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Falling Out of Hate with You

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Travis King is the worst kind of asshole with good looks and enough confidence to last two lifetimes.

Viola Fisher is a goodie two shoes know-it-all who prefers fictional love stories over her own.

The only thing they have in common is their mutual hatred for each other.

Viola’s had a secret crush on Travis since she was ten, but he’s always made it very clear the feelings aren’t mutual. He’s cruel, crass and takes every opportunity to get under Viola’s skin. She’s smart, beautiful, and too good to be true. Hating him is her religion, but needing her is his.

Although Viola loathes his very existence, against her better judgment she let him into her bed. Her sexy curves and filthy smart mouth make Travis want her even more and although she’s succumbed to his manwhore ways, she’s determined to not let that change a thing.

Too bad he has other plans.

Viola’s always been off-limits, but Travis is determined to keep crossing that line. She can try to push him away, but he always gets what he wants and he’ll do anything to prove he’s done playing games. Until then, they’ll play by their own rules to see who will win the biggest battle yet—love or hate?

Checkmate.

**Falling Out of Hate With You is a special anniversary edition of the Travis & Viola duet in the Checkmate duet series. It consists of This is War and This is Love, includes character art, a playlist, author’s note, and two bonus scenes. This edition is over 180k words and nearly 600 pages. The print editions include brand new interior formatting.**

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Copyright
Copyright © 2022 Kennedy Fox www.kennedyfoxbooks.com falling out of hate with you falling out of hate with you Special Anniversary Edition Special Anniversary EditionIncludes: This is War & This is Love This is WarThis is LoveAll rights reserved. No parts of the book may be used or reproduced in any matter without written permission from the author, except for inclusion of brief quotations in a review. This book is a work of fiction. Names, characters, establishments, organizations, and incidents are either products of the author’s imagination or are used fictitiously to give a sense of authenticity. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

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