The Diary of Maria and Elynnor

Chapter 5 - Maria

I can’t believe there are actually people out there who take my business and my husband’s legacy for nonsense; for mere fun and games (!!!) instead of something REPUTABLE that has been around for the past few decades.

Out of the blue, this young, (dumb) blonde musician from the countryside and her miniscule orchestra came to my Opera House asking to let them help me save my business. I didn’t need to even watch them perform to know that they do NOT have what it takes, and that they’re merely wasting their time coming all the way here with nothing to show for themselves.

You see, when Erich and I founded the HOH together, we vowed to keep the age-old traditional and structured rules of Classical music alive, never to be made impure by the filth of the modern musical world; never to be polluted by people like Elynnor Dahlia Tullerin who know NOTHING about the TRUE ART of Classical music.

Elynnor Dahlia Tullerin. Such a lovely, lady-like name, belonging to such an untrue performer who DARES call herself a Maestro, a composer, an Opera singer or anything related with the “talents” that she has at hand.

I do not approve of her “innovative” ways of incorporating modern musical elements into age-old genres of music. I do not approve of her ideals of “allowing the traditional and modern world to fuse together” which will “bring back both the young and the old to my business”. I do not approve of how she views doing something against the Hubert values will bring audiences back into the HOH. I do not approve of her bringing in mere children such as herself to deal with what REAL adults know better.

I do not approve of someone such as Elynnor Dahlia Tullerin being active in the music world. I pray to the Lord that she does not ever set foot with her impure persons into my Opera House ever again as her violations and lack of sensitivity towards tradition should be banned from reaching hundreds and thousands and millions of listeners around the world.

Maria.