ABOUT ME: THE GIRL WHO WRITES LIKE SHE’S RUNNING OUT OF TIME
I’m not loud.
But I’m the person who walks into a room, says 3 words, and everyone goes quiet because they know I noticed something they missed.
My name is Praxy.
I’m 15. I drink too much coffee. I sleep 4 hours. I plot at 3am.
And I write stories that feel like a threat wrapped in romance.
If you’ve read to the bottom of this, you’re probably like me.
Tired of waiting. Tired of nice. Tired of pretending you’re not dangerous.
PART 1: HOW I BEHAVE WHEN NO ONE’S WATCHING
I’m a watcher.
I sit in cafes and I don’t write. I just watch.
How a girl tucks her hair when she’s lying.
How a man checks his phone when he’s scared.
How silence gets heavy 2 seconds before someone says something cruel.
I collect those 2 seconds. That’s where my books live.
I don’t talk much in real life. People think I’m shy.
I’m not shy. I’m calculating.
Every word costs energy. So I only spend it when it matters.
My friends say: "Vee, you have resting 'I know a secret' face."
They’re right. Because I do.
I know how the story ends. I just haven’t written it yet.
I’m messy. My room has notebooks everywhere.
Page 1: "BHG owns the port"
Page 4: "What does Damian drink? Black. No sugar. No mercy."
Page 9: Grocery list + "Kiera needs to almost die here"
I don’t plan my life. I plan my plots.
My life is chaos. My stories are surgical.
PART 2: HOW I TREAT PEOPLE
I’m loyal to a fault.
If you’re my person, I will remember your coffee order 2 years later.
I will show up at 2am.
I will fight for you in rooms you’re not in.
But.
If you lie to me once, I never forget the tone of your voice when you did it.
I don’t yell. I don’t cut you off.
I just... file you. And I never tell you where the file is.
I’m the friend who gives you the brutal truth with a cup of tea.
"You’re self-sabotaging." _pushes tea_ "Drink this."
I’m bad at small talk.
"How are you?" → "The plot has a hole in chapter 7."
I know. I’m working on it.
I’m soft with animals and old people.
I’m ruthless with people who use power to hurt people with no power.
That’s why I write Kiera. That’s why I write Damian.
Because the world needs more people who choose to protect instead of control.
PART 3: HOW I WORK
I don’t write 8 hours a day.
I write in bursts. 20 minutes of panic, 2 hours of flow, 4 hours of staring at the wall.
My best ideas come when I’m supposed to be doing something else.
In the shower. On a bus. At 3:17am when I should be asleep.
I’m obsessive.
If I decide Damian’s company is called BHG, I will spend 3 hours researching if "Holdings Group" is legally used in [Ethan’s state].
I will spend 10 seconds naming a character who dies in chapter 2.
I rewrite. A lot.
First draft: 80% dialogue.
Second draft: Add breathing.
Third draft: Add the thing that makes your heart thump.
Fourth draft: Cut everything that isn’t that.
She was framed.
She was thrown out.
She was disowned.
Now she’s his collateral.
Kiera Stevens has spent her whole life being the family scapegoat.
Thrown out by the Stevens family, blamed for disasters she didn’t cause, and hated by the stepmother and stepsister who stole her place — she thought she had nothing left to lose.
She was wrong.
One emergency family gathering. One fake video. One accusation that tanked Stevens Tech stock by 40%.
And just like that, Kiera is the reason her family is $49 million in debt.
Standing in the ancestral hall, with a shattered teacup at her feet and a dozen eyes spitting venom, Kiera does the unthinkable.
She talks back. She laughs. And when her stepsister plays "proof" of her crime, Kiera only has one thing itching to say: “No seriously, who believed that?”
But laughing won’t save her. Because the man who walks down the stairs isn’t there to save her either.Damian Blackwood.
CEO of Blackwood Global.
Cold.
Ruthless.
Breathtaking. He bought Stevens Tech to collect a debt.
And now, he’s here to collect her.“Jail doesn’t pay my $49 million. You do. 24/7. Starting tonight. Pack a bag.”
Collateral.
Assistant.
Prisoner with a job title.
Kiera moves into the most powerful man in the city’s penthouse with one rule: hate him, survive him, and get out.
Easy.
Except Damian isn’t what he seems.
He defends her in front of her family.
He pays her grandmother’s hospital bills.
He notices when she flinches at loud voices, when her hands shake, when she has nightmares about kneeling on cold tile floors.
And worst of all — he was holding a black mask at a masquerade gala one year ago.
The same night Kiera lost something she can never get back.
She resents him.
She needs him.
And she’s hiding a secret that could destroy them both.
Because nine months ago, that night at the gala wasn’t the first time their lives collided.
And the test in her bathroom drawer isn’t negative.
Now the Stevens family wants blood. The media wants a scandal.
Damian’s claimed childhood savior wants his last name.
And Kiera?
Kiera just wants to protect the two babies who doesn’t know he exists yet.
But secrets don’t stay buried in Damian Blackwood’s world. And when the truth comes out — about the frame job, about the gala, about the baby — Kiera will have to decide: Is Damian the man who trapped her… Or the only one who can save her?*He owns her contract.
He doesn’t own her heart. But what happens when the contract expires and the baby doesn’t?