
She once chose money over him.
At least, that is what he believes.
Linna Carter learned early that the world does not make special arrangements for girls like her. You learn it when your parents leave for work every morning in someone else's house, speaking carefully around people who do not bother to learn their names. You learn it when those same parents die on a Tuesday morning and the school counsellor cannot find the right words. You learn it when the only thing standing between you and complete freefall is a boy next door who does not care about any of the things that are supposed to matter.
Adams Blackwell was never supposed to be her person.
Their parents were connected long before they were. Linna's mother worked in the Blackwell house. Her father maintained the grounds. They were good people who loved their daughter fiercely and wanted things for her that their circumstances could not yet provide. They did not live to provide them.
When they died Linna was sixteen and Adams was the person who sat with her on the back steps of his family's estate at two in the morning and said nothing because there was nothing to say. He had been her best friend since they were children running through the same gardens, one belonging there by birth and the other by proximity, both too young to understand the difference.
By fifteen it was something more.
They were young and completely serious about each other in the way that only young people can be, with no irony and no self protection and no understanding yet of how much the world can reach into your chest and take what it finds there.
His family saw.
The Blackwells were practical in the way that families with generational wealth are practical. Linna Carter, orphan, staff child, a girl whose parents had worked their grounds, did not belong. Not as the woman their son was looking at like she was the only fixed point in his world.
His father made a decision.
He waited until Linna was eighteen, aging out of the foster system with a university acceptance in London and nothing else. He knew what she needed. He knew what her parents would have wanted for her. He used both.
Full funding for four years in London. Everything her parents had worked toward giving her. The condition was Adams. Not a quiet departure. Something deliberate and final that closed the door so completely his son would never stand at it and wonder.
She asked for more money. Not out of greed. Because she needed someone in that room to acknowledge the actual cost of what was being purchased. They paid without negotiating.
She rehearsed for three nights. Alone in the dark, testing words designed for maximum damage, using every soft place she knew Adams had because she had spent years making a home in them. It worked.
His mother watched her go and said nothing. She had loved Linna the way you love the daughter of your closest friend and she had sat across from her husband and said nothing because she had spent twenty years learning not to and the habit was stronger than the love.
London was four years of hard work and harder loneliness. She graduated with honours. The funding stopped and she was alone with a qualification and nothing else. She built herself anyway. A consultancy that grew into something real. Then the market shifted and everything came apart faster than she could stop it.
She came back to New York. Rebuilt her resume. Applied everywhere. She did not recognise the company name.
Blackwell Enterprises had not existed when she left. Adams had built it in the decade since and she walked into the lobby with a slightly different name and a careful plan with no idea she was walking back into him.
She found out at five o clock.
Sophie opened a door on the forty second floor and Linna walked in looking at the floor and then she looked up and the ten years between them collapsed like they had never existed at all.
He does not know the truth. He knows the performance. The words she rehearsed in the dark. He has spent ten years building an empire on that version of the story and does not know the foundation is a lie told by a grieving eighteen year old girl who loved him too much to let him choose her when she had nothing.
He does not know what his father did.
He does not know what his mother allowed.
He does not know that she has thought about him every November 15th for ten years.
And Linna, who has survived everything by staying one step ahead, is about to discover that some things cannot be outrun.
*Find Me Again* is a slow burn second chance romance about the cost of survival, the weight of choices made too young, and the terrifying possibility that love does not expire no matter how hard you try to let it.
It is a story about two people who grew up together, broke apart, and built themselves into strangers.
And what happens when strangers remember.

