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The Emerald Lie

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From the “Godfather of the modern Irish crime novel” (Irish Independent), The Emerald Lie introduces a villain of the most unusual sort: an Eton and Cambridge graduate who becomes murderous over split infinitives, improper punctuation, and any other sign of bad grammar.

Ken Bruen’s irascible protagonist, ex-cop Jack Taylor, is meanwhile approached by a grieving father with a pocketful of cash on offer if Jack will help exact revenge on those responsible for his daughter’s brutal murder. Jack agrees to get a read on the likely perpetrators but is soon derailed by the appearance of Emily (also known as Em, Emerald), a chameleon-like young woman who is passionate, clever, and utterly homicidal.

She will use any sort of coercion to get Jack to conspire with her against the serial killer the Garda have nicknamed “the Grammarian,” but her most destructive obsession just might be Jack himself.

Praise for The Emerald Lie:

“The most entertaining of Bruen’s Jack Taylor books.” — Toronto Star

“Bruen remains on the mountaintop of contemporary Irish noir. Sprightly, elliptical prose is a plus.” — Publishers Weekly

“I picture Bruen not so much writing as transcribing the words of a sweet fallen angel that are whispered feverishly into his ear.” — Bookreporter

“Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows. The Emerald Lie is pure Bruen, with its verbal tics, weird typography and unorthodox wordplay.” —Marilyn Stasio, New York Times Book Review

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Chapter 1
Tom Darcy was giving it large about van Graal, the new manager of Man United. He wasn’t shouting. Yet. But he was very loud and verging on aggressive. Like this: “You have to remember Ferguson wasn’t successful when he started.” His companion, a small man with a small tone, nodded, staring into his pint, hoping it might help. It didn’t. Darcy finished his third Jameson, belched, said, “See, managers do be playing the long game.” A man farther along the bar, dressed in a black denim shirt, black jeans, visibly blanched. He had a long slender face with a slight scar above the right eye and it seemed to twitch now in annoyance. He lifted his tonic water, took a bitter sip. He wanted a double gin but it could wait. Duty must. Darcy said, more roared, “Gotta point Percy at the porcelain.” The man didn’t look but he was fairly sure that Darcy winked. He took a deep breath then followed Darcy. Darcy was zipping up then moved to wash his large hands. He clocked the man enter but he knew not to make eye contact in a men’s lavatory. Thought, “WTF?” As the man stood right by the basin, he snapped, “Help yah?” (Not full on but enough to let menace spill over the tone.) The man seemed to focus, as if collating thoughts, then, “The Yahoos that make up this city, they can tell you the offside rule but as to what a split infinitive is? Forget it. Now when you were rather haranguing your comrade at the bar, you said . . .” He paused, as if ensuring he got it correct, then, “Do be!” Darcy laughed, a mix of relief and disbelief, this punter was simply another nutter in a city chockablock with madness. He leaned back, mocked, “Dooby do bee do.” The man lashed out with his right hand, throwing Darcy back against the wall, intoned, “You cretin, you mock? Grammar is with us from the fifth century BC, from India. You probably think the great subcontinent gave us bus conductors and curry. When language is corrupted, it is but a small step to chaos. Look at X Factor Fifty Shades of Grey chick lit and . . .” He had to catch a breath, such was his indignation, then, “Texting.” He grabbed Darcy by his hair and began to systematically smash his face against the porcelain bowl, and in an almost singsong voice, said, “I before e but not after . . .” He was still reeling off the rules as his hand released the limp body, which slid to the floor. He looked down at it, as if surprised to see it, then, sighing, pulled himself together, said, “The center cannot hold.” He took a single white card from his jacket, laid it almost reverently atop the destroyed face. It had one letter, in bold black: A Extra adverbs, used for emphasis, are called intensifiers. E.g. . . . he was very dead.

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