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FIND ME AGAIN

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billionaire
family
HE
opposites attract
second chance
friends to lovers
arrogant
kickass heroine
neighbor
heir/heiress
drama
sweet
serious
mystery
city
office/work place
poor to rich
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Blurb

She once chose money over him.

At least, that is what he believes.

Linna Carter learned early that the world does not make special arrangements for girls like her. You learn it when your parents leave for work every morning in someone else's house, speaking carefully around people who do not bother to learn their names. You learn it when those same parents die on a Tuesday morning and the school counsellor cannot find the right words. You learn it when the only thing standing between you and complete freefall is a boy next door who does not care about any of the things that are supposed to matter.

Adams Blackwell was never supposed to be her person.

Their parents were connected long before they were. Linna's mother worked in the Blackwell house. Her father maintained the grounds. They were good people who loved their daughter fiercely and wanted things for her that their circumstances could not yet provide. They did not live to provide them.

When they died Linna was sixteen and Adams was the person who sat with her on the back steps of his family's estate at two in the morning and said nothing because there was nothing to say. He had been her best friend since they were children running through the same gardens, one belonging there by birth and the other by proximity, both too young to understand the difference.

By fifteen it was something more.

They were young and completely serious about each other in the way that only young people can be, with no irony and no self protection and no understanding yet of how much the world can reach into your chest and take what it finds there.

His family saw.

The Blackwells were practical in the way that families with generational wealth are practical. Linna Carter, orphan, staff child, a girl whose parents had worked their grounds, did not belong. Not as the woman their son was looking at like she was the only fixed point in his world.

His father made a decision.

He waited until Linna was eighteen, aging out of the foster system with a university acceptance in London and nothing else. He knew what she needed. He knew what her parents would have wanted for her. He used both.

Full funding for four years in London. Everything her parents had worked toward giving her. The condition was Adams. Not a quiet departure. Something deliberate and final that closed the door so completely his son would never stand at it and wonder.

She asked for more money. Not out of greed. Because she needed someone in that room to acknowledge the actual cost of what was being purchased. They paid without negotiating.

She rehearsed for three nights. Alone in the dark, testing words designed for maximum damage, using every soft place she knew Adams had because she had spent years making a home in them. It worked.

His mother watched her go and said nothing. She had loved Linna the way you love the daughter of your closest friend and she had sat across from her husband and said nothing because she had spent twenty years learning not to and the habit was stronger than the love.

London was four years of hard work and harder loneliness. She graduated with honours. The funding stopped and she was alone with a qualification and nothing else. She built herself anyway. A consultancy that grew into something real. Then the market shifted and everything came apart faster than she could stop it.

She came back to New York. Rebuilt her resume. Applied everywhere. She did not recognise the company name.

Blackwell Enterprises had not existed when she left. Adams had built it in the decade since and she walked into the lobby with a slightly different name and a careful plan with no idea she was walking back into him.

She found out at five o clock.

Sophie opened a door on the forty second floor and Linna walked in looking at the floor and then she looked up and the ten years between them collapsed like they had never existed at all.

He does not know the truth. He knows the performance. The words she rehearsed in the dark. He has spent ten years building an empire on that version of the story and does not know the foundation is a lie told by a grieving eighteen year old girl who loved him too much to let him choose her when she had nothing.

He does not know what his father did.

He does not know what his mother allowed.

He does not know that she has thought about him every November 15th for ten years.

And Linna, who has survived everything by staying one step ahead, is about to discover that some things cannot be outrun.

*Find Me Again* is a slow burn second chance romance about the cost of survival, the weight of choices made too young, and the terrifying possibility that love does not expire no matter how hard you try to let it.

It is a story about two people who grew up together, broke apart, and built themselves into strangers.

And what happens when strangers remember.

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CHAPTER ONE — THE BUILDING
LINNA The thing about New York is that it does not care about you. It does not care that you once belonged here. It does not care that you left or why or what it cost you. It does not slow down for grief or failure or the particular kind of shame that wraps itself around you when you have to start over at twenty eight. New York just moves, loud and relentless and completely indifferent, and if you want to survive in it you have to move with it. I have always been good at surviving. It is not something I chose. It is something that was chosen for me the morning a school counsellor sat across from me with her hands folded on her desk and her face arranged into an expression that told me everything before she opened her mouth. I was sixteen. I had a history test the following period that I had studied for. I remember thinking about that history test while she was talking because my brain needed something ordinary to hold onto while the ground disappeared beneath my feet. My parents were gone. Everything that came after that I did alone. I stood on the pavement outside Blackwell Enterprises and looked up. The building was exactly what I expected. Glass and steel climbing so high into the grey morning sky that the top of it disappeared into cloud. Clean lines. No unnecessary decoration. The kind of architecture that does not try to impress you because it does not need to. It simply exists and dares you to feel small. I did not feel small. I had stood in front of bigger things than this building and refused to feel small. I adjusted the strap of my bag, smoothed the front of my cream silk blouse and exhaled once. Slowly. The way I had taught myself to exhale when my body wanted to do something my mind had already decided against. I was not nervous. I pushed through the revolving door. The lobby hit me like a painting. Marble floors so polished I could see myself in them, a version of me reflected back composed and unhurried, exactly the woman I had worked to become. Ceilings three storeys high with chandeliers scattering morning light across every surface. Two women in matching black at the reception desk. People moving everywhere with the kind of purpose that belongs to those who know exactly where they are going. I walked like I belonged. I have practised that walk for years. In bank offices when men looked at my clothes instead of my proposal. In boardrooms full of people twice my age who thought my ideas were too ambitious for someone with my background. Out of the ruins of everything I built in London when it fell apart and I had to walk past people who had watched me rise and were now watching me fall without letting a single one of them see my hands shake. I could walk like that in here. What I had not prepared for was the smell. Cedar. Warm and quiet underneath everything else, underneath the fresh flowers and the climate controlled air. It hit me just inside the entrance and stopped me for half a second before I caught myself. Not a thought exactly. A feeling. The kind that does not have a name but has a memory attached to it, specific and sudden and completely unwelcome. I filed it where I filed everything that was not useful to me right now and kept walking. I am Lin Carter on the application. One letter changed. A small difference. A necessary one. My hair is up now instead of down. My bearing is different. The girl who used to sit on back steps in the dark and let someone talk her through the worst nights of her life is not visible in this woman and I needed her not to be. I approached the reception desk. "Good morning. Lin Carter. I have a nine o clock with HR." The woman typed something and nodded. "Tenth floor. Someone will meet you at the elevator." "Thank you." I turned toward the elevators. My heels clicked against the marble, unhurried, deliberate. The elevator doors slid open as I approached. I stepped in. Pressed ten. Watched the lobby shrink as the doors closed. In the quiet of the elevator I thought about my parents for the first time since I landed back in New York three weeks ago. I thought about my mother specifically. The way she used to press her uniform the night before work, carefully, with a focus that I understood better now than I did as a child. She was not just pressing a uniform. She was preparing herself. Putting herself together with intention before walking into a space where she would have to be exceptional just to be considered adequate. I understood that now. I wonder sometimes what she would think of me standing in this elevator in this building. Whether she would be proud or whether she would look at me the way mothers look at daughters when they can see something the daughter cannot. Whether she would tell me to turn around. I pressed the thought down before it could finish. The doors opened on the tenth floor and a young woman in navy was already waiting. "Lin Carter?" "Yes." "Welcome to Blackwell Enterprises. I am Sophie." She fell into step beside me. "Your onboarding runs until four today. Mr Blackwell meets all senior hires personally at five. Just a brief introduction, nothing to worry about." I kept my face exactly where it needed to be. "Of course," I said. "That is no problem at all." She smiled and led me down the corridor. I followed her. I had done my research on Blackwell Enterprises the way I did research on every company I applied to, thoroughly and without sentiment. Revenue figures. Leadership structure. Market position. I had read the company profile, the press releases, the industry coverage. I had looked at the executive team page with its neat rows of photographs and professional biographies. I had not looked at the CEO page. I told myself it was because the CEO was irrelevant to the operations role I was applying for. I told myself I was being efficient, focusing only on what was necessary. I told myself a lot of things and I was good at believing them because I had been practicing for ten years. The truth, if I was honest with myself in the way I tried not to be on Monday mornings before important days, was that I had not looked because some part of me already knew that looking would cost me something. That some doors, once opened, could not be closed again. That I had worked very hard to build a life that moved forward and only forward and I was not interested in anything that pointed in the other direction. I was here for a job. I was here to rebuild. I was here because this was the best option available and I was a practical woman who made decisions based on available options and nothing else. I was not here for anything that smelled like cedar and memory. Sophie stopped outside an office door and opened it to reveal a bright room with a large desk and a woman named Claire who stood up with the energy of someone who genuinely loved onboarding new employees at nine on a Monday morning. I sat down across from her and smiled and opened my notebook. I had seven hours before five o clock. I was going to be fine. I was almost certain of it.

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