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Bloodless Moon

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revenge
alpha
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forbidden
family
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forced
opposites attract
second chance
friends to lovers
shifter
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kickass heroine
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Blurb

For twenty-three years Seraphine has lived as a ghost behind reinforced glass.

To the Voss Syndicate she is Subject Sera, a biological weapon engineered to be the ultimate cure for the werewolf plague. Her blood is liquid gold to the humans who own her and a death sentence to the wolves who fear her. She has been raised to believe that shifters are monsters and that she is the only thing standing between humanity and extinction.Alpha Cassian Drav does not believe in mercy. He only believes in vengeance. When he leads a brutal raid on the laboratory that destroyed his brother he expects to find a weapon to be dismantled. Instead he finds a woman with cold eyes and a stillness that stops his heart. The moment their eyes meet the ancient bond takes hold. Mate.

The realization is catastrophic. Seraphine is a Nullblood, a woman born once per century whose touch causes permanent de-shifting and cellular death in werewolves. She is the only woman fate has chosen for Cassian and the only woman on earth capable of killing him.

Now Seraphine is free but her presence is a poison. As the Syndicate launches a global manhunt to reclaim their asset and rival packs demand her execution Cassian must make an impossible choice. He can claim his mate and risk the extinction of his kind or he can destroy the only woman he was ever meant to love. In a world ruled by blood and steel the most dangerous thing of all is a single touch.

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The Weight of Glass
The facility had no name on any map Seraphine had ever been permitted to read. It existed, in official documentation, as Alpine Research Station 4-Voss, a designation as colorless and forgettable as the concrete it named, twelve floors of climate-controlled silence sunk into the eastern face of a Swiss mountain, accessible by a single cable car that operated twice per day whether anyone wanted to ride it or not. Seraphine wanted to ride it every day. She stood at the window of the observation corridor now, as she does every night at this hour, eleven forty-three, before the external lights cycled to their dim blue overnight frequency, and she pressed two fingers to the glass and thought about the weight of it. Twelve centimeters. Bulletproof, shatterproof, rated to withstand a werewolf's full-force impact from the outside. She had read the specifications once in a procurement file she was not supposed to have accessed. She had memorized them out of something she refused to call despair and preferred to call professional interest. Twelve centimeters of glass between her and the valley. The valley was asleep. A scatter of lights from the village below, orange and domestic, the kind of warmth that implied dinner tables and unlocked doors. Beyond the village, the pine forest began, dense, black, absolute, the kind of dark that swallowed sound. Seraphine had never been in a forest. She had studied them extensively. She was doing this, the night ritual of her fingers on the glass, the counting of the valley lights, the cataloguing of what she would feel if she were ever permitted to feel the cold, when she noticed the anomaly. At the tree line. Twelve o'clock, approximately four hundred meters from the facility's perimeter fence. A stillness that was shaped wrong. She had been trained to identify werewolves at distance. It was one of Irina's earliest lessons, delivered in the same tone as arithmetic and three-part harmony and the proper way to hold a scalpel. They are still in a way that nothing else is still, Sera. Animals fidget. Humans shift their weight. Wolves simply stop. Learn the difference. It may save your life. Seraphine had spent eight years perfecting the observation. She had a gift for it, Irina said so with a pride that was real and a satisfaction that was something else, something Seraphine had only recently begun to examine. There was a wolf at the tree line. No... not one. She moved her fingers from the glass and pressed her palm flat against it, steadying herself, scanning the dark with the deliberate patience she'd built like callus over the years. One. Three. Her eyes found the shape of their stillness the way you find a word you've forgotten, not by hunting but by going quiet. Five wolves at the tree line. Possibly six. And they were watching the facility with an attention so focused she could feel it through twelve centimeters of glass like a change in air pressure. Her heart rate, which she had trained to be boring, did something it was not supposed to do. She stepped back from the window. The facility's alarm system was sophisticated, layered, and maintained by a security team whose backgrounds she'd never been permitted to see. It would detect any breach of the perimeter fence within three seconds. It would trigger a lockdown within five. The internal alerts would wake the night staff, the researchers, the two on-site Syndicate enforcers she privately called the Quiet Men because she'd never heard either of them speak. The alarm had not triggered. Which meant the wolves at the tree line were not at the perimeter fence. They were waiting. For what, she thought, and for how long, and who sent them... The lights went out. Not the gradual blue-cycle of the overnight shift. Total darkness, instant and complete, every floor of the facility dropping to black as if something had reached up and closed a fist around the building's power supply. The emergency lighting kicked in a half-second later, pale red, running in strips along the corridor floor, and Seraphine stood perfectly still in the red dark and felt something she had spent years refusing to feel: Excitement. She crushed it. Moved. She was not a panicking person. Panicking required a belief that outcomes were still changeable, and Seraphine had operated for most of her life in a context where they were not, so she had redirected the energy into assessment and motion. She turned from the window and walked... not ran, walking was faster when you knew where you were going, toward the stairwell at the eastern end of the corridor. Her room was on floor seven. The facility's emergency protocol, which she had memorized from a document she was also not supposed to have accessed, directed non-essential personnel to shelter in place. Seraphine was never non-essential, which in the Syndicate's vocabulary meant she was the most valuable thing in the building, which in practice meant she was the most controlled. There was a secondary protocol. For Seraphine specifically. She had found it by accident two years ago in Mira's unlocked tablet — a single file, encrypted, but Seraphine had cracked the encryption in forty minutes because Mira used her birthday as a passphrase and Mira's birthday was the only birthday anyone in the facility had ever celebrated. The file was three pages. It outlined what to do with Subject Sera in the event of a facility breach. The language was clinical. Efficient. The word terminate appeared twice. She had put the tablet back exactly as she'd found it and had not slept for sixty hours. She reached the stairwell door, pressed her palm to the reader. Her handprint, unlike her body, was permitted to go most places. Irina had designed the system that way, Seraphine's autonomy was precisely wide enough to feel real and precisely narrow enough to never be. The reader beeped. Red light. Locked. Of course. Emergency protocol. All internal doors to restricted zones required keycard override during a lockdown. She stood for one second in the red-lit corridor and thought very clearly about her options. Then the door opened from the other side. Mira was on the other side, breathing hard, keycard still in her hand. She was thirty-four and looked younger in ordinary light and older right now, her dark hair loose from its braid, wearing the kind of expression that meant she had decided something and was already past arguing about it. "Your room," Mira said. "Now." "There are wolves at the tree line." "I know." "The power..." "I know." Mira grabbed her wrist, the touch startled Seraphine, who was rarely touched, who had learned to exist without it the way you learn to breathe shallow in bad air. "Sera. Now." They moved together through the stairwell. Mira was talking in a low, urgent voice, and Seraphine filed the words away in the order they arrived, parsing them for the shape of what was actually being said beneath what was being said. "Irina is in the control room. The Quiet Men are doing a sweep of floors one through four. There's a window, maybe six minutes, before the backup generator syncs the cameras..." "You're helping me escape," Seraphine said. Mira's grip on her wrist tightened. "I'm helping you survive," she said. "Which is not the same thing. There's a distinction I should have made to you years ago and didn't, and I'm sorry, I am genuinely sorry, but right now I need you to keep moving." Floor seven. Room seven-twelve. The lock on her door had a mechanical backup, a key, physical metal, old technology that the Syndicate used in her room specifically because it couldn't be remotely overridden. Mira had the key. She'd always had it. Seraphine had known this. She had not known Mira would ever use it. The room was small and precise and entirely hers, books organized by subject along one wall, a desk with three notebooks she was allowed to keep, a window identical to the one in the observation corridor but smaller, facing south instead of west. The window was sealed. Mira went straight to the far wall. She pressed her hand flat against the panel beside the built-in shelving, and the shelving moved. Seraphine had lived in this room for four years. She had not known there was a door behind the shelving. "How long," she said. Her voice came out level. She was very proud of it. "The tunnel was built with the facility," Mira said, entering a code into the keypad that had been hidden behind the shelf unit. Eight digits. She did not hide them. "It exits at the eastern face, below the cable car infrastructure. The drop is six meters into a drainage culvert. There's a rope." "You built this." Mira paused for the first time. Her shoulders were a shape that Seraphine, who had spent years reading people from behind glass, recognized as guilt that had been lived with long enough to become load-bearing. "I've been planning this for two years," Mira said. "Since I found the file." The same file. The terminate file. "You read my tablet," Seraphine said. "You read my tablet first." A silence that was, in a different world and different circumstances, almost something like laughter. The panel beeped. The door opened inward, narrow, dark, cold air pushing through from the other side, and Seraphine breathed it in like something she had been waiting for without knowing she was waiting. "The wolves," she said. "I don't know whose they are." Mira was moving again, pressing a small pack into Seraphine's hands, compact, already prepared, and Seraphine felt the ache of understanding that Mira had been packing this bag in increments, probably for months, probably adding small things whenever she thought she wouldn't be noticed. "I don't know if they're here for you or if this is a coincidence or..." "There's no coincidence," Seraphine said. "Not with wolves who cut facility power." "I know." Mira met her eyes for the first time in this conversation. She had very dark eyes and she was looking at Seraphine with an expression that was too complicated to read quickly, and Seraphine did not have time. "I know that, Sera. But outside is still safer than in here, right now. Whatever's out there, whatever they want..." The alarm went off. Not the facility alarm. Something higher-pitched, localized, floor seven, the perimeter sensor along the eastern face. Something had come up the outside of the building. Mira said a word Seraphine had never heard her say. She pushed Seraphine toward the tunnel. "Go... go now, straight ahead, don't stop..."

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