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THE AUDITOR

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THE AUDITOR: SynopsisLogline: In Chicago's Calloway crime family, Nora Whitlock keeps "the Book," a record of every promise, favor, and secret the family has ever made. When she catches her fiancé in bed with the family attorney, she walks out without a scene. Then she learns the betrayal was timed to make her look like an informant, and that her own name sits on a list of the most powerful men in America.The story: Nora has no tears and no screaming, only a perfect memory and a hidden mark on every page she writes. Her enemies are Dominic "Dom" Calloway, her charming and weak fiancé, and Vivian Hale, the "gentle" attorney who has been planning this for fourteen months. Jonah Pike, the family's coldest rival, offers her protection for the price of one dance. In the dead man's handwriting, Nora finds her father's hidden second Book, Project Coronation. It is a ten-year record of promises to bury crimes, made by the Vice President, a Senate leader, and a governor. It ends with her own name: "Principal Asset. Disposition: pending." She exposes it at the gala. Presidents beg, and her "dead" father calls.What's next: Nora learns that Daniel Whitlock faked his death twelve years ago and is alive. She is hunted by the family she loved, framed by Vivian, and tested by Dom's last-minute, cowardly attempts to win her back. The one thing she can't read is Jonah, who is hiding a debt of his own: his brother Eli, who vanished inside the Calloway house.The ending: Nora doesn't need a crown or a man. She holds the Book, so every promise that was ever made comes due. Frank Calloway falls and Vivian is caught in her own lies. Dom ends up broke and alone at her gate, and she closes it. She turns down the White House and opens her own firm, one that audits the powerful. The final line is her answer to who she belongs to: "The truth. It's the only thing that always adds

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Chapter 1
The first thing I heard was Vivian laughing. Not her party laugh. Not the soft, tinkly one she used on donors and old men. This one was low and lazy, and it slid under the study door like smoke. I stopped in the hallway with my hand on the brass knob. Downstairs, a string quartet played something sweet for my engagement. Two hundred guests were clapping for a woman who wasn't there. Here is something you should know about me. I don't forget. Every word anyone has ever said in front of me, I keep. That's why the Calloway family handed me the Book when I was nineteen. Every favor they owe. Every promise they've made. Every secret that could bury them. They call me the Auditor, and not because I count money. I count promises. So when I heard Dominic's voice say, "Relax, she's busy smiling for photos," I kept it. Every syllable. I opened the door. The study lamp was on. My desk, the old oak one where I'd spent a thousand nights, was a mess of papers and shoes. Dom sat on the edge of it, shirt open, hair wrecked. Vivian Hale stood between his knees in a silver dress that had cost more than my first car. The Book lay open beside his elbow, its pages bent. Nobody moved. The quartet downstairs hit a high, happy note. "Nora." Dom jumped up so fast he knocked over a glass. "Baby. It's not what it looks like." "It looks like my fiancé and the family attorney on my desk." "Okay, it's exactly that." He raked a hand through his hair. "But let me explain." "Please do." I leaned on the door frame. "I'd love to hear this." Vivian pulled her strap back up, slowly, like she had all night. "Oh, Nora. We were going to tell you." "When? Before the wedding? Or on the honeymoon?" "It just happened," Dom said. "For how long?" He didn't answer. Vivian did. "Fourteen months." Dom shot her a look. She shrugged, perfectly calm. "She was going to find out anyway, Dom. Let her have the truth." She smiled at me. "I even helped him pick the ring. I'm so glad it fits." I looked down at my left hand. Three carats, flawless, shining under the lamp. I'd thought it was strange that he knew my size. My chest did something painful. It twisted once, hard, like a hand wringing out a rag. Then it stopped. "You bent the pages," I said. Dom blinked. "What?" "The Book. You bent the pages." "That's what you're upset about?" "No." I walked to the desk. "That's the second thing." His champagne flute sat next to the Book, still half full, bubbles rising. I twisted the ring off my finger. It came easily. It had never really fit. I dropped it in his glass. It made a tiny, perfect plink. "Congratulations," I said. "To both of you." "Nora, come on." Dom's voice went soft, the one he used when he wanted something. "Don't do this tonight. There are two hundred people down there. My father's down there." "Then you'd better think of something to tell them." I picked up the small black drive from the desk, the backup of the Book, and slid it into my pocket. "You're good at lying. You've had fourteen months of practice." "Put that back." "No." "Nora." Now there was an edge in it. "That belongs to the family." "Everything in this house belongs to the family, Dom." I looked at him. Really looked, for the first time in a long while. "Except me. I just figured that out." Vivian tilted her head. "You're taking this so well." "I'm not taking it at all," I said. "I'm leaving it here." I turned and walked out. I didn't slam the door. Slamming is for people who want to be followed. I took the back stairs, the narrow ones the staff used. My heels clicked on the old wood. Somewhere on the second landing my hands began to shake, and I let them. I'd deal with them later. The kitchen was loud and hot. A cook looked up from a tray of tiny crab cakes. "Miss Whitlock? Everything all right?" "Perfect, Rosa." I smiled. It felt like wearing someone else's face. "Save me a crab cake." Then the garage, cool and quiet, and my little gray sedan between two black SUVs. I was reaching for the door handle when my phone buzzed in my clutch. Not a text. A tripwire. I built tripwires into everything I touched. Small, silent alarms that told me when someone used my name. I'd never once seen one go off. I read the screen. OUTBOUND MESSAGE FROM N. WHITLOCK PRIVATE LINE. 9:04 PM. RECIPIENT: FBI CHICAGO TIP LINE. I stared at it. 9:04. That was eleven minutes before I'd walked into the study. At 9:04 I had been on the terrace, laughing, with Frank Calloway's arm around my shoulders while a photographer counted to three. My phone had been locked in my clutch. I remembered every second of it. Someone had sent a message to the FBI. In my name. My stomach went cold, then very, very clear. They hadn't just been cheating on me. Somebody had timed it. Somebody wanted me to walk in on them tonight. Upset. Alone. Running. And looking exactly like a woman with something to confess. Headlights flared across the concrete. A black car rolled into the garage and stopped sideways, blocking my only way out. The engine purred. The back door opened. A man stepped out, tall, in a charcoal coat, with a face made for winning arguments without raising his voice. I knew him. Everyone in Chicago knew him, and most of them crossed the street. Jonah Pike. The Calloways' oldest enemy. A man who was not supposed to be within ten miles of this house. "Miss Whitlock." His voice was low and unhurried. "I'm sorry about your evening." "Mr. Pike. You're a long way from your side of town." "I go where the interesting things are." His eyes dropped to my bare left hand, then came back up. "You took the ring off." "You've been watching me." "I've been watching them. You just happened to be in the way." He stepped closer, close enough that I could smell rain and cedar on his coat. "You have seventy-two hours, Nora. Then the Family calls you a thief. By Sunday they'll whisper it at dinner. By Monday they'll say it with guns." "And you're here to save me." "I'm here to offer a choice." He opened my car door, and I realized he'd already known which one was mine. "I can make you disappear. Or I can make them disappear." "What's it going to cost me?" He smiled, just barely. It was the most dangerous thing I'd seen all night. "I haven't decided yet. That should worry you more than anything else I've said." He leaned in and set something on my driver's seat. Then he walked back to his car, and the black engine slid away into the dark. I stood alone in the garage with my heart beating in my throat. On the seat lay a small brass key. A paper tag hung from it, and on the tag, in sharp black ink, were five words. Suite 12. I'll be waiting. Under them was a second line, in handwriting that looked like it had been written slowly. Bring the anger. Leave the ring. I should have thrown it in the trash. I picked it up. It was still warm from his hand. And I got into the car.

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