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The City Owes Me Blood

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revenge
dark
forbidden
opposites attract
badboy
confident
mafia
gangster
drama
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Blurb

For five years, Lucy Maya has lived for one thing: revenge.At fifteen, she watched her father die. She was told Scott McCall was responsible, and she believed it. So she spent the next five years preparing for the day she would finally kill him.That day comes at the Onyx Room.With a gun hidden in her clutch, Lucy gets close enough to pull the trigger. But before she can take her revenge, Scott tells her something that turns her entire world upside down.He didn't kill her father.Before Lucy can decide whether to believe him, gunfire erupts through the club. Suddenly, the man she came to kill is the only person standing between her and death.Forced to escape with Scott, Lucy discovers that the cold, powerful man she hates is nothing like the monster she imagined. And the closer she gets to him, the harder it becomes to ignore the attraction growing between them.Then Hale Richard sends her a message.Her mother is alive.The woman Lucy buried four years ago has been held captive all this time, and Hale gives her only forty-eight hours to find her.Desperate to save the only family she has left, Lucy is forced to trust Scott. But the truth he reveals is more devastating than she ever expected.Her father once worked for Hale and tried to escape his criminal empire. Scott tried to protect him, but Hale murdered him and framed Scott for the crime. Lucy has spent five years hunting the wrong man. And Hale's secrets don't end there.A photograph leads Lucy to Daniel, Scott's younger brother, whose death twelve years earlier was also connected to Hale. Now Lucy realizes that her family's tragedy and Scott's darkest wound were never separate stories. They were part of the same bloody game. As Hale closes in, Lucy must choose between the revenge that has consumed her life and the man she once swore to destroy.Because Scott may be the only person who can help her save her mother.But he may also be the one person Lucy can no longer afford to lose.The city took their families.It took their innocence.It took years never get back.Now Lucy and Scott have only one choice left.Make Hale pay.Or let the city claim them too.

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Chapter 1:The Man She Came Back to Kill
The gun felt heavier than it had in practice. Lucy Maya stood at the edge of the club, the bass thudding through the floor and into her bones, and told herself that was the only reason her hands were shaking. Not fear. Never fear, not after five years. The Onyx Room didn't look like a place where men died. Gold light, Black marble, Women in silk laughing too loud at jokes that weren't funny. A bar stocked with bottles that cost more than her rent. Everything about it was built to make you forget what kind of men owned it. She hadn't forgotten. She'd spent five years remembering. Five years learning how to hold a gun without flinching, how to vanish into a crowd, how to smile at men she wanted to kill. All of it for this hallway, this club, this one warm Tuesday night in October. Somewhere past the velvet rope, past the men built like refrigerators, Scott McCall was drinking whiskey and pretending the world still belonged to him. She'd stared at his photograph so many times the edges had gone soft. Dark hair, Sharp jaw, Eyes like he already knew every secret you were keeping from him. The man who killed her father. She moved through the crowd like water finding a crack. Nobody stopped her. Nobody looked twice. That was the advantage of being twenty-four and pretty and dressed like she belonged, nobody expected a girl in a red dress to be carrying a Glock in her clutch. The private booths sat along the back wall, half-hidden behind smoked glass. She found him in the third one. He was laughing at something. That was what she hadn't expected. Not the expensive suit, not the men flanking him like statues, not the gold watch catching the light. She'd expected a monster. What she got was a man laughing with his head tipped back, easy, unbothered, like the world hadn't cost her everything to hand him this life. Her hand found the clutch. Found the gun inside it. Three steps. Two. Her finger found the trigger guard, and forone suspended second the music seemed to fall away, the room narrowing to a single point of gold light on the side of his face. He turned. Not startled. Not alarmed. He looked at her the way you'd look at someone you were expecting. "You're late, Lucy." The floor tilted under her. He knew her name. She'd trained for months to walk into this room and become invisible, a stranger, a ghost with a gun. He'd erased all of it with three words, spoken low enough that only she could hear them over the music. "How comes, you knew my name." Her voice cracked. She hated that it cracked. Scott set his glass down, unhurried. His eyes never left hers. "Your father would be disappointed," he said, "that you still don't know who killed him." The words hit her like a fist to the sternum. "You killed him." Her hand tightened around the gun, and this time she didn't bother hiding it, didn't bother keeping her voice soft and steady and controlled. "You killed my father and you took everything, and you don't get to say his name to me." "I didn't kill your father." He said it the way he'd said her name. Simply, like a fact she should already know. "You're lying." "I've never lied to you." Something moved behind his eyes, something that looked almost like grief, and made no sense at all on the face of a man she'd hated for five years. "Not once, not even now." She raised the gun. The men at the booth went still, hands sliding toward their jackets, but Scott didn't move, Didn't flinch. He watched her the way a man watches weather roll in, like he'd already made peace with whatever came next. "Do it," he said quietly. "If it's what you came for." Her finger curled around the trigger. She thought of her father's face in the last photograph she had of him, laughing at something off-camera, the one she used to stare at until she cried. She thought of the years she'd spent carving herself into someone capable of this exact moment. She thought: Now is the time, Do it now. The lights went out. All of them, all at once, the entire club plunged into a darkness so total it felt like the building itself had stopped breathing. Then the screaming started. Gunfire cracked through the black, three shots, four, muzzle flashes strobing the room in violent white bursts. Glass shattered somewhere to her left. A woman shrieked, Bodies hit the floor, some diving for cover, some simply falling and not getting back up. In one burst of light, half a second long, Lucy caught a stranger's face turning toward her, a shooter in a dark mask, gun already rising, and something in his stance broke, just for an instant, like he'd expected someone else standing where she stood. Like her face wasn't supposed to be the one he found. Then the dark swallowed him again, and she had no time left to wonder what it meant. A hand closed around her wrist. She swung the gun toward it on instinct, but Scott's voice cut through the chaos, low and hard against her ear. "Not now, move." "Let go of me." "They're not here for you." His grip didn't loosen. He hauled her sideways as another burst of gunfire chewed through the booth where they'd been standing, splinters and glass raining down where her head had been a half-second before. "Not yet." Her heart slammed against her ribs. Every instinct screamed at her to pull away, to disappear into the panic and vanish the way she'd trained to. But the dark was absolute now, the floor slick with something she didn't want to name, and somewhere close a man was choking on his own blood. Scott pulled her down behind an overturned table, his body angled over hers without her asking him to. "Who are they?" she breathed. "I don't know yet." "You don't know?" A disbelieving laugh tore out of her, jagged at the edges. "You run this whole city and you don't know who's trying to kill you?" "There's a difference," he said, "between running a city and being safe in it." Another volley of gunfire, closer this time. She felt the table jump as a round buried itself in the wood inches from her shoulder. Then, cutting through the screaming and the gunfire and the wreck of glass and gold, a voice rose above it all, cold, flat, carrying across the ruined club like something already decided. "Kill the girl too." Lucy went still. Scott's hand found hers in the dark, and for one heartbeat, neither of them moved. "Whoever they are," he said quietly, "they didn't come here for me tonight." The gunfire surged again, closer, and somewhere in the smoke and the screaming, footsteps were already coming for them. "They came for you.”

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