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The Exene Chronicles

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Blurb

Lia is fourteen and losing her best friend. When things don’t seem like they could get any worse, Ryan disappears.

Lia is one of only a handful of black kids in Coronado, her San Diego suburb. The only person she feels she can talk to is punk rock high priestess and frontwoman to a legendary LA band, Exene Cervenka. Reeling from Ryan’s disappearance, Lia writes letters and poems to Exene every day. She can relate to Exene—but if they were to ever meet, would Exene be able to relate to her? With Exene and her band’s searing soundtrack as her chief inspiration, Lia dives head-first into a dark and spiky counterculture rife with confrontation, shifting alliances, and unsettling insights into what Ryan was doing and what might have happened to her.

Set against the backdrop of the 1980s heyday of LA punk rock, The Exene Chronicles sings of the coming of a new age for all girls in America who have been disenfranchised by the spaces they identified as their own. With lyrical prose and an unrelenting moral center, Camille A. Collins liberates the punk in all of us.

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Chapter 1
It was not the paper doll cutout, but Exene’s actual mouth that Lia imagined, twisted into a snarl, blaming her. ‘It’s you, Lia! It’s all your fault what happened to Ryan!’ Because Lia’s mother had woken her to say Ryan never made it home the previous night. Fraught with worry, Mrs. Green had already phoned the police, and Lia’s first thought was that Ryan must be dead. Right away, Lia found the only way to deal with the worst possible scenario was to confront it head-on, to embrace it as though she were cradling in her arms a soft kitten. Lia’s rendition of the death of her very best friend was not especially morbid, or as gruesomely detailed as it might have been. It was the quixotic rendering of a burgeoning poetess. At the very least, Ryan deserved the grandeur of theater. So Lia envisioned the most enchanted garden, a neat little knoll of green, green grass nestled beneath an elegant magnolia tree in full bloom. That graceful magnolia would weep its ripe, inflorescent tears down onto a grand mausoleum. Ryan’s body would lie inside, near the hollow mouth of her final abode, a structure built of the finest marble, festooned with chiseled hearts, and inside those hearts would be inscribed eternal valentines proclaiming, “Ryan we love you” and “Forever in our hearts,” all with floating cupids, their arrows shooting heavenward. Ryan’s body would lie cold, her skin luminous, enlivened by the candent glow of four flaming torches, bathing her heart-shaped face in a delicate nimbus of pale yellow light. Her body would be covered by a white linen sheet, and nestled against the slope of her shoulders and the tapering silhouette of her waist and legs would be flowers: orchids and white roses, failing in all their beauty to compare to Ryan’s infinitely ravishing, cold, dead grace. Lia’s short reverie was disturbed by her mother’s persistence—Mrs. Payne stood in the doorway of Lia’s bedroom with a hand on her hip. “Baby, you’ve got to get up. Don’t be scared now. The police just want to talk to you about what you and Ryan did last night.”

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