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Discourse on Inequality

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(1754)

A Discourse Upon The Origin And The Foundation Of The Inequality Among Mankind

Discours sur l'origine et les fondements de l'in galit parmi les hommes

Also commonly known as the "Second Discourse"

Rousseau first exposes in this work his conception of a human state of nature, presented as a philosophical fiction, and of human perfectibility, an early idea of progress. He then explains the way, according to him, people may have established civil society, which leads him to present private property as the original source and basis of all inequality.

The text was written in 1754 in response to a prize competition of the Academy of Dijon answering the prompt: What is the origin of inequality among people, and is it authorized by natural law? Though he was not recognized by the prize committee for this piece (as he had been for the Discourse on the Arts and Sciences) he nevertheless published the text in 1755.

QUESTION PROPOSED BY THE ACADEMY OF DIJON

What is the Origin of the Inequality among Mankind;

and whether such Inequality is authorized by the Law of Nature?

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Introductory Note
Jean Jacques Rousseau was born at Geneva, June 28, 1712, the son of a watchmaker of French origin. His education was irregular, and though he tried many professions--including engraving, music, and teaching--he found it difficult to support himself in any of them. The discovery of his talent as a writer came with the winning of a prize offered by the Academy of Dijon for a discourse on the question, "Whether the progress of the sciences and of letters has tended to corrupt or to elevate morals." He argued so brilliantly that the tendency of civilization was degrading that he became at once famous. The discourse here printed on the causes of inequality among men was written in a similar competition. He now concentrated his powers upon literature, producing two novels, "La Nouvelle Heloise," the forerunner and parent of endless sentimental and picturesque fictions; and "Emile, ou l'Education," a work which has had enormous influence on the theory and practise of pedagogy down to our own time and in which the Savoyard Vicar appears, who is used as the mouthpiece for Rousseau's own religious ideas. "Le Contrat Social" (1762) elaborated the doctrine of the discourse on inequality. Both historically and philosophically it is unsound; but it was the chief literary source of the enthusiasm for liberty, fraternity, and equality, which inspired the leaders of the French Revolution, and its effects passed far beyond France. His most famous work, the "Confessions," was published after his death. This book is a mine of information as to his life, but it is far from trustworthy; and the picture it gives of the author's personality and conduct, though painted in such a way as to make it absorbingly interesting, is often unpleasing in the highest degree. But it is one of the great autobiographies of the world. During Rousseau's later years he was the victim of the delusion of persecution; and although he was protected by a succession of good friends, he came to distrust and quarrel with each in turn. He died at Ermenonville, near Paris, July 2, 1778, the most widely influential French writer of his age. The Savoyard Vicar and his "Profession of Faith" are introduced into "Emile" not, according to the author, because he wishes to exhibit his principles as those which should be taught, but to give an example of the way in which religious matters should be discussed with the young. Nevertheless, it is universally recognized that these opinions are Rousseau's own, and represent in short form his characteristic attitude toward religious belief. The Vicar himself is believed to combine the traits of two Savoyard priests whom Rousseau knew in his youth. The more important was the Abbe Gaime, whom he had known at Turin; the other, the Abbe Gatier, who had taught him at Annecy.

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