money vs ??????family's this story have a really so what his the power off ???????money his big rule in the world..

fullfilling a promise ??"Marry me, will you?", the girl agreed. And her parents, looking at the effort shown by the boy, agreed with them. Finally, before the boy go oversea, they are engaged. The girl stay back in the hometown, step into the working society where as the boy continuing his study oversea. They maintained their relationship through telephone and letters. Although time is difficult to get through with, but both of them never give up. One day, the girl left home for work as usual on her way to the bus stop, a car lose control and knock her down. As she awake from unconsciousness, she saw her parents and realize how seriously she got hurt and how fortunate of her, not to get killed. Looking at her parents, with their faced got all wet by their tears, she tried to comfort them. But then, she found out that She can't even spell out a word, she tried her best to make some voice but all she managed, was to breath without any voice. She's mute. Accordingto the doctor, the injury affected her brain, and that cause her to be mute for the rest of her life. Listening to her parents persuade, but can't even reply with a single word, the girl collapsed. Throughout the days, others than crying silently, still it is crying. Later, the girl discharged from hospital. Returning to her home, everything is still like before. Except that the phone ring, has turned into the worst nightmare of hers. Ring after ring, continuously stimulate her, stimulating her pain But she can't tell the boy. She don't want to be a burden to him, and wrote him a letter telling him that she no longer want to wait, the relationship between them ended, and even returned him the engagement ring. Facing the letters and telephone from the boy, all she can do, is to allow tears falling from her eyes. Her father decided to move, after seeing the pain she is suffering. Hoping that she could forget everything and be happier into a new environment, the girl started to learn, slowly picking upsign language and start over again. Also telling herself to forget the boy. One day, her best friend tell her that the boy's back. He's searching all around for her, she asked her best friend not to tell him about her and asked her to tell him to forget her. After that for more than a year there was no news of boy. One day her best friend tells her, that the boy is getting married soon, and passed the Wedding Card to her. She open the card sadly, but she found her name on the card. The moment she want to ask her best friend, the boy appear in front of her. With an unfamiliar sign language, he told her "I spent more than a year's time, to force myself to learn sign language, in order to tell you, I have not forgot our promise, give me an opportunity, let me be your voice. I love you."Looking at the slow sign language by the boy, and the engagement ring she She finally smiled. gave back to him, My Financial Career: When I go into a bank I get rattled. The clerks rattle me; the wickets rattle me; the sight of the money rattles me; everything rattles me. The moment I cross the threshold of a bank and attempt to transact business there, I become an irresponsible i***t. I knew this beforehand, but my salary had been raised to fifty dollars a month and I felt that the bank was the only place for it. So I shambled in and looked timidly round at the clerks. I had an idea that a person about to open an account must needs consult the manager. I went up to a wicket marked "Accountant." The accountant was a tall, cool devil. The very sight of him rattled me. My voice was sepulchral. "Can I see the manager?" I said, and added solemnly, "alone." I don't know why I said "alone." "Certainly," said the accountant, and fetched him. The manager was a grave, calm man. I held my fifty-six dollars clutched in a crumpled ball in my pocket. "Are you the manager?" I said. God knows I didn't doubt it. "Yes," he said. "Can I see you," I asked, "alone?" I didn't want to say "alone" again, but without it the thing seemed self-evident. The manager looked at me in some alarm. He felt that I had an awful secret to reveal. "Come in here," he said, and led the way to a private room. He turned the key in the lock. "We are safe from interruption here," he said; "sit down." We both sat down and looked at each other. I found no voice to speak. "You are one of Pinkerton's men, I presume," he said. He had gathered from my mysterious manner that I was a detective. I knew what he was thinking, and it made me worse. "No, not from Pinkerton's," I said, seeming to imply that I came from a rival agency. "To tell the truth," I went on, as if I had been prompted to lie about it, "I am not a detective at all. I have come to open an account. I intend to keep all my money in this bank." The manager looked relieved but still serious; he concluded now that I was a son of Baron Rothschild or a young Gould. "A large account, I suppose," he said. "Fairly large," I whispered. "I propose to deposit fifty-six dollars now and fifty dollars a month regularly." The manager got up and opened the door. He called to the accountant. "Mr. Montgomery," he said unkindly loud, "this gentleman is opening an account, he will deposit fifty-six dollars. Good morning." I rose. A big iron door stood open at the side of the room. "Good morning," I said, and stepped into the safe. "Come out," said the manager coldly, and showed me the other way. I went up to the accountant's wicket and poked the ball of money at him with a quick convulsive movement as if I were doing a conjuring trick. My face was ghastly pale. "Here," I said, "deposit it." The tone of the words seemed to mean, "Let us do this painful thing while the fit is on us." He took the money and gave it to another clerk. He made me write the sum on a slip and sign my name in a book. I no longer knew what I was doing. The bank swam before my eyes. "Is it deposited?" I asked in a hollow, vibrating voice. "It is," said the accountant. "Then I want to draw a cheque." My idea was to draw out six dollars of it for present use. Someone gave me a chequebook through a wicket and someone else began telling me how to write it out. The people in the bank had the impression that I was an invalid millionaire. I wrote something on the cheque and thrust it in at the clerk. He looked at it. "What! are you drawing it all out again?" he asked in surprise. Then I realized that I had written fifty-six instead of six. I was too far gone to reason now. I had a feeling that it was impossible to explain the thing. All the clerks had stopped writing to look at me. Reckless with misery, I made a plunge. "Yes, the whole thing." "You withdraw your money from the bank?" "Every cent of it." "Are you not going to deposit any more?" said the clerk, astonished. "Never." An i***t hope struck me that they might think something had insulted me while I was writing the cheque and that I had changed my mind. I made a wretched attempt to look like a man with a fearfully quick temper. The clerk prepared to pay the money. "How will you have it?" he said. "What?" "How will you have it?" "Oh"—I caught his meaning and answered without even trying to think—"in fifties." He gave me a fifty-dollar bill. "And the six?" he asked dryly. "In sixes," I said. He gave it me and I rushed out. As the big door swung behind me I caught the echo of a roar of laughter that went up to the ceiling of the bank. Since then I bank no more. I keep my money in cash in my trousers pocket and my savings in silver dollars in a sock.A Strange Story: In the northern part of Austin there once dwelt an honest family by the name of Smothers. The family consisted of John Smothers, his wife, himself, their little daughter, five years of age, and her parents, making six people toward the population of the city when counted for a special write-up, but only three by actual count. One night after supper the little girl was seized with a severe colic, and John Smothers hurried down town to get some medicine. He never came back. The little girl recovered and in time grew up to womanhood. The mother grieved very much over her husband's disappearance, and it was nearly three months before she married again, and moved to San Antonio. The little girl also married in time, and after a few years had rolled around, she also had a little girl five years of age. She still lived in the same house where they dwelt when her father had left and never returned. One night by a remarkable coincidence her little girl was taken with cramp colic on the anniversary of the disappearance of John Smothers, who would now have been her grandfather if he had been alive and had a steady job. "I will go downtown and get some medicine for her," said John Smith (for it was none other than he whom she had married). "No, no, dear John," cried his wife. "You, too, might disappear forever, and then forget to come back." So John Smith did not go, and together they sat by the bedside of little Pansy (for that was Pansy's name). After a little Pansy seemed to grow worse, and John Smith again attempted to go for medicine, but his wife would not let him. Suddenly the door opened, and an old man, stooped and bent, with long white hair, entered the room. "Hello, here is grandpa," said Pansy. She had recognized him before any of the others. The old man drew a bottle of medicine from his pocket and gave Pansy a spoonful. She got well immediately. "I was a little late," said John Smothers, "as I waited for a street car."A Telephonic Conversation: Consider that a conversation by telephone--when you are simply sitting by and not taking any part in that conversation--is one of the solemnest curiosities of modern life. Yesterday I was writing a deep article on a sublime philosophical subject while such a conversation was going on in the room. I notice that one can always write best when somebody is talking through a telephone close by. Well, the thing began in this way. A member of our household came in and asked me to have our house put into communication with Mr. Bagley's downtown. I have observed, in many cities, that the s*x always shrink from calling up the central office themselves. I don't know why, but they do. So I touched the bell, and this talk ensued: CENTRAL OFFICE. (gruffy.) Hello! I. Is it the Central Office? C. O. Of course it is. What do you want? I. Will you switch me on to the Bagleys, please? C. O. All right. Just keep your ear to the telephone. Then I heard k-look, k-look, k'look--klook-klook-klook-look-look! then a horrible "gritting" of teeth, and finally a piping female voice: Y-e-s? (rising inflection.) Did you wish to speak to me? Without answering, I handed the telephone to the applicant, and sat down. Then followed that queerest of all the queer things in this world-- a conversation with only one end of it. You hear questions asked; you don't hear the answer. You hear invitations given; you hear no thanks in return. You have listening pauses of dead silence, followed by apparently irrelevant and unjustifiable exclamations of glad surprise or sorrow or dismay. You can't make head or tail of the talk, because you never hear anything that the person at the other end of the wire says. Well, I heard the following remarkable series of observations, all from the one tongue, and all shouted-- for you can't ever persuade the s*x to speak gently into a telephone: Yes? Why, how did that happen? Pause. What did you say? Pause. Oh no, I don't think it was. Pause. No! Oh no, I didn't mean that. I meant, put it in while it is still boiling--or just before it comes to a boil. Pause. What? Pause. I turned it over with a backstitch on the selvage edge. Pause. Yes, I like that way, too; but I think it's better to baste it on with Valenciennes or bombazine, or something of that sort. It gives it such an air--and attracts so much noise. Pause. It's forty-ninth Deuteronomy, sixty-forth to ninety-seventh inclusive. I think we ought all to read it often. Pause. Perhaps so; I generally use a hair pin. Pause. What did you say? (aside.) Children, do be quiet! Pause Oh! B flat! Dear me, I thought you said it was the cat! Pause. Since when? Pause. Why, I never heard of it. Pause. You astound me! It seems utterly impossible! Pause. Who did? Pause. Good-ness gracious! Pause. Well, what is this world coming to? Was it right in church? Pause. And was her mother there? Pause. Why, Mrs. Bagley, I should have died of humiliation! What did they do? Long pause. I can't be perfectly sure, because I haven't the notes by me; but I think it goes something like this: te-rolly-loll-loll, loll lolly-loll-loll, O tolly-loll-loll-lee-ly-li-I-do! And then repeat, you know. Pause. Yes, I think it is very sweet--and very solemn and impressive, if you get the andantino and the pianissimo right. Pause. Oh, gum-drops, gum-drops! But I never allow them to eat striped candy. And of course they can't, till they get their teeth, anyway. Pause. What? Pause. Oh, not in the least--go right on. He's here writing--it doesn't bother him. Pause. Very well, I'll come if I can. (aside.) Dear me, how it does tire a person's arm to hold this thing up so long! I wish she'd-- Pause. Oh no, not at all; I like to talk--but I'm afraid I'm keeping you from your affairs. Pause. Visitors? Pause. No, we never use butter on them. Pause. Yes, that is a very good way; but all the cook-books say they are very unhealthy when they are out of season. And he doesn't like them, anyway--especially canned. Pause. Oh, I think that is too high for them; we have never paid over fifty cents a bunch. Pause. Must you go? Well, good-by. Pause. Yes, I think so. Good-by. Pause. Four o'clock, then--I'll be ready. Good-by. Pause. Thank you ever so much. Good-by. Pause. Oh, not at all!--just as fresh--which? Oh, I'm glad to hear you say that. Good-by. (Hangs up the telephone and says, "Oh, it does tire a person's arm so!") A man delivers a single brutal "Good-by," and that is the end of it. Not so with the gentle s*x--I say it in their praise; they cannot abide abruptness.Reginald on Worries: I have (said Reginald) an aunt who worries. She's not really an aunt--a sort of amateur one, and they aren't really worries. She is a social success, and has no domestic tragedies worth speaking of, so she adopts any decorative sorrows that are going, myself included. In that way she's the antithesis, or whatever you call it, to those sweet, uncomplaining women one knows who have seen trouble, and worn blinkers ever since. Of course, one just loves them for it, but I must confess they make me uncomfy; they remind one so of a duck that goes flapping about with forced cheerfulness long after its head's been cut off. Ducks have no repose. Now, my aunt has a shade of hair that suits her, and a cook who quarrels with the other servants, which is always a hopeful sign, and a conscience that's absentee for about eleven months of the year, and only turns up at Lent to annoy her husband's people, who are considerably Lower than the angels, so to speak: with all these natural advantages--she says her particular tint of bronze is a natural advantage, and there can be no two opinions as to the advantage--of course she has to send out for her afflictions, like those restaurants where they haven't got a licence. The system has this advantage, that you can fit your unhappinesses in with your other engagements, whereas real worries have a way of arriving at meal-times, and when you're dressing, or other solemn moments. I knew a canary once that had been trying for months and years to hatch out a family, and everyone looked upon it as a blameless infatuation, like the sale of Delagoa Bay, which would be an annual loss to the Press agencies if it ever came to pass; and one day the bird really did bring it off, in the middle of family prayers. I say the middle, but it was also the end: you can't go on being thankful for daily bread when you are wondering what on earth very new canaries expect to be fed on. At present she's rather in a Balkan state of mind about the treatment of the Jews in Roumania. Personally, I think the Jews have estimable qualities; they're so kind to their poor- -and to our rich. I daresay in Roumania the cost of living beyond one's income isn't so great. Over here the trouble is that so many people who have money to throw about seem to have such vague ideas where to throw it. That fund, for instance, to relieve the victims of sudden disasters--what is a sudden disaster? There's Marion Mulciber, who would think she could play bridge, just as she would think she could ride down a hill on a bicycle; on that occasion she went to a hospital, now she's gone into a Sisterhood--lost all she had, you know, and gave the rest to Heaven. Still, you can't call it a sudden calamity; that occurred when poor dear Marion was born. The doctors said at the time that she couldn't live more than a fortnight, and she's been trying ever since to see if she could. Women are so opinionated. And then there's the Education Question--not that I can see that there's anything to worry about in that direction. To my mind, education is an absurdly over-rated affair. At least, one never took it very seriously at school, where everything was done to bring it prominently under one's notice. Anything that is worth knowing one practically teaches oneself, and the rest obtrudes itself sooner or later. The reason one's elders know so comparatively little is because they have to unlearn so much that they acquired by way of education before we were born. Of course I'm a believer in Nature-study; as I said to Lady Beauwhistle, if you want a lesson in elaborate artificiality, just watch the studied unconcern of a Persian cat entering a crowded salon, and then go and practise it for a fortnight. The Beauwhistles weren't born in the Purple, you know, but they're getting there on the instalment system--so much down, and the rest when you feel like it. They have kind hearts, and they never forget birthdays. I forget what he was, something in the City, where the patriotism comes from; and she--oh, well, her frocks are built in Paris, but she wears them with a strong English accent. So public-spirited of her. I think she must have been very strictly brought up, she's so desperately anxious to do the wrong thing correctly. Not that it really matters nowadays, as I told her: I know some perfectly virtuous people who are received everywhere.The Haunted Mind: What a singular moment is the first one, when you have hardly begun to recollect yourself, after starting from midnight slumber! By unclosing your eyes so suddenly you seem to have surprised the personages of your dream in full convocation round your bed, and catch one broad glance at them before they can flit into obscurity. Or, to vary the metaphor, you find yourself for a single instant wide awake in that realm of illusions whither sleep has been the passport, and behold its ghostly inhabitants and wondrous scenery with a perception of their strangeness such as you never attain while the dream is undisturbed. The distant sound of a church-clock is borne faintly on the wind. You question with yourself, half seriously, whether it has stolen to your waking ear from some gray tower that stood within the precincts of your dream. While yet in suspense another clock flings its heavy clang over the slumbering town with so full and distinct a sound, and such a long murmur in the neighboring air, that you are certain it must proceed from the steeple at the nearest corner; You count the strokes—one, two; and there they cease with a booming sound like the gathering of a third stroke within the bell. If you could choose an hour of wakefulness out of the whole night, it would be this. Since your sober bedtime, at eleven, you have had rest enough to take off the pressure of yesterday's fatigue, while before you, till the sun comes from "Far Cathay" to brighten your window, there is almost the space of a summer night—one hour to be spent in thought with the mind's eye half shut, and two in pleasant dreams, and two in that strangest of enjoyments the forgetfulness alike of joy and woe. The moment of rising belongs to another period of time, and appears so distant that the plunge out of a warm bed into the frosty air cannot yet be anticipated with dismay. Yesterday has already vanished among the shadows of the past; to-morrow has not yet emerged from the future. You have found an intermediate space where the business of life does not intrude, where the passing moment lingers and becomes truly the present; a spot where Father Time, when he thinks nobody is watching him, sits down by the wayside to take breath. Oh that he would fall asleep and let mortals live on without growing older! Hitherto you have lain perfectly still, because the slightest motion would dissipate the fragments of your slumber. Now, being irrevocably awake, you peep through the half-drawn window-curtain, and observe that the glass is ornamented with fanciful devices in frost-work, and that each pane presents something like a frozen dream. There will be time enough to trace out the analogy while waiting the summons to breakfast. Seen through the clear portion of the glass where the silvery mountain-peaks of the frost-scenery do not ascend, the most conspicuous object is the steeple, the white spire of which directs you to the wintry lustre of the firmament. You may almost distinguish the figures on the clock that has just told the hour. Such a frosty sky and the snow-covered roofs and the long vista of the frozen street, all white, and the distant water hardened into rock, might make you shiver even under four blankets and a woollen comforter. Yet look at that one glorious star! Its beams are distinguishable from all the rest, and actually cast the shadow of the casement on the bed with a radiance of deeper hue than moonlight, though not so accurate an outline. You sink down and muffle your head in the clothes, shivering all the while, but less from bodily chill than the bare idea of a polar atmosphere. It is too cold even for the thoughts to venture abroad. You speculate on the luxury of wearing out a whole existence in bed like an oyster in its shell, content with the sluggish ecstasy of inaction, and drowsily conscious of nothing but delicious warmth such as you now feel again. Ah! that idea has brought a hideous one in its train. You think how the dead are lying in their cold shrouds and narrow coffins through the drear winter of the grave, and cannot persuade your fancy that they neither shrink nor shiver when the snow is drifting over their little hillocks and the bitter blast howls against the door of the tomb. That gloomy thought will collect a gloomy multitude and throw its complexion over your wakeful hour. In the depths of every heart there is a tomb and a dungeon, though the lights, the music and revelry, above may cause us to forget their existence and the buried ones or prisoners whom they hide. But sometimes, and oftenest at midnight, those dark receptacles are flung wide open. In an hour like this, when the mind has a passive sensibility, but no active strength—when the imagination is a mirror imparting vividness to all ideas without the power of selecting or controlling them—then pray that your griefs may slumber and the brotherhood of remorse not break their chain. It is too late. A funeral train comes gliding by your bed in which passion and feeling assume bodily shape and things of the mind become dim spectres to the eye. There is your earliest sorrow, a pale young mourner wearing a sister's likeness to first love, sadly beautiful, with a hallowed sweetness in her melancholy features and grace in the flow of her sable robe. Next appears a shade of ruined loveliness with dust among her golden hair and her bright garments all faded and defaced, stealing from your glance with drooping head, as fearful of reproach: she was your fondest hope, but a delusive one; so call her Disappointment now. A sterner form succeeds, with a brow of wrinkles, a look and gesture of iron authority; there is no name for him unless it be Fatality—an emblem of the evil influence that rules your fortunes, a demon to whom you subjected yourself by some error at the outset of life, and were bound his slave for ever by once obeying him. See those fiendish lineaments graven on the darkness, the writhed lip of scorn, the mockery of that living eye, the pointed finger touching the sore place in your heart! Do you remember any act of enormous folly at which you would blush even in the remotest cavern of the earth? Then recognize your shame. Pass, wretched band! Well for the wakeful one if, riotously miserable, a fiercer tribe do not surround him—the devils of a guilty heart that holds its hell within itself. What if Remorse should assume the features of an injured friend? What if the fiend should come in woman's garments with a pale beauty amid sin and desolation, and lie down by your side? What if he should stand at your bed's foot in the likeness of a corpse with a bloody stain upon the shroud? Sufficient without such guilt is this nightmare of the soul, this heavy, heavy sinking of the spirits, this wintry gloom about the heart, this indistinct horror of the mind blending itself with the darkness of the chamber. By a desperate effort you start upright, breaking from a sort of conscious sleep and gazing wildly round the bed, as if the fiends were anywhere but in your haunted mind. At the same moment the slumbering embers on the hearth send forth a gleam which palely illuminates the whole outer room and flickers through the door of the bedchamber, but cannot quite dispel its obscurity. Your eye searches for whatever may remind you of the living world. With eager minuteness you take note of the table near the fireplace, the book with an ivory knife between its leaves, the unfolded letter, the hat and the fallen glove. Soon the flame vanishes, and with it the whole scene is gone, though its image remains an instant in your mind's eye when darkness has swallowed the reality. Throughout the chamber there is the same obscurity as before, but not the same gloom within your breast. As your head falls back upon the pillow you think—in a whisper be it spoken—how pleasant in these night solitudes would be the rise and fall of a softer breathing than your own, the slight pressure of a tenderer bosom, the quiet throb of a purer heart, imparting its peacefulness to your troubled one, as if the fond sleeper were involving you in her dream. Her influence is over you, though she have no existence but in that momentary image. You sink down in a flowery spot on the borders of sleep and wakefulness, while your thoughts rise before you in pictures, all disconnected, yet all assimilated by a pervading gladsomeness and beauty. The wheeling of gorgeous squadrons that glitter in the sun is succeeded by the merriment of children round the door of a schoolhouse beneath the glimmering shadow of old trees at the corner of a rustic lane. You stand in the sunny rain of a summer shower, and wander among the sunny trees of an autumnal wood, and look upward at the brightest of all rainbows overarching the unbroken sheet of snow on the American side of Niagara. Your mind struggles pleasantly between the dancing radiance round the hearth of a young man and his recent bride and the twittering flight of birds in spring about their new-made nest. You feel the merry bounding of a ship before the breeze, and