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Planet Stories: Golden Age Space Opera Tales (Short Story Fiction Anthology)

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Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet did not pay well enough to regularly attract the leading science fiction writers of the day, but did manage to obtain work from well-known names on occasion, including Isaac Asimov and Clifford Simak. In 1952 Planet published Philip K. d**k's first sale, and went on to print four more of his stories over the next three years.

Space Opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology.

The term has no relation to music, as in a traditional opera, but is instead a play on the terms "soap opera", a melodramatic television series, and "horse opera", which was coined during the 1930s to indicate a formulaic Western movie. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, and video games.

The Golden Age of Pulp Magazine Fiction derives from pulp magazines (often referred to as "the pulps") as they were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". (Wikipedia)

The pulps gave rise to the term pulp fiction. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many writers wrote for pulps, the magazines were proving grounds for those authors like Robert Heinlein, Louis LaMour, "Max Brand", Ray Bradbury, Philip K. d**k, and many others. The best writers moved onto longer fiction required by paperback publishers. Many of these authors have never been out of print, even long after their passing.  

Anthology containing:

Stranger From Space by Hannes Bok

Raiders of the Second Moon by Gene Ellerman

One Against the Stars by Bill Garson

Dust Unto Dust by Lyman D. Hinckley

Sin In Space by Cyril Judd

Image Of Splendor by Lu Kella

An All-American Plague by Teddy Keller

Stellar Showboat by Malcolm Jameson

Tarnished Utopia by Malcom Jameson

Double Jeopardy by Fletcher Pratt

Cosmic Yo-Yo by Ross Rocklynne

Alien Equivalent by Richard Rein Smith

Prison Planet by Wilson Tucker

Warrior of Two Worlds by Manly Wade Wellman

Coming of the Gods by Chester Whitehorn

Invader From Infinity by George Whittington

Mists of Mars by George A. Whittington

The Amphibians by S. Fowler Wright

Highwayman of the Void by Dirk Wylie

Queen of the Flaming Diamond by Leroy Yerxa

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STRANGER FROM SPACE-1
STRANGER FROM SPACE BY HANNES BOK from Planet Stories March 1943 She prayed that a God would come from the skies and carry her away to bright adventures. But when he came in a metal globe, she knew only disappointment—for his godliness was oddly strange! - - - - * * * * IT WAS TWILIGHT ON Venus—the rusty red that the eyes notice when their closed lids are raised to light. Against the glow, fantastically twisted trees spread claws of spiky leaves, and a group of clay huts thrust up sharp edges of shadow, like the abandoned toy blocks of a gigantic child. There was no sign of clear sky and stars—the heavens were roofed by a perpetual ceiling of dust-clouds. A light glimmered in one of the huts. Feminine voices rippled across the clearing and into the jungle. There was laughter, then someone’s faint and wistful sigh. One of the voices mourned, in the twittering Venusian speech, “How I envy you, Koroby! I wish I were being married tonight, like you!” Koroby stared defiantly at the laughing faces of her bridesmaids. She shrugged hopelessly. “I don’t care,” she said slowly. “It will be nice to have Yasak for a husband—yes. And perhaps I do love him. I don’t know.” She tightened her lips as she reflected on it. She left them, moving gracefully to the door. Venus-girls were generally of truly elfin proportions, so delicately slim that they seemed incapable of the slightest exertion. But Koroby’s body was—compared to her friends’—voluptuous. She rested against the door-frame, watching the red of the afterglow deepen to purple. “I want romance,” she said, so softly that the girls had to strain forward to hear her. “I wish that there were other worlds than this—and that someone would drop out of the skies and claim me ... and take me away from here, away from all this—this monotony!” She turned back to her friends, went to them, one of her hands, patting the head of the kneeling one. She eyed herself in the mirror. “Well—heigh-ho! There don’t seem to be any other worlds, and nobody is going to steal me away from Yasak, so I might as well get on with my preparations. The men with the litter will be here soon to carry me to the Stone City.” She ran slim hands down her sides, smoothing the blue sarong; she fondled her dark braids. “Trossa, how about some flowers at my ears—or do you think that it would look a little too much—?” Her eyes sought the mirror, and her lips parted in an irreprehensible smile. She trilled softly to herself, “Yes, I am beautiful tonight—the loveliest woman Yasak will ever see!” And then, regretfully, sullenly, “But oh, if only He would come ... the man of my dreams!” There was a rap at the doorway; they turned. One of the litter-bearers loomed darker than the gloomy sky. “Are you ready?” he asked. Koroby twirled before the mirror, criticizing her appearance. “Yes, ready,” she said. “Ready!” the girls cried. Then there was a little silence. “Shall we go now?” Koroby asked, and the litter-carrier nodded. Koroby kissed the girls, one after another. “Here, Shonka—you can have this bracelet you’ve always liked. And this is for you, Lolla. And here, Trossa—and you, Shia. Goodbye, darlings, goodbye—come and see me whenever you can!” “Goodbye, Koroby!” “Goodbye! Goodbye!” They crowded around her, embracing, babbling farewells, shreds of advice. Trossa began to cry. Finally Koroby broke away from them, went to the door. She took a last look at the interior of the little hut, dim in the lamplight—at the hard bed of laced gnau-hide strips, the crude but beautifully-carved charts and chests. Then she turned and stepped out into the night. “This way,” the litter-carrier announced, touching the girl’s arm. They stumbled over the rutted clearing toward the twinkling sparks that were the lights of the other litter-bearers, colored sparks as befitted a wedding-conveyance. The winking lights were enclosed in shells of colored glass for another reason—the danger of their firing the papery jungle verdure. - - - -

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