bc

My Rival, My Partner

book_age18+
2
FOLLOW
1K
READ
forbidden
HE
decisive
single mother
heir/heiress
drama
sweet
bxb
serious
office/work place
small town
musclebear
stubborn
like
intro-logo
Blurb

Some rivalries are born in boardrooms. Some are inherited, passed down through bloodlines and boarding schools and the particular, practiced cruelty of men who have never once been told no. And some rivalries, the dangerous kind, the kind that reshapes everything it touches, are only rivalries until the moment two people stop pretending that's all it ever was.Dane Copper built his career out of nothing. No family name opened doors for him, no trust fund cushioned his mistakes, no plaque in a museum lobby carried his surname above a donor list. What he built, he built with his own hands and his own stubbornness, clawing his way out of a neighborhood that taught him early exactly how little the world intended to hand him for free. When the city of Halloway announces a once-in-a-career contract to redesign its historic museum, Dane doesn't just want to win it. He needs it, not for the money, not even entirely for the career, but because somewhere underneath the pitch decks and the sustainability plans is a promise he made to a version of himself who used to sneak into that same museum on free-admission Sundays, hungry for proof that beautiful things could belong to people like him too.Callum Ashworth has never had to sneak into anything.Heir to Ashworth & Vance, one of the city's oldest and most powerful architecture firms, Callum has spent his entire life inside rooms just like the one where he and Dane first meet, polished, expensive, engineered to make certain people feel like they belong and certain other people feel like guests. He is, by every outward measure, exactly the kind of man Dane has learned to be wary of: effortlessly charming, devastatingly competent, born into a legacy he never had to fight for. When the two of them clash at the Halloway bidding conference, trading barbed professional insults that only barely disguise a spark neither wants to name, it feels, to both of them, like exactly the rivalry it's supposed to be.Then the city does something neither firm expects. Unable to choose between two proposals it considers equally strong, the selection committee makes a decision that will upend both their lives: Voss & Marsh Architecture and Ashworth & Vance will not compete for the Halloway Museum contract. They will build it together.For three months, minimum.In one shared office.What follows is not the story either of them thought they were signing up for.At first, it's exactly the war Dane expects, two men glaring at each other across a long drafting table, six careful feet of professional distance maintained like a fortress wall, every conversation clipped and necessary and entirely about load-bearing calculations. But six feet has a way of shrinking when two people start arriving early and staying late for reasons that have less and less to do with deadlines. A coffee, made exactly right without being asked. A laugh that isn't performed for the room. A hand that lingers half a second too long over a shared set of blueprints, testing the ice before deciding whether it will hold.Slowly, reluctantly, on Dane's part; inevitably, on Callum's, rivalry gives way to something neither of them has words for yet, and something neither of them is prepared to protect from what's coming.Because Callum's father is watching.Robert Ashworth did not build one of the city's most powerful firms by leaving anything to chance, and he has never once, in thirty-one years, allowed his son a decision that wasn't ultimately his own. When he learns that Callum has been paired with Dane, a scrappy, talented, thoroughly inconvenient junior architect from a rival firm, his first instinct isn't concern about the contract. It's opportunity. Use the proximity. Find something on Voss & Marsh worth leveraging. Win, the way this family has always won: by controlling every variable before anyone else even understands there's a game being played.What Robert doesn't anticipate is that his son might actually fall in love with the variable he was supposed to be exploiting.What he anticipates even less is that Callum, quiet, careful, endlessly accommodating Callum, who has spent his entire adult life managing his father's expectations rather than defying them, might, for the first time, choose to say no.My Rival, My Partner is a story about what happens when the people who are supposed to protect us instead try to control us, and what it costs, professionally, personally, sometimes almost unbearably, to finally, deliberately, refuse.It's a story about two men who start out believing they have nothing in common except ambition, and slowly discover that the very differences that first divided them, Dane's hard-won scrappiness, Callum's inherited polish; Dane's instinct to build for the people who'll actually use a space, Callum's gift for making light move through a room like poetry, are exactly what make them stronger together than either of them could ever be alone. It's a story about the particular,

chap-preview
Free preview
Chapter One: The Bid
Dane's POV The conference room at the Halloway Civic Center smelled like burnt coffee and ambition, and Dane Copper had learned a long time ago that both were survivable if you kept your face still. He'd rehearsed the pitch in his head so many times the words had gone smooth as river stone. Twelve minutes to convince the city selection committee that Voss & Marsh Architecture deserved the Halloway Museum redesign, the kind of project that didn't come twice in a career, let alone in the career of a junior architect three years out of school with a scholarship-funded degree and a chip on his shoulder the size of the building itself. He was reviewing his notes for the fourth time when the door at the back of the room opened, and every head in the place turned like sunflowers finding the sun. Callum Ashworth walked in the way certain men walked into rooms, like the room had been waiting for him and was relieved he'd finally shown up. Tailored charcoal suit, no tie, sleeves not quite rolled but somehow suggesting he could roll them at any moment and get real work done. He had the kind of face that made strangers assume things about him, easy, golden, unbothered, and Dane, who had spent two years competing against Ashworth & Vance for smaller commissions and losing more often than not, hated how effective it was. "Copper." Callum said his name like a greeting and a challenge at once, dropping into the seat one row ahead and turning to face him. "Didn't know Voss & Marsh was still in the running. I heard you lost the Brindlewood contract." "We didn't lose it. We walked away from a client who wanted a parking structure disguised as 'visionary civic architecture.'" Dane kept his voice level. "But I appreciate you keeping track of my failures. Must be a full-time job." Something flickered across Callum's face, amusement, maybe, or its cousin, before he turned back around, and Dane spent the next four minutes furious at himself for noticing the particular way Callum's jaw moved when he was trying not to smile. The pitches went in alphabetical order, which put Ashworth & Vance well ahead of Voss & Marsh. Dane watched Callum stand at the podium and deliver a presentation that was, infuriatingly, good, not flashy, not empty charm dressed up as vision, but a real understanding of how the museum's original 1920s bones could hold a contemporary expansion without fighting it. Dane found himself nodding before he caught himself and stopped. When it was his turn, he didn't try to out-charm anyone. He laid out the numbers, the sustainability plan, the four community consultations his firm had already run with local artists who'd be using the space. He talked about growing up two neighborhoods over from the museum, sneaking in on free days, how a building could tell a kid he belonged somewhere even when nothing else did. He hadn't planned to say that part. It came out anyway, and the room went quieter than it had for Callum's polish. Afterward, in the hallway, Callum caught up to him by the elevator bank. "That bit about growing up nearby," Callum said. "Was that real, or strategy?" "Does it matter?" Dane pressed the button harder than necessary. "It matters to me." Callum's voice had dropped the performance he'd worn in the conference room, and for a second Dane saw something that looked almost like envy. "I grew up knowing exactly which museum wing had my family's name on a plaque. I've never once snuck into anything." Dane didn't know what to do with that, with the honesty of it, unearned and unasked for. "Must be nice," he said, which was cruel and also, he suspected, exactly what Callum expected to hear, because Callum's mouth twisted into something rueful instead of hurt. "May the better firm win, Copper," Callum said as the elevator doors opened. "It will," Dane said, and stepped in before he could see whether that landed as a joke or a warning, because he wasn't entirely sure himself. Three days later, the city selection committee released a statement that made Dane read it twice, then a third time, standing in his kitchen with his coffee going cold: the committee had been unable to select a single winning proposal and was inviting the two finalist firms to submit a combined design, developed collaboratively, sharing office space provided by the city for the duration of the schematic phase. Voss & Marsh Architecture and Ashworth & Vance, Together For three months, minimum. Dane read the email a fourth time, hoping the words might rearrange themselves into something less absurd. They didn't. Three months, One office, Zero chance this doesn’t end in disaster. His phone buzzed. A text from a number he didn't recognize, though he'd know that particular breed of confidence anywhere. *Guess we're roommates, Copper. C.A.* Dane set the phone face-down on the counter, and told himself the thing tightening in his chest was dread. He almost believed it, right up until a second text lit the screen a minute later, one line long, and he picked the phone back up faster than he'd meant to. *Don't leave me on read. I know you're staring at it.* He was, That was the problem.

editor-pick
Dreame-Editor's pick

bc

THE BOY WHO COULD BEAR AN HEIR

read
6.3K
bc

Omega’s Sweet Escape

read
24.7K
bc

Bending My Straight Boss

read
85.5K
bc

Lesbian Shorts

read
4.9K
bc

Loved by the Gamma

read
58.5K
bc

Fifty Shades Of Taboo

read
2.7K
bc

THE S£X CHRONICLES — 100 WAYS TO SIN

read
22.6K

Scan code to download app

download_iosApp Store
google icon
Google Play
Facebook