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Philip K. d**k: Golden Age Space Opera Tales

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Philip Kindred d**k (December 16, 1928 – March 2, 1982) was an American writer known for his work in science fiction. He produced 44 published novels and approximately 121 short stories, most of which appeared in science fiction magazines during his lifetime.His fiction explored varied philosophical and social themes, and featured recurrent elements such as alternate realities, simulacra, large corporations, drug abuse, authoritarian governments, and altered states of consciousness. His work was concerned with questions surrounding the nature of reality, perception, human nature, and identity. A variety of popular Hollywood films based on Dick's works have been produced, although not always under the same title as the original work, including Blade Runner (1982), Total Recall (adapted twice: in 1990 and in 2012), Minority Report (2002), A Scanner Darkly (2006), and The Adjustment Bureau (2011). The novel The Man in the High Castle (1962) was made into a multi-season television series by sss, starting in 2015.Space Opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology.The term has no relation to music, as in a traditional opera, but is instead a play on the terms "soap opera", a melodramatic television series, and "horse opera", which was coined during the 1930s to indicate a formulaic Western movie. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, and video games.The Golden Age of Pulp Magazine Fiction derives from pulp magazines (often referred to as "the pulps") as they were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". (Wikipedia)The pulps gave rise to the term pulp fiction. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many writers wrote for pulps, the magazines were proving grounds for those authors like Robert Heinlein, Louis LaMour, "Max Brand", Ray Bradbury, Philip K. d**k, and many others. The best writers moved onto longer fiction required by paperback publishers. Many of these authors have never been out of print, even long after their passing.Anthology contains:- Tony and the Beetles- The Eyes Have It- Beyond the Door- The Crystal Crypt- The Defenders- Mr. Spaceship- Piper in the Woods- Second Variety- The Variable Man- Beyond Lies the Wub- The Gun- The SkullScroll Up and Get Your Copy Now 

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Tony and the Beetles-1
Tony and the Beetles A ten-year-old boy grows up fast when history catches up with the human race. - - - - * * * * REDDISH-YELLOW SUNLIGHT filtered through the thick quartz windows into the sleep-compartment. Tony Rossi yawned, stirred a little, then opened his black eyes and sat up quickly. With one motion he tossed the covers back and slid to the warm metal floor. He clicked off his alarm clock and hurried to the closet. It looked like a nice day. The landscape outside was motionless, undisturbed by winds or dust-shift. The boy’s heart pounded excitedly. He pulled his trousers on, zipped up the reinforced mesh, struggled into his heavy canvas shirt, and then sat down on the edge of the cot to tug on his boots. He closed the seams around their tops and then did the same with his gloves. Next he adjusted the pressure on his pump unit and strapped it between his shoulder blades. He grabbed his helmet from the dresser, and he was ready for the day. In the dining-compartment his mother and father had finished breakfast. Their voices drifted to him as he clattered down the ramp. A disturbed murmur; he paused to listen. What were they talking about? Had he done something wrong, again? And then he caught it. Behind their voices was another voice. Static and crackling pops. The all-system audio signal from Rigel IV. They had it turned up full blast; the dull thunder of the monitor’s voice boomed loudly. The war. Always the war. He sighed, and stepped out into the dining-compartment. “Morning,” his father muttered. “Good morning, dear,” his mother said absently. She sat with her head turned to one side, wrinkles of concentration webbing her forehead. Her thin lips were drawn together in a tight line of concern. His father had pushed his dirty dishes back and was smoking, elbows on the table, dark hairy arms bare and muscular. He was scowling, intent on the jumbled roar from the speaker above the sink. “How’s it going?” Tony asked. He slid into his chair and reached automatically for the ersatz grapefruit. “Any news from Orion?” Neither of them answered. They didn’t hear him. He began to eat his grapefruit. Outside, beyond the little metal and plastic housing unit, sounds of activity grew. Shouts and muffled crashes, as rural merchants and their trucks rumbled along the highway toward Karnet. The reddish daylight swelled; Betelgeuse was rising quietly and majestically. “Nice day,” Tony said. “No flux wind. I think I’ll go down to the n-quarter awhile. We’re building a neat spaceport, a model, of course, but we’ve been able to get enough materials to lay out strips for—” With a savage snarl his father reached out and struck the audio roar immediately died. “I knew it!” He got up and moved angrily away from the table. “I told them it would happen. They shouldn’t have moved so soon. Should have built up Class A supply bases, first.” “Isn’t our main fleet moving in from Bellatrix?” Tony’s mother fluttered anxiously. “According to last night’s summary the worst that can happen is Orion IX and X will be dumped.” Joseph Rossi laughed harshly. “The hell with last night’s summary. They know as well as I do what’s happening.” “What’s happening?” Tony echoed, as he pushed aside his grapefruit and began to ladle out dry cereal. “Are we losing the battle?” “Yes!” His father’s lips twisted. “Earthmen, losing to—to beetles. I told them. But they couldn’t wait. My God, there’s ten good years left in this system. Why’d they have to push on? Everybody knew Orion would be tough. The whole damn beetle fleet’s strung out around there. Waiting for us. And we have to barge right in.” “But nobody ever thought beetles would fight,” Leah Rossi protested mildly. “Everybody thought they’d just fire a few blasts and then—” “They have to fight! Orion’s the last jump-off. If they don’t fight here, where the hell can they fight?” Rossi swore savagely. “Of course they’re fighting. We have all their planets except the inner Orion string—not that they’re worth much, but it’s the principle of the thing. If we’d built up strong supply bases, we could have broken up the beetle fleet and really clobbered it.” “Don’t say ‘beetle,’” Tony murmured, as he finished his cereal. “They’re Pas-udeti, same as here. The word ‘beetle’ comes from Betelgeuse. An Arabian word we invented ourselves.” Joe Rossi’s mouth opened and closed. “What are you, a goddamn beetle-lover?” “Joe,” Leah snapped. “For heaven’s sake.” Rossi moved toward the door. “If I was ten years younger I’d be out there. I’d really show those shiny-shelled insects what the hell they’re up against. Them and their junky beat-up old hulks. Converted freighters!” His eyes blazed. “When I think of them shooting down Terran cruisers with our boys in them—” “Orion’s their system,” Tony murmured. “Their system! When the hell did you get to be an authority on space law? Why, I ought to—” He broke off, choked with rage. “My own kid,” he muttered. “One more crack out of you today and I’ll hang one on you you’ll feel the rest of the week.” Tony pushed his chair back. “I won’t be around here today. I’m going into Karnet, with my EEP.” “Yeah, to play with beetles!” Tony said nothing. He was already sliding his helmet in place and snapping the clamps tight. As he pushed through the back door, into the lock membrane, he unscrewed his oxygen tap and set the tank filter into action. An automatic response, conditioned by a lifetime spent on a colony planet in an alien system. - - - -

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