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The Color Of You

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Lila Adeniyi lives loudly. Her laughter, her colors, her art all demand to be seen. Then she meets Ethan Cole, the quiet boy who speaks in sketches and hides from color itself. What begins as curiosity becomes a slow unraveling of everything she thought she understood about silence, loss, and love.Their worlds should never collide. She is sunlight, he is shadow. Yet somehow, they start to find rhythm in the spaces between. But some silences are not empty. Some are heavy with secrets that can break what is only beginning to heal.In a story about art, grief, and the way people teach each other how to breathe again, Lila must decide if she can love someone who has forgotten what color feels like. And Ethan must learn that sometimes, color is another word for living.

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Chapter 1- Monochrome Boy
The world had lost its voice the day Ethan Cole woke up in the hospital. Not its sound. He could still hear the steady beeping of monitors, the soft shuffle of nurses, the low hum of the air conditioner. But its life. The flowers by his bed, the sunlight on the curtain, even his mother’s trembling smile all looked drained, like the world had pressed pause. That was two years ago. Around him, the studio murmured with life, brushes clinking, laughter trailing through the air, but Ethan sat alone, sketching another world he couldn’t feel. Charcoal dust clung to his hands, his sleeves, the edge of his jaw, quiet battle scars of someone trying to capture what he could no longer see. The air smelled of turpentine and rain, heavy and familiar. Once, he had painted with abandon. Now, even remembering the act hurt. “Cole.” Professor Reed’s voice broke through the quiet. “Still avoiding pigment, I see.” Ethan didn’t look up. “Pigment’s overrated.” Reed folded his arms, unimpressed. “There’s more to art than shades of grey. Maybe one day you’ll let some color in.” “Maybe one day,” Ethan muttered, pressing harder on the pencil until the charcoal snapped. Reed lingered, sighed, and finally walked off. Ethan stared at the ruined sketch before tearing it from the easel and tossing it aside. Another faceless outline. Another ghost. The cafeteria buzzed with noise, laughter, clattering trays, and the smell of burnt coffee. Ethan didn’t like noise. Or people. Or this feeling of being trapped between them. But the sunlight had chased him inside, spilling through the windows like a spotlight he hadn’t asked for. He joined the queue, hood up, keeping to himself. And then she appeared, like someone had turned the world back on. She wore layers that shouldn’t have worked together but did, bold patterns, Nigerian prints, textures that clashed and somehow made sense. Ethan couldn’t see the colors, but he could feel them. The energy was loud, alive, and completely out of place with the quiet order he was used to. Energy that didn’t belong in greyscale. Her braids bounced with tiny ribbons tied in, and a sketchbook rested under one arm. She moved with an easy confidence, humming softly to herself. The hum was low, almost careless, something she probably didn’t even notice. But in the gray haze of his day, it threaded through the noise like a color he couldn’t name. It wasn’t beauty that caught him; it was life, unfiltered, unafraid, and unbearably loud against his quiet. She didn’t seem to care about the stares. Her mother always said clothes were stories you could wear, that color wasn’t decoration but language. Maybe that was why Lila never shied away from contrast. She’d been taught early that expression was its own kind of courage. She laughed at something a server said, the sound light and musical, like she hadn’t realized the rest of the world was heavy. She glanced his way, tray in hand, and for reasons he didn’t understand, came closer. “Hi,” she said easily, as if they’d met before. “You’re in Professor Reed’s class, right?” He nodded once. “Yeah.” “I thought so.” She tilted her head, assessing him like a sketch she was trying to figure out. Even with her in boots, he still had a few inches on her, enough that she had to look up to meet his eyes. “You draw a lot.” “I do.” “Good. I like people who actually draw,” she said. “Most just talk about drawing.” Ethan looked up briefly, caught off guard by her forwardness. He wasn’t used to people approaching him this way, without hesitation, without the awkward pauses that usually filled the spaces between him and others. There was no pity in her eyes, no cautious tone, just presence. “And you’re… what, the drawing police?” he said, trying to mask the unease tightening in his chest. Her lips twitched. “No. More like the honesty police.” “Sounds exhausting.” “It’s fun if you don’t take yourself too seriously,” she said, grin widening. He wanted to roll his eyes, but the corner of his mouth betrayed him, just a flicker of amusement he hoped she didn’t notice. She noticed. Of course she did. She studied him for a second longer, as though she could see the tension he tried so hard to hide. He looks like someone who forgets to breathe when he’s thinking, she thought, someone afraid of being seen wanting anything at all. He muttered something that could have been “right,” but she ignored it and set her tray down at the table beside him instead of walking away. “So, what’s your name?” “Ethan.” “Hmm.” She said it like she was testing how it sounded in her mouth. “I’m Lila.” He gave a small nod, already preparing himself for the usual, polite talk, small talk, goodbye. But she didn’t leave. Instead, she smiled, not the performative kind people wore to fill silence, but one that felt like an opening. Then, with a wink that came out of nowhere, she added, “I’ll remember you. You look like someone who needs remembering,” she said lightly. The words landed harder than she meant them to. Something in him stilled. Before he could respond, she was gone, a flicker of movement, laughter trailing behind her. He told himself it was nothing, just another loud person in a world full of them. But the lie stuck somewhere between his ribs. She’d looked at him like she saw something worth remembering, and that unsettled him more than he cared to admit. He sat there longer than he meant to, his food untouched, pulse unsteady for reasons that made no sense. He’d seen hundreds of people cross his path in the last two years, faces, outlines, movement, but she’d felt different. Like his mind had decided to focus again after months of refusing to. He didn’t know what it was. But for the first time in a long while, he wanted to. Later that night, in the stillness of his dorm, Ethan sat before a blank sketchpad. He told himself he was just thinking, not about her. Not about the strange energy she carried with her. But when his hand moved, unthinking, he realized he’d started to sketch her silhouette, the curve of her braids, the tilt of her smile. He hadn’t spoken a word to her after she left, and yet something about the encounter lingered, a spark, a question he couldn’t answer. He stared at it, unsettled and intrigued all at once. He didn’t know it yet, but the quiet of his grey world had just been disturbed, not shattered, just cracked enough for light to think about coming through. Ethan Cole didn’t believe in miracles. But when he caught himself glancing at that rough sketch of her before turning out the light, he felt something stir, small, uninvited, and impossible to ignore. He told himself it meant nothing. But deep down, a truth he wasn’t ready to face had already started breathing.

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