Story By arie yuandani
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arie yuandani

ABOUTquote
My name is Arie Yuandani, and my life is a journey navigated between two worlds: the tangible realm of form and the profound architecture of language. As a multidisciplinary artist, I refuse to be confined to a single medium. Through painting, sculpture, and the ancient art of Wayang, I seek to capture the essence of stories that are often eclipsed by the rush of the modern age. My fascination with how we communicate and preserve meaning led me to the field of Linguistics. To me, language is more than just a collection of words; it is the skeletal structure upon which culture is built. As a linguistics student and a writer, I view Wayang not merely as a play of shadows, but as a "living text"—an evolving narrative that breathes and changes alongside humanity. In every brushstroke, every carved curve of a sculpture, and every sentence I write, my mission remains the same: to bridge the gap between the fleeting nature of oral tradition and the permanence of the written word. I believe that art and science are two sides of the same coin—both are essential tools in our eternal quest to understand what it truly means to be human.
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The Shadow's Prey
Updated at Feb 12, 2026, 23:40
"In the world of shadows, the puppet master doesn't just pull the strings—he claims the soul." Mayang is an ambitious linguistic researcher who ventures into the deep, misty jungles of Kalimantan with a secret mission: to record the "Forbidden Mantra" of the legendary Wayang Banjar. For her, this isn't just an academic pursuit; it is a desperate attempt to clear her late father’s name from a scandal that destroyed her family’s legacy. She believes that logic and technology can conquer any mystery. She is wrong. She meets Nalagareng (Nala), a hauntingly charismatic young Dalang (Puppet Master) with amber eyes that seem to pierce through the veil of reality. Nala is more than an artist; he is the guardian of a blood-covenant between the living and the dead. To him, Mayang’s digital recorders are an insult—tools designed to "trap" the souls of his ancestors. From the moment their eyes meet under the flickering oil lamp, Nala doesn't see a researcher; he sees a prey that must be broken and claimed. The stakes escalate with the arrival of Carmelia van der Pijl, a cold, beautiful Dutch heiress who wields a colonial-era deed claiming ownership over the village lands—and Nala himself. Meanwhile, Plumeria, a local mystic consumed by a jealous obsession with Nala, begins weaving a curse of rotting frangipani to ensure Mayang never leaves the jungle alive. Caught in a deadly triangle of Nala’s possessive obsession, Carmelia’s ruthless ambition, and Plumeria’s dark sorcery, Mayang realizes a horrific truth: On this stage, she is no longer the observer. She is the lead puppet whose fate is being rewritten in blood. As the "Eater of Ancestors" curse demands a new sacrifice, Mayang must decide: will she escape with her research and her life, or will she surrender to the darkness and become the eternal shadow at the side of the Puppet Master?
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The Alpha Sculptor
Updated at Feb 1, 2026, 18:11
"I do not merely carve the stone; I conquer the spirit within. And if the world dares to steal my masterpiece, I will hunt it across seven centuries of death." Nalagareng is the Alpha Sculptor—a man with hands of granite and a will of iron. In the shadow of the sacred Mount Pawitra in 11th-century Java, he is commissioned by the legendary King Airlangga to create an eternal masterpiece: a sacred water temple (Petirtaan) featuring two goddesses who will pour the "Water of Life." But Nala is no ordinary artisan to be bought with gold. He demands an impossible price: The King’s two most prized consorts must be surrendered to him as his live models. The Core Conflict In the savage, untamed wilderness of the volcano, Nala isolates himself with Dyah Ayu (the soft, moon-like beauty) and Dyah Arum (the fierce, fire-spirited rebel). In this high-altitude sanctuary, the King’s law is dead. There is only the Law of the Alpha. Nala strips away their royal luxuries, shatters their gold, and forces these noblewomen to endure the harshness of the mountain. He must break them down until they are as raw as the stone itself before he can rebuild them into divinities. But Nala’s art is a dangerous form of dark mysticism. Every strike of his mallet binds their souls to the andesite, creating an erotic and spiritual tension that threatens to consume them all. The Grand Twist: The 21st-Century Theft As the carving nears completion, Nala receives a terrifying vision: Seven hundred years in the future, pale-skinned men from across the ocean will arrive. They will loot his work, chain his stone goddesses in wooden crates, and display them like war trophies in a cold, grey building in Leiden, Netherlands. Driven by the primal rage of an Alpha whose territory has been violated, Nala carves a forbidden mantra into the heart of the stone. He vows to be reborn in the future to reclaim what is rightfully his. The Reincarnation Seven centuries pass. In the modern era, a man haunted by phantom memories of dust and fire stands before a glass display in the Leiden Museum. Inside, the statues of Dewi Sri and Laksmi appear to weep. Nala’s soul has returned. He is no longer just a sculptor; he is a predator on a mission of restoration. He will not stop until his "goddesses" are returned to Javanese soil—even if he has to shatter modern laws and rewrite history to do it.
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The Dalang
Updated at Feb 1, 2026, 03:43
"In the world of shadows, the heart is the hardest string to pull." Mayang never expected that a journey back to her ancestral home in South Kalimantan would entangle her in a fate centuries old. A modern soul caught in a world of whispers, she finds herself mesmerized by a man who moves like a shadow and speaks like a god. He is Nalagareng, known to the villagers simply as Nala. He is the last true master of the Wayang Banjar, a man whose life is dedicated to the Oral Tradition of his ancestors. Nala doesn't just tell stories; he breathes life into the leather puppets, his voice a haunting instrument that carries the weight of a thousand unspoken secrets. In the flickering light of the Kelir, Mayang begins to hear a different story—one that isn't found in the ancient myths. It is a story whispered only to her, a song of a forbidden love that has been waiting for a voice to claim it. But as the line between the performance and reality begins to fade, Mayang is faced with a terrifying truth: in Nala's world of shadows, is she the woman he loves, or merely the most precious puppet in his final act?
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