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The Husband Clause

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billionaire
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Blurb

She signed the contract. She didn't read the fine print.

Twenty-three-year-old Selene Marchetti has spent her whole life saying yes. Yes to her father's demands, yes to her family's debts, yes to a future she never chose. So when ruthless Greek billionaire Damon Vasilakis offers her a way out, she signs his marriage contract without reading every line.

Six months. One fake marriage. One staggering payout.

The terms are simple. She plays the perfect society wife. She shares his bed when the cameras are watching. She never asks questions.

What she doesn't expect is the heat. The way Damon's hands feel when he undresses her to convince his board the marriage is real. The way his mouth makes promises his eyes refuse to keep. The way she starts begging for things a good girl should never want.

What she really doesn't expect is Adrian Cole. Damon's head of security. Six foot four of dangerous silence, with eyes that follow her through every room. The man who shouldn't be looking at her the way he does. The man Damon shouldn't be looking at the way he does either.

The contract was never about love. It was about a lie. And Selene was supposed to be a prop.

But the prop is fighting back. The prop is making them both lose control. And buried in the fine print is a clause not even the lawyers caught.

If Selene falls pregnant, the marriage becomes permanent.

No exit. No escape.

Two men who were never supposed to want her. A body that has stopped listening to her head. And six months to decide whether to run, or burn it all down.

Some contracts are made to be broken. This one was made to break her.

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The Offer
The man across the table was the most beautiful liar I had ever seen. I knew he was lying because no one offered a stranger five million dollars without a knife hidden behind their back. I knew he was beautiful because my own body had been screaming it at me from the second he walked into the restaurant, and my body had never lied to me about anything, even the things it should have. "Miss Marchetti." His voice was lower in person than on the conference calls. Smoother. The kind of smooth that left bruises. "You are not eating." I looked down at the plate the waiter had placed in front of me twenty minutes ago. Some kind of fish, dressed with something I could not name, on porcelain that probably cost more than my mother's hospital bill. I had not touched it. "I'm not hungry." "You are starving." Damon Vasilakis lifted his glass of red wine to his lips, studying me over the rim with eyes the color of wet slate. "There is a difference. Eat." It was an order. Quiet, almost gentle, but underneath it lay something that made the small hairs on the back of my neck stand up. I picked up my fork. I ate. He watched me chew. I had read every article ever written about him on the cab ride over. Self-made. Greek, but raised in London. Thirty-four years old. Worth somewhere between four and six billion depending on which financial paper you trusted. Unmarried, which was apparently a problem his board of directors had decided to solve for him whether he wanted them to or not. There were photographs of him with models, with actresses, with women whose smiles never quite reached their eyes. There were no photographs of him laughing. Not one. "You read my proposal," he said when I finally set the fork down. "I read it." "And?" "It's insane." "It's a contract." "It's an insane contract." Something flickered at the corner of his mouth. Not quite a smile. Closer to the way a wolf might pull its lip back when it was deciding whether you were worth the effort of chasing. "Six months," he said. "You wear my ring. You attend the events I tell you to attend. You smile at the cameras. You sleep in my bed when there are people in the house who need to believe you sleep there. You sign a non-disclosure agreement so thorough that even my lawyers were impressed. At the end of the six months, you walk away with five million dollars, and the debts your father owes the wrong people will have been settled by my office before you finish packing." "Why me." It was not really a question. I already knew part of the answer. I had a face that photographed well, a name with old American money in it that no one had thought to check too closely, and a desperation that he could probably smell from across the room. "Because you have nothing to lose," he said. "And that is the rarest quality a man in my position can buy." I felt the words land somewhere in the middle of my chest, low and hot, and I hated that they were not entirely wrong. "There has to be more," I said. "More than what's in the contract." "There always is." He set the wine down. The candlelight caught on the heavy silver of his watch. "But you will not learn the rest until after you sign. That is also part of the arrangement." "That's not how arrangements work." "It is how mine work." * * * There was a man at the bar. I had noticed him when we walked in, because not noticing him would have required me to be a different kind of woman. Tall, broad-shouldered, dressed in a charcoal suit that was a little less expensive than Damon's and a great deal less forgiving. Dark hair cut close. A jaw I could have struck a match against. He had a glass of something amber in front of him that he was not drinking, and his eyes had not left our table once in the entire forty minutes I had been sitting here. I had assumed he was security. Damon was the kind of man who would have security. I had not, until this moment, realized that the security was watching me with the same quiet, unblinking attention with which a hunting dog watches a bird that has not yet realized it has been seen. "My head of security," Damon said, without looking. "Adrian Cole. He will be your shadow for the duration of our arrangement. You will see him often. You will speak to him rarely. If he tells you to do something, you will do it." "I have not signed anything." "You will." I looked back at the bar. Adrian Cole's eyes met mine and did not flinch. He did not nod. He did not smile. He simply looked at me, the way you might look at a piece of art you were not yet sure you wanted to own, and something in the bottom of my stomach turned over slowly. "What if I say no," I said. Damon reached into the inner pocket of his jacket and pulled out a folded piece of paper. He slid it across the white linen tablecloth toward me with two fingers, and the cufflink at his wrist caught the light like a small, precise blade. "Open it." I opened it. It was a hospital bill. My mother's name was at the top. The number at the bottom had more zeros than I had ever seen written next to my own life. Underneath the bill was a second sheet of paper. A bank statement. Not mine. My father's. With a balance that made the hospital bill look like a parking ticket, and a list of withdrawals to names I recognized from the kind of news stories you read with the lights on. "You have until tomorrow at noon," Damon said. "After that, the offer is no longer available. After that, the men who own those withdrawals will come to your father's house, and you will discover what they take when there is nothing left to give." I could not feel my hands. "Eat," Damon said softly. "You will need your strength." And as I lifted my fork with fingers that did not feel like my own, I felt Adrian Cole's eyes on the back of my neck like a brand, and I understood, in the cold and certain way you understand things you cannot yet name, that whatever I was about to sign tomorrow at noon was not going to be a marriage. It was going to be a sentence. And I did not yet know whether the men sentencing me were the ones at the table, or the ones outside it.

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