Life is not easy in the Soviet Union at mid-20 th century, especially for a factory worker who becomes an unwed mother. But Antonina is lucky to get a room in a communal apartment that she and her little girl share with three elderly women. Glikeria is a daughter of former serfs. Ariadna comes from a wealthy family and speaks French. Yevdokia is illiterate and bitter. All have lost their families, all are deeply traditional, and all become “grannies” to little Suzanna. Only they secretly name her Sofia. And just as secretly they impart to her the history of her country as they experienced it: the Revolution, the early days of the Soviet Union, the blockade and starvation of World War II. The little girl responds by drawing beautiful pictures, but she is mute. If the authorities find out she will be taken from her home and sent to an institution. When Antonina falls desperately ill, the grannies are faced with the reality of losing the little girl they love – a stepfather can be found before it is too late. And for that, they need a miracle.

Is it possible to cultivate fundamental human values if you live in a totalitarian state? A teacher who instigates the school theatre sets out to prove that it is. But while the pupils rehearse Shakespeare’s tragedies and comedies under her ever-vigilant eye, Soviet life makes its brutal adjustments. This can be called a book about love, the tough kind of love that gets you through life, and death. Little Zinnobers is especially fascinating for British readers as we see Shakespeare’s famous sonnets and plays are touchingly brought to life by the Russian children and their gifted teacher, the novel’s heroine. The teacher applies some of the playwright’s satire to the socio-political situation of the USSR, using her English lessons to teach her students life’s broader lessons, too.  Echoes of the Soviet Union can be felt in our own society today: the people find themselves increasingly at odds with the politicians’ hypocrisy, ‘big brother’ is watching us through thousands of CCTVs, and political correctness determines what we can and cannot say. It is these subtle undercurrents which help make Chizhova’s novel particularly pertinent to today’s readership. Apart from being a magnificently written, first-rate story, Little Zinnobers is unique in that it goes beyond the realm of politics or fiction to shed a new light on the relevance of British literary heritage today. Published with the support of the Institute for Literary Translation, Russia.