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Love In The Shadows of Revenge

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Blurb

Love In The Shadows Of Revenge

A story of love, betrayal, redemption, and a fire that never died.

Written By Blessing Tamaraekie Deremo (Tamara Of Psychology)

Setting: The story unfolds in Albany, New York, a quiet yet politically tense city where secrets thrive behind gated mansions and polished campaigns. It's a place Simone never imagined calling home until it became the key to her revenge. The city’s layered atmosphere mirrors Simone’s dual life: one of motherly warmth and personal healing, the other of quiet planning and burning justice

Introduction: Simone Raya didn’t move to Albany for peace. She came for war. Behind her soft smile and steady strength lies a broken past, her family murdered, her body violated, her life derailed by a politician no one dares cross: Victoria Langley. Now, years later, Simone is back with a plan to get close, to stay quiet, and to burn Victoria’s empire from the inside out. But then Jordan Vaughn happens. A charming, wealthy playboy who ignites something unexpected in her, crashes into her life, and Simone finds herself drawn to him in ways she never expected. She resents him. She craves him. She falls for him. Until the truth slams into her like a blade to the gut. Jordan is the man who r***d her. And he doesn’t even know it. Worse still, he’s Victoria’s son. The same ‘Victoria’ Simone has vowed to destroy. The same woman whose secrets run darker than anyone imagines.

Maverick Vaughn, Jordan’s older brother, is kind, grounded, and unknowingly becomes an unwitting ally but neither brother knows who she really is... and Simone doesn’t know the family she’s falling into is the same one she came to destroy.

While Simone wrestles with love, hatred, and the horrifying twist of fate that puts the enemy’s blood in her heart she must choose: burn it all down, or face the fire that never truly died.

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Chapter One: Whispers of Blood and Memory
N.B: This is a work of fiction. Names, characters, places and incidents are the product of the creator's imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead is entirely coincidental. The apartment smelled of fresh paint. Simone stood in the center of the living room and did not move. Her eyes ran the length of the bare walls, the new floors, the still unopened boxes stacked like small promises. Somewhere in the quiet a kitchen clock old, crusted with a thousand breakfasts ticked as if to remind the empty rooms that time still mattered. Albany wore silence like a second skin: heavy, watchful, threaded with old stories. It was nothing like Manhattan, where life crashed against the streets like waves. Here the city moved differently slower, quieter. the kind of hush that didn’t soothe so much as observe. She stood by the window, watching streetlights stretch shadows across cracked sidewalks and closed storefronts. A bus hummed by, headlights cutting long knives through the dusk; a distant siren moaned and faded, more punctuation than panic. Danger here did not shout; it whispered. Simone had learned to respect whispers. She pulled her jacket tighter the soft leather creaking, familiar as armor. It was sleek and black and heavy with memory. Her reflection in the dark glass stared back: hazel eyes steady as stones, curls a defiant halo against the pale light, a jaw set like a barrier. This city would be her battleground now. Hope hadn’t brought her here. Revenge had a scent, and she planned to follow it. FLASHBACK — Eight Years Ago Summer had been reckless that day, the sky wide and careless, as if it did not know it was about to fall. She had been sixteen: backpack thrown over one shoulder, white sneakers scuffed, wearing a pink T-shirt with the words Dream Big scrawled across the chest in glitter. The front gate stood open. That was the first wrong note. The second was the silence. Her house had never been still. Her mother hummed soul music while cooking. Her little brother Ethan thudded balls off walls. Her father read aloud, his voice loud and certain. That day, the air was held taut. She paused at the doorstep, hand on the brass knob. Something pulled her back. She pressed her forehead to the side glass and peered in. Her knees folded. The living room was a churn of red. Her mother lay across the sofa, rosary clenched in a hand that would never move again. Her father’s head was a ruin. Ethan—God—Ethan’s small hand still gripped the sword of a toy that now looked obscene in the gore. A scream lodged inside her throat and would not fall free. Three figures moved with the cold choreography of professionals. One woman. Two men. The woman’s heels clicked like a metronome of death. Her red jacket was immaculate. She gave orders in a voice small and precise, the voice of someone used to getting what she wanted by whisper or command. Victoria Langley. Simone didn’t have the name then. She had the face. She filed it into the part of her brain meant for enemies. The men ransacked drawers, burned papers, moved in a rhythm that read like cover-up. An execution wrapped in politics. Simone retreated backward until the threshold swallowed her sight of them, then turned and ran until the soles of her shoes tore and her legs let her fall. By night she curled in an alley behind a laundromat, blood on her knees and prayer on her lips. FLASHBACK — Later That Night She woke to eyes. A woman stood above her, brown-skinned, tall, an apron tied around her waist, the smell of onions and grilled plantains clinging to her like an armor. Amara Jenkins had been carrying out the trash when she heard the soft whimper behind the crates. There, in the shadow, Simone crouched, face swollen, spirit bruised. “You alive?” Amara asked, voice steady enough to be a place. Simone tried to answer; her throat burned with something that wasn’t quite words. “Come on then,” Amara said, offering a hand. “Let’s get you off the street.” Amara’s kitchen; Jenkins’ Soul & Smoke—smelled like sanctuary and second chances. The place hummed with light and the steady chaos of people living. She took Simone inside and closed a door on the night that had tried to end her. It took days before she could speak, weeks before she could eat without nausea, months before the sleep stopped being jagged with screams. Amara never left. She didn’t pity. She steadied. That steadiness was rare and it kept Simone alive. Then came Elijah, Amara’s younger brother, a soldier who had known hard places. He watched her with a soldier’s patience until the night he found her hunched over a knife, raw and broken. “You’re not weak,” he said, crouching beside her. “You’re waiting.” “Waiting for what?” she managed. “To become dangerous.” Elijah taught her to endure, to outthink, to keep standing when the rest of the world tried to fold you. He taught her to train. At every sunrise she learned to make scars into armor and grief into strategy. FLASHBACK — Four Years Ago A fundraiser in Manhattan, a night swallowed by laughter and too much perfume. Simone was twenty and working a table, wearing the practiced smiles of service. He was every entitled cliché: expensive suit, too much cologne, the kind of grin that considered everything owed. She remembered refusing his drink. Then the room blurred. Her body ceased to be a thing she could command. “No,” she whispered. “Please.” No one listened. She reported it later and found the world had loyalties to wealth and private names. No witnesses, no footage. His family had buildings, power, the kind of reach that muzzled complaints. Nine months later she held twins in a hospital room smelling of antiseptic and exhaustion. A boy. A girl. Her body trembled. She chose them. Again. Every night. Every hard job. Every whispered vow. Amara helped. Elijah taught her to survive. When the twins were older, when Amara’s place felt steady enough, Simone changed her name, moved away, and started to plan. New apartment. New identity. New war. BACK TO PRESENT She moved through the rooms like a practiced intruder, checking the deadbolts, reinforcing window locks, rotating burner phones. Every action precise, quick. The years had been a slow accumulation of information: names, patterns, ties that linked power to body-bags and promises. There was a plan. There always was. Tonight, though, she allowed one small human thing: she sat at the window and let the city’s distant lights fill her with a memory of warmth. She let herself hold for a moment the image of her mother's smile, Ethan’s laugh, her father's rough hand on her shoulder telling her she was the future. They were gone. She wasn’t. And the woman who had taken everything would pay. The night deepened. She rose from the sill like a shadow coming to life. She wasn’t afraid of the dark. She was the dark.

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