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Algis Budrys: Golden Age Space Opera Tales

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Algirdas Jonas "Algis" Budrys (January 9, 1931 – June 9, 2008) was a Lithuanian-American science fiction author, editor, and critic. He was also known under the pen names Frank Mason, Alger Rome (in collaboration with Jerome Bixby), John A. Sentry, William Scarff, and Paul Janvier. He is known for the influential 1960 novel Rogue Moon.

He taught himself English at the age of six by reading Robinson Crusoe. Finding Astounding Science Fiction magazine caused him at the age of 11 to want to become a science fiction writer.

His first published science fiction story was "The High Purpose", which appeared in Astounding in 1952. Beginning in 1952 Budrys worked as editor and manager for such science fiction publishers as Gnome Press and Galaxy Science Fiction.

Space Opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology.

The term has no relation to music, as in a traditional opera, but is instead a play on the terms "soap opera", a melodramatic television series, and "horse opera", which was coined during the 1930s to indicate a formulaic Western movie. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, and video games.

The Golden Age of Pulp Magazine Fiction derives from pulp magazines (often referred to as "the pulps") as they were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". (Wikipedia)

The pulps gave rise to the term pulp fiction. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many writers wrote for pulps, the magazines were proving grounds for those authors like Robert Heinlein, Louis LaMour, "Max Brand", Ray Bradbury, Philip K. d**k, and many others. The best writers moved onto longer fiction required by paperback publishers. Many of these authors have never been out of print, even long after their passing.

Anthology containing:

Desire No More

The Rag and Bone Men

The Stoker and the Stars

Die, Shadow!

Wall of Crystal, Eye of Night

Citadel

The Barbarians

Riya's Foundling

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DESIRE NO MORE-2
THE SMALL YOUNG MAN looked at his father, and shook his head. “But you’ve got to learn a trade,” his father said, exasperated. “I can’t afford to send you to college; you know that.” “I’ve got a trade,” he answered. His father smiled thinly. “What?” he asked patronizingly. “I’m a rocket pilot,” the boy said, his thin jaw stretching the skin of his cheeks. His father laughed in the way the boy had learned to anticipate and hate. “Yeah,” he said. He leaned back in his chair and laughed so hard that the Sunday paper slipped off his wide lap and fell to the floor with an unnoticed stiff rustle. “A rocket pilot!” His father’s derision hooted through the quiet parlor. “A ro—oh, no!—a rocket pilot!” The boy stared silently at the convulsed figure in the chair. His lips fell into a set white bar, and the corners of his jaws bulged with the tension in their muscles. Suddenly, he turned on his heel and stalked out of the parlor, through the hall, out the front door, to the porch. He stopped there, hesitating a little. “Marty!” His father’s shout followed him out of the parlor. It seemed to act like a hand between the shoulder-blades, because the boy almost ran as he got down the porch stairs. “What is it, Howard?” Marty’s mother asked in a worried voice as she came in from the kitchen, her damp hands rubbing themselves dry against the sides of her housedress. “Crazy kid,” Howard Isherwood muttered. He stared at the figure of his son as the boy reached the end of the walk and turned off into the street. “Come back here!” he shouted. “A rocket pilot,” he cursed under his breath. “What’s the kid been reading? Claiming he’s a rocket pilot!” Margaret Isherwood’s brow furrowed into a faint, bewildered frown. “But—isn’t he a little young? I know they’re teaching some very odd things in high schools these days, but it seems to me....” “Oh, for Pete’s sake, Marge, there aren’t even any rockets yet! Come back here, you i***t!” Howard Isherwood was standing on his porch, his clenched fists trembling at the ends of his stiffly-held arms. “Are you sure, Howard?” his wife asked faintly. “Yes, I’m sure!” “But, where’s he going?” “Stop that! Get off that bus! YOU hear me? Marty?” “Howard! Stop acting like a child and talk to me! Where is that boy going?” Howard Isherwood, stocky, red-faced, forty-seven, and defeated, turned away from the retreating bus and looked at his wife. “I don’t know,” he told her bitterly, between rushes of air into his jerkily heaving lungs. “Maybe, the moon,” he told her sarcastically. Martin Isherwood, rocket pilot, weight 102, height 4’, 11”, had come of age at seventeen. - - - -

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