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I transmigrated into an 1850s stepmother

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Blurb

Chloe dies during a laboratory experiment and wakes up as Edith in a muddy 1850s village. Suffered by a vicious hangover, she meets a terrified twelve-year-old boy named Thomas who was ordered to fetch her. As Chloe takes in the rustic huts and livestock, original Edith’s memories flood her mind, revealing the horrifying truth: she has transmigrated into a cruel, alcoholic woman. Worse, her new stepdaughter Rose is dying in a drafty cabin because of Edith’s recent violent punishment. Realizing the horror of her situation, Chloe resolves to use her modern knowledge to save the child.

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Chapter 1: The waking nightmare
The sharp, chemical scent of ethanol and scorched glass was the last thing I remembered. I was Chloe Stanson. I was thirty-two years old, a head pharmacognosist at a private research firm, and I was supposed to be running a routine distillation of secondary plant metabolites. Then came the sudden burst of pressure in my chest, the violent shatter of a glass beaker, and the cold, terrifying darkness that dragged me down before I could even cry out. When my mind finally dragged itself out of the black void, I didn't open my eyes to the sterile, white ceiling of an intensive care unit. I didn't hear the rhythmic, reassuring beep of an ECG monitor. Instead, I felt a violent shaking at my shoulder, accompanied by a harsh, grating voice that sounded far away, as if submerged in thick mud. "Edith! Edith, wake up! Please, you have to get up!" A massive, thumping weight smashed against the inside of my skull, a blinding hangover headache that felt like a hot iron pressing behind my left eyeball. I groaned, pulling my limbs toward myself, but the surface beneath me was rough, damp, and smelled foul—a rancid mix of wet earth, stale liquor, and animal manure. "Edith, wake up!" The voice came again, higher this time, crackling with raw, undeniable terror. I forced my eyelids open. The glaring sunlight hit my retinas like a flashbang, making my vision swim. A face hovered over me, blurred at first, then sharpening into the features of a young boy. He couldn't have been more than twelve years old, his skin smudged with soot and dried dirt, his clothes a patchwork of coarse, unbleached wool that looked like it belonged in a historical reenactment. "What..." My throat was completely dry, burning as if I had swallowed glass. The voice that came out of my mouth wasn't mine. It was lower, gravelly, and raspy from heavy drinking. "Who..." "Edith, please!" The boy backed away slightly, his small body trembling violently, his knuckles white as he clutched the frayed hem of his filthy tunic. "You have to come back inside! Rose... Rose isn't moving right anymore! She’s breathing funny!" I sat up abruptly, a decision I instantly regretted as my stomach churned violently. A wave of nausea rolled over me, but the sheer bizarre nature of my surroundings forced me onto my feet. My balance faltered, and I staggered against a rough wooden post. I looked down at my hands. They were not the soft, callous-free hands of a scientist who spent her life wearing nitrile gloves. These fingers were broader, the nails filthy and chewed down to the quick, the skin rough, weathered, and smelling faintly of cheap, fermented spirits. "Where... where am I?" I muttered, turning in a slow circle. Around me was a sprawling scene straight out of an 18th or 19th-century history textbook. A narrow, unpaved road cut through a cluster of low, thatched-roof huts constructed from timber and dried mud. Free-roaming pigs rooted through the sludge, while a skeletal cow grazed lazily near a crooked wooden fence. Women in long, dirt-streaked petticoats and linen caps were hanging laundry on hemp lines in the distance, casting cold, venomous glares in my direction. 1850s, my mind whispered, analyzing the architecture, the textiles, and the complete absence of modern infrastructure with the analytical precision of a scientist. Early to mid-1850s. "Edith?" The boy took another step back, his eyes wide with a terrifying blend of panic and deep-seated fear. He looked at me the way a stray animal looks at an owner who beats it. "Are you... are you still drunk?" Suddenly, a blinding bolt of pain shot through my temples. It wasn't just the hangover; it was a deluge of memories that didn't belong to Chloe Stanson, crashing into my consciousness like a ruptured dam. Images flooded my mind in rapid, violent flashes: I saw myself—no, I saw her—chugging foul-smelling moonshine from a clay jug. I saw a towering, dark-haired man named Callum, his eyes filled with quiet, burning resentment. I saw how this woman, Edith, had lured him into a room, drugged his ale, and staged a compromised situation that forced the town's elders to demand he marry her to save his honor, believing her father left her a hidden fortune—a fortune that was nothing more than a lie. Then came the darker memories, the ones that made my blood run cold and my stomach drop into a pit of absolute horror. I saw a sweet, fragile five-year-old girl named Rose, her face streaked with tears, offering Edith a bouquet of crushed dandelions. And I saw Edith’s arm swinging back, striking the child across the face simply because the girl had stepped on her skirt. I saw the sixteen-year-old boy, Archer, standing in front of his little sister, taking lashings from a leather belt while Edith shrieked insults at them, calling them parasites leeching off her husband’s land. The boy standing before me now was Thomas, a neighbor's son sent to haul the village pariah out of the mud. I am Edith now, the realization settled in my chest like a cold block of lead. Chloe Stanson is dead. And I have transmigrated into the body of a monster. I clutched my head, pressing my palms against my temples as the sheer weight of Edith’s cruelties pressed down on my conscience. How could anyone be so utterly heartless? How could a human being look into the innocent, trusting eyes of a little girl who loved her despite everything and inflict such systematic, unfeeling abuse? "Edith?" Thomas squeaked, his voice cracking. "Are you... are you going to hit me?" "No!" The word burst from my chest before I could stop it, louder and more desperate than I intended. I smoothed down the filthy fabric of my faded cotton gown, taking a deep, shuddering breath to steady my racing heart. "No, Thomas. I'm not going to hit you. I... I won't touch you." The boy didn't look relieved; if anything, my sudden softness seemed to terrify him even more. In his experience, a calm Edith was usually a precursor to something far worse. "You said... you said something about Rose," I said, my voice trembling as the memories of the previous evening began to align with reality. A fresh wave of horror washed over me as Edith’s last memory surfaced. Yesterday afternoon, in a fit of alcoholic rage because Callum had stayed out hunting late, Edith had dragged little Rose out to the unheated washhouse in the pouring rain. She had locked the five-year-old inside in her damp nightgown and left her there for hours in the biting chill. "She won't wake up properly," Thomas whispered, clutching his arms around himself. "Archer tried to give her water, but she just shivers and breathes real fast. Master Callum went to go find the physician, but... but Archer said to come find you before you drowned in the ditch." Without another word, I broke into a run. My head throbbed in rhythm with my heavy footsteps, and the long, heavy petticoats dragged through the mud, threatening to trip me at every step. I ignored the whispers and cold stares of the villagers who watched me stumble down the lane. My focus was entirely locked on the small, dilapidated log cabin at the edge of the woods. I shoved the heavy oak door open and burst inside. The interior was dimly lit, smelling of woodsmoke, old grease, and the unmistakable metallic tang of disease. In the corner, lying on a narrow straw pallet covered in threadbare blankets, was Rose. Standing beside the pallet was a tall, lean boy of sixteen. Archer. His dark hair hung in sweaty strands over his forehead, and his sharp jaw was set in an expression of pure, unadulterated hatred as his eyes locked onto me. He immediately stepped in front of the bed, his hand dropping to the wooden handle of a small skinning knife sheathed at his hip. "Get out," Archer spat, his voice dropping to a dangerous, low whisper so as not to disturb the small form behind him. "You’ve done enough. You don't get to touch her anymore." "Archer, please," I gasped, leaning against the rough wall as I caught my breath. "Let me see her." "I said get out!" He took a step toward me, his young eyes hardened by years of defending his family from the woman standing in my shoes. "You locked her in the cold all night! She’s burning up! If you touch her again, I swear to God, Edith, I don't care what Callum says, I’ll—" "Archer!" The door behind me creaked open wider, and a tall figure stepped into the cabin, blocking out the daylight. Callum. He was broad-shouldered and rugged, clad in worn leather gaiters and a heavy canvas coat, carrying the scent of pine, winter air, and fresh timber. His face was striking, sculpted with hard, noble lines, but his grey eyes were exhausted, shadowed by deep circles of worry and an enduring sorrow. Beside him stood an older man carrying a leather medical bag—the village physician. Callum’s gaze swept over me, his expression shifting from anxiety to a cold, distant disgust as he took in my disheveled hair and mud-caked hem. He didn't say a word to me. He simply brushed past my shoulder as if I were a ghost, guiding the older doctor toward the pallet. "Dr. Vance," Callum said softly, his voice thick with emotion. "Please. She’s been like this since dawn." I stood frozen near the doorway, my heart hammering against my ribs as the doctor knelt beside Rose. The little girl’s skin was flushed a deep, terrifying scarlet, and every breath she took was a wet, rattling gasp that echoed through the quiet cabin. Her tiny lips were dry and cracked, her small body twitching sporadically beneath the thin blankets. Dr. Vance reached out, placing a hand against her forehead, then pressing his ear to her small chest. He pulled back almost immediately, shaking his head with a heavy, resigned sigh. "It’s the congestion of the lungs, Callum," Vance said, his tone devoid of hope. "The fever has taken too strong a hold, and her lungs are filled with fluid. Her body is too frail to fight this off." Callum dropped to one knee, his large, calloused hand gently wrapping around Rose’s tiny fingers. "There must be something you can give her. A tonic? A bleed?" "Bleeding her now will only kill her faster," Vance replied, closing his leather bag with a definitive snap. "Keep her warm, keep her as comfortable as you can. I am sorry, Callum. She won't last through the night." Archer let out a choked, ragged sob, burying his face in his hands as he fell back against the wall. Callum didn't cry; he simply bowed his head, his shoulders shaking subtly as he gripped his daughter’s hand, completely crushed by the verdict. My mind raced. Congestion of the lungs. High fever, shallow respiration, bronchial rattle. It’s severe bronchitis, rapidly turning into pneumonia brought on by hypothermia. In my past life, this required antibiotics, oxygen, and antipyretics. But in 1850, without access to modern pharmaceuticals, a physician's declaration was a death sentence. Except I wasn't just Edith, the cruel stepmother. I was Chloe Stanson. I knew the chemical composition of every root, bark, and leaf that grew in these woods. I knew how to extract salicin from willow bark to break a fever. I knew how to use wild thyme and elderberry as antimicrobial agents, and how to mix a warm poultice of mustard seed to open congested airways. "He's wrong," I blurted out, stepping toward the bed. All three men turned to look at me. Dr. Vance looked offended, Archer looked furious, and Callum slowly lifted his head, his grey eyes piercing straight through me with a look of profound heartbreak and anger. "Edith," Callum whispered, his voice dangerously low. "Not now." "She isn't dead yet!" I insisted, taking another bold step forward, completely ignoring the way Archer raised his fists. "The physician is giving up because he doesn't know how to clear her lungs! I can save her. I know how to save her!" "You?" Archer sneered, a tear cutting through the dirt on his cheek. "You caused this! You locked her out in the rain! You wanted her dead, and now you want to stand there and play games while she dies?!" "I know what I did was monstrous!" I shouted, tears finally spilling over my eyes as the collective guilt of Edith’s memories tore through me. "I know you hate me! You have every right to hate me! But if you stand here and let her fever burn, she will die! Give me a chance to fix this. Please, Callum... look at me!" Callum stood up slowly, his tall frame looming over me. He looked down into my face, searching for the familiar sneer, the arrogant glare of the selfish woman he had been tricked into marrying. Instead, he saw a woman weeping openly, her eyes filled with an desperate, pleading intellect he had never seen before. There was no alcohol on my breath, no cruelty in my posture—only a frantic, raw desire to preserve a human life. "Callum, don't listen to her," Vance warned, moving toward the door. "The woman is hysterical from her drink." "Callum, please," I begged, reaching out and grabbing his coat sleeve. My touch sent a jolt through my skin, a warm, electric current that made both of us freeze for a fraction of a second. I held his gaze, refusing to back down. "I swear on my life, I can break her fever. Let me try." Callum stared at my hand on his arm, then looked back at his dying daughter’s pale face. A heavy silence settled over the room, thick with tension and unspoken desperation. "You have until dawn," Callum said softly, his voice trembling as he looked back into my eyes. "If she dies... I will never forgive you."

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