to follow the investigation's international dimension. Unofficially"
"Take me with you."
"Eleanor"
"I speak German. I know my mother's history, her music, and the world she came from. And I'm a lawyer, Daniel. I can ask questions. You can't approach Brenner in ways that don't trigger his defensive instincts." She pressed her advantage, aware of how close she stood, how much she was revealing of her own need. "You said you trusted me. Trust me with this." He was silent for a long moment, the wind stirring the dead leaves around them.
"My flight leaves Leeds-Bradford at noon. I'll pick you up at ten."
"Thank you."
"Don't thank me yet." He turned toward the church, his profile sharp against the ancient stone. "If I'm right about this, we're not just hunting a murderer. We're hunting someone who's been hiding in plain sight for decades. Someone with resources, connections, the patience to wait years between acts." He looked back at her.
"And if I'm wrong, I've just compromised an active investigation for personal reasons I don't fully understand." Eleanor understood them, or was beginning to. The recognition between them of loss, of determination, of the particular loneliness that came from caring too much about answers had nothing to do with professionalism and everything to do with the risk he was taking.
"I'll be ready at ten," she said.
"And Daniel, be careful. Whoever killed my father knew Thornwood. They may know you now, too." He smiled, that unexpected transformation. "I've been told I make enemies easily. Occupational hazard." He walked away, then stopped.
"Eleanor? The photograph. The man Brenner. You have his eyes." She watched him go, the photograph heavy in her pocket, and wondered what else she'd inherited from a stranger in Vienna.