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What Lives Behind Our Ribs

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Blurb

In a narrow lane of Nizamuddin East stands a house with a chipped blue door; unremarkable to most, but a lifeline for three women who have spent their lives building themselves around wounds no one sees.

Aanya Mehta, an architect whose brilliance hides the ghosts of an unspeakable childhood.

Zoya Naqvi, a journalist who maps other people’s tragedies to avoid confronting her own.

Dr. Sharda Bindra, a trauma surgeon whose calm exterior conceals a private, lifelong ledger of loss.

Bound by circumstance and a fragile kind of faith, the three construct a sanctuary where silence is permitted, pain is shared in fragments, and survival is an imperfect art. But when Aanya’s long-buried past resurfaces; violent, territorial, and uninvited; the architecture of their lives begins to c***k.

As the city breathes heavily with monsoon air and unspoken histories, all three women must confront a devastating truth:

what we survive shapes us, but what we cannot name threatens to unmake us.

Unflinching, intimate, and devastatingly human, What Lives Behind Our Ribs is a portrait of friendship as refuge, trauma as inheritance, and the delicate, dangerous act of letting someone see you as you are.

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The House with the Blue Door-I
I. This House Asked for Nothing The house with the blue door sat near the end of a quiet lane in Nizamuddin East, half-draped beneath a champa tree that shed its white petals early every morning like tired offerings. Most people walked past it without noticing. Delhi was a city trained to overlook what did not demand attention. But when Aanya Mehta first saw the house four years ago, she paused. The sky had been swollen with monsoon clouds; metallic, bruised. Rainwater pooled around her sandals as she stood in front of the gate, both hands gripping the strap of her backpack. She had come with only two suitcases: one filled with clothes, the other with sketchbooks, tracing paper, and a set of metal architectural tools wrapped in cotton like surgical instruments. She remembered it vividly: how the old Urdu poet who lived downstairs had asked her why she wanted this house. Why not something newer, brighter, more modern? “It looks quiet,” she had said. “It looks like it won’t ask anything from me.” She hadn’t known until that moment how desperately she needed a space like that; a space without expectation, without memory, without the moral pressure of joy. Now, years later, she sat on the cool terrazzo floor of the living room as dawn tiptoed through the windows. Her drawing tools were arranged in straight, even rows beside her; 2H, HB, 4B pencils aligned like prayer sticks. A cup of tea sat unattended on the center table, a thin skin forming over it. She was sketching a school building in Uttarakhand. Straight lines. Clean angles. No ornamentation. She found comfort in such designs; the ones that required precision but not imagination. Imagination was dangerous. Imagination remembered things the mind worked hard to forget. At exactly 7:02 a.m., the front door opened. The sound was familiar; part creak, part sigh, like an old book being opened. Zoya Naqvi entered first, as she always did, dropping her tote bag on the sofa with theatrical exhaustion. Her hair was frizzy, her kajal smudged, her energy a storm that refused to be tamed. Behind her came Dr. Sharda Bindra. In another life, Sharda might have been a priestess, or a surgeon in a war zone, or a teacher who frightened teenagers into behaving without ever raising her voice. She carried herself with an austere calm that demanded quiet. Even now, dressed in pale blue hospital scrubs beneath a loose cotton kurta, she radiated a steadiness that Aanya often envied. Thursday mornings belonged to the three of them. It was a tradition that had never been declared or discussed, but somehow calcified into ritual: chai, buttered toast, silence or conversation depending on the flavour of the day. “Did you sleep?” Zoya asked, pushing aside Aanya’s rolled-up tracing sheets to make space on the floor. Aanya nodded without looking up. Sharda opened her mouth. “She didn’t.” “What is this; psychological surveillance?” Aanya murmured. “You were online at 2:17,” Sharda said matter-of-factly, tying her hair back with an elastic band she pulled from her wrist. “Your messages were blue-ticking.” Aanya flinched; not visibly, but internally, where the body clenches before the mind does. “Just had ideas for the school project,” she said. Sharda made a soft sound; half sigh, half reprimand. Zoya flopped onto the sofa, pulling her knees-up. “You know what your problem is?” she asked dramatically. “You think anxiety is a personality trait.” “No,” Aanya said. “I think it’s my baseline.” Zoya smirked. “Worse.” Sharda went into the kitchen, the same way she had every Thursday for the past three years. Her movements were clean and economical, the choreography of someone accustomed to handling fragile things; organs, glass syringes, people. She crushed ginger, set water to boil, measured tea leaves with the precision of a surgeon preparing for an incision. “How many hours did you get?” Zoya shouted toward the kitchen. “Four,” Sharda called back. “That’s worse than Aanya.” “That’s better than last week,” Sharda said. Aanya allowed herself a small smile. There was something comforting; dangerously comforting; about these mornings. The house became an organism with three hearts beating in imperfect unison. Some days, they talked. Some days, they ate in silence. Some days, they argued fiercely about politics or marriages or Delhi’s chronic indifference to its own suffering. But every Thursday morning, no matter how tired, angry, grieving, or overwhelmed they were, they came. It was the closest thing any of them had to family. And like most families, it existed not because of blood, but because the alternatives; loneliness, silence, self-destruction; were unbearable. II. Hairline Cracks They gathered around the low center table as Sharda poured chai into mismatched ceramic mugs. Aanya took hers and carefully set it beside her drawings, the steam curling upward like a ghost. “You look thinner,” Sharda said quietly. Aanya stiffened. “What is this; intervention Thursday?” she asked, avoiding Sharda’s eyes. “It’s doctor Thursday,” Zoya said, biting into buttered toast. “She sees everything.” “I see changes,” Sharda corrected. “Your face hollows when you stop eating properly.” “It’s the lighting,” Aanya murmured. “It’s the evidence,” Sharda replied. The room thickened with tension. Not hostile, but heavy. The kind of tension that forms when a truth hovers too close to the surface. “I’m fine,” Aanya said finally. The phrase was too quick. Too clean. Too practiced. Zoya clicked her tongue. “Classic Indian emotional vocabulary: ‘I’m fine.’ ‘Sab theek hai.’ ‘Ho jayega.’ All lies.” Aanya gave a small smile, but it didn’t reach her eyes. Sharda watched her closely. She had learned to read subtlety as a medical necessity; slight tremors, shallow breaths, the minute contraction of a muscle. Aanya was a master of stillness, but even stillness had signatures. “You’re bracing,” Sharda said softly. “You don’t realise it, but your shoulders have been raised all morning.” Aanya’s hand shot up to adjust her posture; defensive, embarrassed, maybe even ashamed. Zoya leaned forward. “Come on. Spill. What’s going on?” “Nothing,” Aanya said, too quickly. She shuffled her papers, pretending to review her sketches. But the truth, unspoken but unmistakable, began to leak into the room like slow smoke. Aanya was the calmest among them until she wasn’t. She was the strongest until she cracked. She was the most composed until her silence became too sharp to hide. She was a fortress built not of stone, but of habit. Zoya reached across the table and softly nudged her knee. “You don’t have to open the door,” she whispered. “Just unlock it a little.” Aanya stared at her chai. The champa petals outside rustled in the morning breeze. “I have a deadline,” she said finally. “That’s all.” Sharda and Zoya exchanged a quiet look; one made of worry, patience, and helpless love. Some doors, they knew, only opened when something inside finally broke. III. The Weight of an Untouched Cup After breakfast, Zoya left first, muttering about her editor’s dramatic flair for ruining her life. Her sandals slapped loudly against the stairs as she descended, her voice still audible as she argued with the auto-wallah about the correct fare. Sharda lingered. She began gathering the cups, rinsing them lightly. Aanya moved her papers to the side, pretending to work. “You don’t have to clean up,” Aanya murmured. Sharda didn’t reply. She wasn’t cleaning; she was waiting. Finally, she turned off the kitchen tap and walked back into the living room. “Aanya,” she said gently, “When the body is scared, it tenses first. Before the mind notices, before words form. You’ve been tense since last week.” Aanya looked down, avoiding her gaze. “You’re imagining things.” “I’m observing things.” Aanya exhaled sharply. “Can we not do this today? Please.” Sharda paused. Her voice softened. “Of course.” She picked up her bag, slung it over her shoulder. But before she left, she said quietly: “If you can’t sleep again tonight, call me. Don’t text. Call.” Aanya didn’t answer. Sharda didn’t wait for one. She closed the blue door softly behind her, the sound echoing faintly through the stillness of the house. Aanya sat in the quiet, staring at her untouched cup of chai. The skin on top had grown thick. She felt something inside her tighten; a small, sharp pain, like a stitch forming beneath the ribs. She pressed a hand flat against the floor, grounding herself. But the truth settled anyway: Someone always knows. Even when you hide well.

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