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The mafia’s accountant

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Blurb

Nora Voss is invisible by design. A quiet, meticulous accountant who prefers balance sheets to people, she has built her life around one reliable truth: numbers never lie.

Then she finds the ones that shouldn’t exist.

A routine audit of a shell company leads her straight into the financial machinery of the Marchetti Syndicate Chicago’s most feared criminal empire. Before she can decide what to do about it, she’s in the back of a blacked-out SUV, staring across a mahogany desk at Dominic Marchetti: ruthless, cold-eyed, and far more beautiful than anyone with his body count has any right to be.

He doesn’t kill her. He has a worse idea.

Someone inside his organization has been stealing from him, tens of millions, hidden inside accounting so sophisticated that none of his people can crack it. Nora can. And until she does, she belongs to him.

The mafia’s accountant is a slow-burn dark romance about a woman who counts everything and a man who controls everything and what happens when neither can account for what they feel

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Chapter 1-Finding something that isn't there
The number was wrong. Not dramatically wrong. Not the kind of wrong that screamed, that waved its arms and demanded attention. It was the quiet, polite kind of wrong that slipped itself into the middle of a hundred correct numbers and waited to see if anyone was paying enough attention to notice. Nora noticed. She set down her coffee cold, ignored, her third attempt at a cup today and leaned closer to her screen. The fluorescent hum of the Harwick & Associates offices continued around her: keyboards, the distant percussion of the printer on the third floor, someone two desks over eating something that smelled aggressively of microwave noodles. Nora heard none of it. She was inside the numbers now. The file was Meridian Urban Holdings, LLC. A small commercial property company based in the River North neighbourhood of Chicago, referred to Harwick by a senior partner for a routine audit. Three years of financial records. Forty-two shell transactions. A structure so carefully organised that it had, she was almost certain, been built by someone who understood accounting the way she did not as a necessary formality, but as a language. As architecture. She pulled up the 2021 Q3 ledger and found the wrong number again. Then found its counterpart in Q4. Then found, working backward with the particular quiet patience that made her colleagues describe her as ‘unnervingly thorough’ and her mother describe her as ‘a little too much,’ the originating transaction that had generated both. She sat back in her chair. The originating transaction pointed to an LLC called Ferro Capital Partners, which pointed to a holding entity in Delaware, which pointed to another entity in the Cayman Islands, which after forty-five minutes of forensic cross-referencing that she undertook with the focused intensity of someone working a very satisfying puzzle — pointed to a parent company called Marchetti Properties. Nora stared at the screen. She knew the name. Everyone in Chicago’s financial and business circles knew the name. Marchetti Properties was one of the city’s largest private real estate operators: legitimate, enormously profitable, headquartered in a River North building that had been featured in an architectural magazine last spring for its conversion of a 1920s industrial warehouse into something that cost a great deal of money to look that effortless. What she also knew because she read the Tribune, because she had a colleague who worked financial crime law, because she was, under the brown hair and the muted wardrobe and the general impression of total harmlessness, a person who paid attention to things was that Marchetti Properties had a second reputation. A quieter one. The kind that didn’t make the architectural magazines. The Marchetti Syndicate. Nora pressed her lips together. Looked at the number. Looked at the chain of entities it had traced through. The sensible thing, she thought, was to close the file, mark it for escalation to her senior partner, and go home to her studio apartment and her cat, whose name was Index and who had no opinions about organised crime. She did not close the file. She was still working, it was nearly eight o’clock, the office empty, the noodle smell finally gone when she found the full pattern. Eighteen months. Forty-seven million dollars. A system of layered transactions so sophisticated, so internally coherent, so exquisitely constructed to mimic legitimate property revenue that three previous auditors had walked past it the way you walked past a painting that had been hung in the same spot for so long you’d stopped seeing it as a painting and begun to see it as wall. It was, she thought with the detached, involuntary appreciation she always felt for work this precise, genuinely beautiful. And then the lights went out. Not the building’s lights. Her screen. The overhead fluorescents. Everything, simultaneously, as though the office had been erased from the inside. Nora sat in the sudden dark and thought: ah. She had her phone out and was reaching for her bag when the office door which she had heard lock behind her colleague Marcus at six-forty-three opened. Two men. She couldn’t see their faces in the dark, but she could see their outlines: large, unhurried, the body language of people who were accustomed to walking into rooms and not being asked any questions. "Ms. Voss," said one of them. His voice was courteous. That was, somehow, worse than if it hadn’t been. "Mr. Marchetti would like a word." Nora looked at her screen. Dead. She looked at her bag. She looked at the window, which was on the twenty-second floor. "All right," she said. Her voice was steadier than she expected. She filed this away as something to think about later. "Let me get my coat." ⁂ ⁂ ⁂ The car was a black Mercedes S-Class with privacy glass and no discernible plates that she could see from the angle at which she was sitting, which was between the two large men and therefore not particularly advantageous for licence plate observation. The city moved past the windows in amber and blue. She recognised River North before they stopped, recognised the Marchetti Properties building by its architectural distinctiveness, and then they were inside, and then she was in a lift that went up without any buttons being pressed, and then the doors opened. The penthouse floor was not what she expected of a mafia boss’s headquarters. She had expected ostentation -the expensive ugliness of money trying too hard. What she got instead was a space of almost aggressive restraint: dark concrete, warm wood, floor-to-ceiling windows that gave the whole of Chicago back to the night sky without comment. Bookshelves. Actual bookshelves, with actual books, the kind that had cracked spines from being read. A desk that could have accommodated a small meeting, behind which sat a man who was looking at her the way she looked at the Meridian ledger: with complete attention and no visible expression. Dominic Marchetti was not what she had expected either. She had formed a picture from the newspaper photographs, which were taken at obligatory charity events and tended to be grainy and distant, as though photographers instinctively maintained a respectful radius. The picture had been: dark, imposing, dangerous. The reality was all of those things. It was also and this felt immediately and profoundly inconvenient — something else. He was somewhere in his mid-thirties, dark-haired, with the kind of bone structure that resulted from generations of very definite genetics, and eyes that were an unusually pale grey in a face too severe for them to be called beautiful. He was impeccably dressed in the way that people were impeccably dressed when they had stopped noticing what they were wearing because everything they owned was excellent. He sat perfectly still, both hands flat on the desk, and looked at her, and she had the specific, unsettling sensation of being understood by someone who had decided nothing about her yet. "Sit down, Ms. Voss." She sat. Not because she was told to. Because her legs suggested it would be wise. "You spent four hours today inside Meridian Urban Holdings’ financial records," he said. It was not a question. "Yes." "What did you find?" She looked at him. He looked at her. The window behind him held the whole city. "I think you know what I found," she said. Something shifted in his expression. Not enough to constitute an emotion, but enough to note. "I’d like to hear it from you." "You moved forty-seven million dollars through a chain of shell entities over eighteen months," Nora said, "using a layered transaction structure that was designed to replicate legitimate property revenue cycles closely enough to pass casual scrutiny. It’s genuinely very good. It passed three auditors." A pause. "It didn’t pass me." The silence lasted approximately five seconds. "No," he said. "It didn’t." He stood. He was taller standing than he had looked seated, which was saying something. He moved to the window and looked at the city below with the ease of a man who owned a significant portion of it. "Here is your situation, Ms. Voss. You have found something that very few people have the technical ability to find and that no one outside this organisation is supposed to know exists. You understand what that means." She understood exactly what it meant. She was running a very rapid calculation, the kind she was good at: variables, outcomes, probabilities. "You’re not going to kill me," she said. He turned from the window. One eyebrow moved, fractionally. "Explain your reasoning." "Because you sent two men who knocked instead of breaking in, and one of them apologised when he stepped on my foot getting into the car. People who plan to kill someone don’t bother with courtesy. You brought me here because you want something from me." She looked at him steadily. "And whatever it is, I’m the only one who can do it. Otherwise you’d have found someone cheaper to make your problem disappear." He looked at her for a long moment. Then he said, "You’re right." And the two words landed in the room with the weight of something that had never been said to her before, by anyone who mattered, in any context that counted. "Sit down, Ms. Voss," he said again. "We have a great deal to discuss."

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