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A Poet and Bin-Laden

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The “reality novel” A Poet and Bin-Laden set in Central Asia at the turn of the 21st century against a swirling backdrop of Islamic fundamentalism in the Ferghana Valley and beyond, gives a first-hand account on the militants and Taliban’s internal life.

The novel begins on the eve of 9/11, with the narrator’s haunting description of the airplane attack on the Twin Towers as seen on TV while he is on holiday in Central Asia; and tells the story of an Uzbek poet Belgi, who was disappointed in the authoritarian regime in Uzbekistan and became a terrorist in the eyes of the world. His journey begins with a search for a Sufi spiritual master and ends in guerrilla warfare, and it is this tension between a transcendental and a violent response to oppression, between the book and the bomb, between Archipelago GULAG and modern Central Asia and Afghanistan, that gives the novel its specific poignancy.

In this book Hamid Ismailov masterfully intertwines fiction with documentary and provides wonderfully vivid accounts of historical events such as the siege of Kunduz, the breakout from Shebergan prison and the insurgency in the Ferghana Valley as witnessed by the Byronian figure of Belgi, who enters the inner sanctum of al-Qaeda, and ultimately meets Sheikh bin Laden himself.

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Acknowledgements
Acknowledgements I am indebted to all those who helped me with this book and first of all to my wife Razia Sultanova and children Rano and Daniar Ismailov, to Andrew Bromfield who beautifully translated the novel and Richard McKane who translated the poems, as well as to Hugh Barnes who wrote a Preface. Monica Whitlock, John Spurling, Jill Shoolman and David Halpern kindly agreed to be the critical readers, checking the draft and making useful suggestions along the way. Their input is invaluable, and I am very grateful to them for their support. I am also indebted to late Anne-Marie Schimmel, Resat Niyazi and Shousha Guppy along with my friends Robert Chandler, Philippa Vaughan, Gwyneth Williams, Sian Glaessner and Zia Shakib for their encouragement and help with this book. Many thanks are due also to Lena Chibor, who bravely brought out the Russian version of the book, my agent Marc Koralnik, Liepman Ag, English PEN, Arts Council England, the Publisher Maxim Hodak for his passion and determination in making this book happen, to the Editor Camilla Stein, to the Marketing Manager Yana Kovalskaya and my friends mentioned in the novel.

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