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I Married My Father's Worst Enemy

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revenge
dark
forbidden
love-triangle
contract marriage
family
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opposites attract
arranged marriage
heir/heiress
drama
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mystery
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Blurb

My father built his empire on a dead man's silence.

Now that dead man's son owns everything we have left — including my hand in marriage.

Damon Ashford was supposed to be family. The uncle who taught me to ride a bike. My father's best friend for twenty years. Instead, he's the man who watched my father destroy his — and spent two decades building an empire for one purpose: taking it all back.

The deal is simple. I marry him. Three hundred employees keep their jobs. My father keeps his house. And I become collateral in a revenge plan twenty years in the making.

I tell myself it's just a transaction.

Then his hand finds my back at our engagement dinner, and I forget every reason I have to hate him. Then I overhear the real plan — and realize the wedding was never going to be the end of it.

I say "I do" anyway.

Because some debts can only be paid in blood, in vows, or in me.

A forbidden marriage. A twenty-year vendetta. A wedding day that ends in handcuffs — and a husband I still can't tell is my ruin or my rescue.

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Chapter 1: The Deal
The lights are on in my father's study at eleven o'clock at night, and that's the first wrong thing. The second wrong thing is the man standing at the window with his back to me, like he already owns the room. Which, I'll find out in about ninety seconds, he basically does. I know that back. I know those shoulders. "Uncle Damon?" He turns, slow, unbothered, the way powerful men turn when they've already decided nothing in the room can surprise them. Eighteen years since I meant that word the way a kid means it. He used to swing me onto his shoulders at the Fourth of July barbecue while my mother laughed and took the pictures we still keep on the mantel. He isn't smiling now, and he isn't the boy I half-remember either. Ten years have carved something harder into him — broader through the shoulders, a jaw that could cut glass, eyes that used to be warm and now move over the room like they're pricing it, piece by piece. His hands stay in his pockets. Relaxed. A man doesn't stand that relaxed in someone else's house unless the house already belongs to him. "Elena," he says. Just my name. Nothing else. He doesn't reach for me, doesn't smile, doesn't do any of the things Uncle Damon used to do. That's what tells me, before anyone says a single true thing out loud, that whatever is happening in this room is going to end badly. My father is behind his desk, and he won't look at me. That's when my stomach drops, because my father always looks at me. Even after my mother's funeral. Even after the subpoenas started arriving in thick brown envelopes last spring. There are banker's boxes stacked by the bookshelf that weren't there this morning. My father's law degree is already off the wall, propped against the baseboard like something already packed to leave. His hands are flat on the desk in front of him, and they're shaking, just slightly, like he's holding the wood down instead of the other way around. He isn't looking at me now. "Dad?" "Sit down, sweetheart." "I don't want to sit down." My voice cracks. "I want someone to tell me why there's a man in a five-thousand-dollar suit standing in your study at eleven at night, looking at me like—" I stop. I don't have a word for how Damon Ashford is looking at me. Like I'm the last line on a contract he's been waiting years to sign. "The company is gone," my father says. Three words. That's all it takes for the floor to tilt under me. "Gone how?" "Hartley Group doesn't exist as of Monday morning. Forty years of my life. Your grandfather's name on the building. All of it belongs to someone else now." His voice breaks on the last word. My father has never let his voice break in front of me. Not once. Not even at the funeral. I've worked in that building since I was twenty-two. Director of Communications, the job I fought for, the one that meant something after film school didn't work out the way I'd planned. Four years of my life telling the world the story of Hartley Group. I turned down two better offers to stay and build it with him. I actually believed in it. It isn't only his company falling apart in this room tonight. It's mine too. I look at Damon. "You did this." "I bought it," he says, calm, like we're discussing weather instead of my entire life. "Your father sold it. There's a difference." "He didn't have a choice." "Everyone has a choice." He crosses the room slowly, unhurried, hands still in his pockets, because he can afford to be unhurried — he has all the time in the world now, my father's company, my father's future, and from the way his eyes move over me, something else too. "The real question is whether he makes the right one tonight." My stomach drops again. "What is he talking about?" My father finally looks up. I have seen him cry exactly twice in my life. Once at the funeral. Right now makes twice. "There's a way to keep the house," he says. "The pension fund. Three hundred employees' severance, Elena. Three hundred families who trusted me." "What way." Damon answers before my father can. "You marry me." I actually laugh. A short, ugly sound. "That's not funny." "I'm not joking." He doesn't blink. Doesn't soften it. Says it the way you'd read a line off a spreadsheet. "I've known you since I was seven years old." My voice climbs and I can't stop it. "You taught me to ride a bike. You held my father up at my mother's funeral when his knees gave out. You are not—this isn't—" I turn to my father. "Tell him no. Tell him this is insane." My father doesn't tell him no. My father doesn't say anything. "Dad." "I signed the preliminary agreement an hour ago." His voice is barely a whisper. "The wedding is in three weeks." The room tips sideways. I grab the back of a chair to stay standing. When I look up, Damon is watching me the way a man looks at something he's already decided is his — not hungry exactly, just certain, the way you look at a house you've already bought and are only waiting to move into. "Three weeks," I repeat, because saying it out loud is the only way I can believe it's real. Three weeks to plan a wedding. Three weeks to say goodbye to a life I didn't know was already over. My hands have gone to ice. "I'll let you two talk." For the first time, something shifts behind Damon's eyes. Not kindness. Something sharper. Something almost like hunger, banked down low and controlled. "Welcome to the family, Elena." He walks past me on his way out, close enough that I catch the smell of him — cedar, rain, the same smell from a hundred childhood hugs — and it makes my throat close, because none of this should feel like betrayal from someone I loved. Strangers don't get to break your heart like this. Only the people who were supposed to be safe do. At the door, he stops. "Your father should tell you the rest," he says, like it's an afterthought, like it isn't the second bomb he's dropping in the same five minutes. "About your grandfather. About what happened to my family twenty years ago." He's gone before I can ask what he means. I turn to my father. For the first time in twenty-six years, I watch him look away from me like a man with something to hide. Twenty-six years, and I have never once doubted that my father was one of the good ones. That certainty doesn't survive the walk across the room. "Dad," I whisper. "What did we do to him?" He doesn't answer. And the silence is the loudest thing I have ever heard.

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