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The Shadow Of The Mole

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Blurb

From the Hercule Poirot Prize–winning author of Baudelaire’s Revenge comes a gripping tale of memory and identity set in the trenches of World War I.

1916, Bois de Bolante, France. The battles in the trenches are raging fiercer than ever. In a deserted mineshaft, French sappeurs discover an unconscious man, and nickname him The Mole.

Claiming he has lost his memory, The Mole is convinced that he's dead, and that an Other has taken his place. The military brass considers him a deserter, but front physician and psychiatrist-in-training Michel Denis suspects that his patient's odd behavior is stemming from shellshock, and tries to save him from the firing squad.

The mystery deepens when The Mole begins to write a story in écriture automatique that takes place in Vienna, with Dr. Josef Breuer, Freud’s teacher, in the leading role. Traumatized by the recent loss of an arm, Denis becomes obsessed with him, and is prepared to do everything he can to unravel the patient's secret.

Set against the staggering backdrop of the First World War, The Shadow Of The Mole is a thrilling tableau of loss, frustration, anger, madness, secrets and budding love. The most urgent question in this extraordinary story is: when, how, and why reality shifts into delusion?

"The Flemish writer Bob Van Laerhoven writes in a fascinating and compelling way about a psychiatric investigation during WW1. The book offers superb insight into the horrors of war and the trail of human suffering that results from it" - NBD Biblion

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Prologue
Prologue Before they descended into what they called ‘Satan’s lair’, they murmured, with their heads bowed, a prayer to La Sainte Vierge1. Their voices were soft and solemn, like when they were children. In the shadows, their lanterns sparked the dust into a golden mist, as they hacked their way into the earth. Jean Dumoulin used to hum softly but melodically during his work in the tunnels. His fellow diggers had nicknamed him ‘the canary’. Of late, he had taken to murmuring the bawdiest beer hall songs he knew, for the frankly insane reason that his regiment, the 13th French Infantry, had received the audacious orders to dig tunnels under the German tunnels at the spot that everybody in the Argonne-region called Fille Morte2. That day, February 26, 1916, Jean Dumoulin had turned to inventing his own songs. Faced with the threat of German tunnels above him, he sang only in his mind. Dumoulin liked to surprise himself with whatever words came to him. The words made him feel different: not a twenty-six-year-old French soldier clawing away in near darkness, but more like a classic Greek poet, posing with a lyre on a mountain top overlooking a shimmering sea. Dumoulin was crooning Ma bouche sera un enfer de douceur/tu crias ton armée de douleur3, while he used his pick-axe to clear the rubble around the entrance of an old mine gallery they had discovered. He pondered which verse would come next: ton amour armé or ton amour blindé?4 It was then he saw the body lying in the gallery. From time to time, when they were grubbing in the earth, a shovel would uncover a half-buried body. They couldn’t always tell if the stiff was German or French. Often, all that was left was a rotten lump of meat. In spite of the stench and their revulsion, the sappers would try to identify it. Who else would do so? They thought of all the missing men and their anxious relatives and loved ones and they searched the body for anything that could lead to its identification. “Nom de Dieu,” Dumoulin hissed over his shoulder to his companion Guillaume. “Another stiff. Hope this one doesn’t break in half like the other one.” Neither had actually seen the mummified corpse of a miner, perished years ago in the coal mines, who was said to have cracked in half when tunnel diggers brought it to the surface, but the story was legendary and if you denied it, you were just a cynic. Cursing under his breath, Jean moved forward. When his hands touched the body, he jerked away as though someone had stabbed him.

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