Home to a mixed community of Muslims, Copts, Christians, Jews, Buddhists, Indians, Europeans and Africans, Sur is plunged into turmoil by an extremist revolution orchestrated by the Righteous One. An obscure figure, the Righteous One is drawing followers from the poor and discontented to his jihad. Sur and all its communities represent the camp of apostasy and must be defeated. The city begins to prepare itself for the onslaught. Together with other young women, Khamila is led away to a house for female captives. Kept in seclusion and guarded by eunuchs, these women are instructed in the new faith and readied for marriage and sexual servitude. Despairing of rescue and determined to resist her fate, Khamila learns she is to be married off to the Righteous One himself. She appears to be rescued by one of the eunuchs, Lulu, but awakens from her dream, again and again, to find herself still a captive. Despite its relative shortness, this poetic novel is rich in detail and characters, while the author projects contemporary horrors of sexual violence and slavery back into the past and fiercely criticizes today’s extremist ideologies.

Louis Nawa left the hospital, still wearing his inpatient's gown, which covered only the top half of his body, leaving the bottom half naked but for a thick coat of body hair, a few mosquito bites and a wealth of lesions left by Ebola, which were now beginning to heal over. The streets were dusty, baking in the midday August sun... Ebola's tragic victims were evident all around. With no one left to carry them, they crawled alone to the main square in the hope of finding help. Louis, meanwhile, was completely oblivious to his bare feet, already blistering as they pounded the baking road. Any feeling including that of a guilty conscience had been entirely deadened by the bottle of wine he had guzzled. By acclaimed Sudanese author Amir Tag Elsir, Ebola '76 follows the story of Louis, a simple blue-collar worker who unwittingly transports a deadly disease back to his home country, with disastrous consequences for his family, friends and colleagues alike. In a series of bizarre and comical human encounters, the disease takes a firm hold of the city of Anzara. Blind guitar players, comely barbers, tyrannical factory owners and spurned wives all soon find themselves desperately fighting for their lives in the "Time of Ebola". Among the novel's most unusual characters is Ebola itself, a strikingly dark and sinister presence that haunts the pages of this fast-paced, tragicomic satire. Cackling with glee, hovering in drops of spittle, and gliding slyly from body to body, Ebola represents one of the evilest and unpredictable of villains.