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Beneath the Amber Sky

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Clara Hayes, a reserved but passionate landscape photographer from New York City, returns to her quiet hometown of Willow Ridge, Vermont, after the sudden passing of her estranged mother. Tasked with handling her mother’s estate, Clara plans for a brief stay—but her plans begin to unravel when she discovers a stack of unsent love letters tucked inside an old chest in the attic. They’re addressed not to her father, but to someone named Elias—a man she’s never heard of.Driven by curiosity and a need for closure, Clara begins to unravel the mystery behind the letters. Her search leads her to Elias Morgan, a reclusive but gentle artist in his late thirties who now lives in a secluded cabin near the lake. Elias was once her mother’s first love, torn apart by family expectations and a tragic accident that changed both their lives forever.

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CHAPTER ONE: RETURN TO WILLOW RIDGE
The road narrowed as it curved toward the mountains, pine trees crowding in like silent witnesses. The “Welcome to Willow Ridge” sign was still there—rusted, leaning, its white paint flaking like it couldn’t quite commit to the greeting. Clara gripped the steering wheel tighter. Still looks like it’s waiting for someone who never came back. The last time she’d seen this road, she was eighteen. A suitcase, a college scholarship, and a head full of unspoken things. She hadn’t returned since—not for holidays, not for birthdays, and certainly not for forgiveness. But death had a way of undoing plans. The house came into view slowly, familiar and foreign at once. It sat at the end of a gravel drive, still tucked behind the same crooked oak tree, still wearing the same peeling blue paint her mother had always meant to fix. Clara parked. Turned off the engine. Sat. You’re not that girl anymore. You’ve traveled, you’ve built a career, you’ve made a name for yourself. You can walk into one house. You can bury one woman. She stepped out into the crisp autumn air. Leaves fluttered down around her—amber, rust, gold. Too bright for a day like this. The porch creaked beneath her boots. The screen door stuck just like it used to, protesting in the exact same way. Inside, the house smelled of dust and lilacs, a scent she hadn’t realized she remembered until now. Her camera bag weighed heavy on her shoulder, though she hadn’t taken a single photo since landing. She wasn’t here to work. She wasn’t even sure she was here to grieve. I’m here because she died before I could tell her everything I wanted to say—and now I never will. Boxes lined the hallway, already stacked by the estate service. Her mother’s lawyer had been efficient, if cold. "She kept things tidy," he had said over the phone. "She didn’t want to be a burden." That word again. Burden. She always treated emotion like clutter. Tuck it away. Dust around it. Pretend it’s not there. Clara moved room to room in a slow orbit. Living room. Kitchen. The wallpaper in the hall was still peeling in the same spot. She paused in the doorway of what used to be her bedroom—now hollow, stripped of the girl who once taped photographs to the walls and cried into the pillows no one ever asked about. The attic stairs groaned as she climbed them, flashlight in hand. The air was colder up there. Still. Forgotten. She wasn’t looking for anything. Just trying to do what needed to be done. And then she saw the chest. Cedarwood, old and dust-covered. A green ribbon peeked from the edge. She knelt. Lifted the lid. Letters—fifteen of them—each envelope yellowed, addressed in her mother’s hand to a name she didn’t know. Elias Morgan. Clara frowned, carefully taking one from the top. July 12, 1985. "I dreamed of the lake again last night. Of the way you used to paint the sunrise in silence. I wish I’d been brave enough to stay..." She stared at the page. The words were soft. Wounded. Alive. This isn’t about Dad. This isn’t about me. A chill ran through her. Who were you, Margaret Hayes? And why did you never send these? Clara sat back on her heels, the letter trembling slightly in her hands. I thought I knew who you were. But maybe I only ever saw the version you wanted me to see. Downstairs, the floorboards creaked. Just the house settling. Still, it felt like something was waking up.

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