EPILOGUE
Lucia raised her gaze, upwards, along the facade of Palazzo Baldeschi Balleani, wrapped by the structures where the gigantic colour print on stretched canvas, which depicted what the work would look like when the work was finished, stood out.
«How did you get a non-refundable grant of over 500,000 Euro from the Guggenheim Foundation in New York is not given to me to know, but I have strong suspicions», she turned to her new husband Andrea.
The young couple still wore the clothes they wore for the wedding ceremony. Lucia, in line with the customs of the noblewomen of the sixteenth century, had chosen a red dress, which further enhanced her already long-line silhouette, while Andrea had opted for a classic double-breasted blue. After the ceremony in the deconsecrated chapel of Vi
