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Tiger Country

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Rancher Juan Aragon has begun to revive the Pleistocene, and everyone must pay the bill.

In the high country of southern New Mexico, home of the oldest wilderness and the biggest roadless area in the lower 48, ghosts are stirring, waking shadows of things that haven’t been seen for a hundred years. Reports of iconic beasts and mysterious carcasses filter down from the mountains, while something the newspapers call "The Bosque Bigfoot" is killing cows down by the Rio Grande.

Soon the world’s attention will be fastened on the wildlands of New Mexico, as more than the fate of a single native species is at stake. In his first novel, acclaimed natural history and travel writer Stephen J Bodio, whose 1988 memoir Querencia depicted the landscape and ways of southern New Mexico, and gave many readers their first glimpse of this faraway country, imagines the rebirth of big predators like the grizzlies and jaguar, in his own back yard. All too often discussions of "re-wilding" are abstract, with little thought for their unfolding in the real world, as though the country were a park. In Tiger Country, the effects are real. As viewpoints and people collide, the media, ranchers, naturalists, activists, politicians, and ordinary people must take their stands in the real world, not just in theory. Respectful of all the actors, especially the non-human ones, and in debt to none, Bodio shows the heartbreak of unintended consequences.

At times suspenseful, lyrical, hair-raising, and even funny it is a worthy fiction debut, and Bodio is uniquely qualified to tell it. Biologist, falconer, dog breeder, literary critic, and hunter, born in Boston but a rural New Mexico resident for almost forty years, he knows the wildlife, people, and cultures of his chosen Querencia. Malcolm Brooks, author of Painted Horses, says: "Steve Bodio brings his legendary Renaissance vision to this startling first novel, a work so mammoth in scope and elegant in execution it makes me wish he’d been writing fiction all along. Recalling the edgy best of Ed Abbey and Jim Harrison, and reminiscent of James Carlos Blake’s contemporary border noir, Tiger Country throws modern heroic renegades into the gravitational pull of the ancient past, to encounter the origins of the human condition."

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Epigraph
EPIGRAPH You ever meet my karate instructor? He doesn’t talk much. He’s a big Korean, probably about sixty-five, and still moves like a cat. His body looks like it was built with an axe out of hardwood, and his face is like a granite boulder. He has about as much hair as a bowling ball. We were driving from Silver City to a ranch in northern Catron County that day and stopped at the Aldo Leopold Overlook to stretch our legs and see the country. We went back to the truck for the binoculars and spent a long time looking over the land, glassing it carefully. Finally he said to me “You got tigers up there?” “No, sir,” I said. “Lots of deer and more elk, and we got more antelope than anyplace but Wyoming. Little bears that go up trees, and we used to have big bears that won’t. We have a thing they call a lion, but it isn’t really, and a rare thing called a jaguar–it’s more like a leopard. We used to have big wolves. What we don’t have is a tiger–never had and never will.” He spat at the ground, looked me in the eye like I was a little slow, and growled, “Looks like tiger country to me.”

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