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Cursed By The Wolf King

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Blurb

Three hundred years ago, he made a bargain to save his pack. It has been killing women ever since.

Ruarc Mac Giolla Fháil has buried three fated mates. He knows better than to want a fourth. He has built three centuries of distance, discipline, and solitude around that knowing — and it has held.

Then Liadan Ní Fáelán walks through his gate.

She isn't looking for fate. She's a wandering Ban-Fhile — a poet-seer — following two years of half-finished verses her gift has been feeding her in the dark, all of them pointing to one man, one dying stone, one shadow circling closer at the tree-line every night. She carries the wolf-moon mark. She carries the bloodline that started the curse. And she has no intention of being managed, protected, or kept from the truth.

What she doesn't know yet is that the truth belongs to her.

The release clause buried in the Géas has been waiting three hundred years for a woman of the right blood to arrive on her own terms — not sent, not compelled, not swept along by the bond's pull, but choosing. Freely. In full knowledge of what it costs.

The only thing standing between the curse's end and the shadow's next collection is whether two deeply guarded people can trust each other before the stone runs out of time.

Cursed By The Wolf King is a dark, slow-burn fated mates paranormal romance steeped in Celtic mythology, ancient wolf lore, and the kind of love that costs something real before it gives you everything. If you crave a brooding alpha who falls first and falls hard, a heroine with steel in her spine and a poet's precision, and a world where the paranormal breathes through every line — this is the book that will keep you up until three in the morning.

Read it now. You won't sleep anyway.

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1
1 Liadan The territory announced itself before the road did. She had been following wolf-clan lands all season, performing at smaller halls first, reading the signs of the folded world the way she read everything else — by listening to what the landscape was saying underneath the thing it appeared to be saying. She knew what it felt like when the ordinary world thinned and the older one bled through. The shimmer in the air at certain boundary trees. The way sound carried differently in the folded territories, as if even noise understood it was operating under different rules here. She had never felt anything like this. The road narrowed where the last elms gave way to older trees — oaks and ash that had been standing long enough to develop an opinion about the people who walked beneath them. The light changed. Not darker, but deeper, as if the air itself carried more memory than ordinary air. Her horse, a grey mare named Bróg who had carried her in philosophical silence through three provinces and two winters, slowed without being asked and lowered her head, ears pitched forward at something Liadan couldn't yet hear. She could feel it, though. That pressure behind her teeth that her mother had called the Fáidh-sense and the Ban-Fhile tradition called second hearing — the frequency of a place that had been remembering things for so long it had forgotten how to stop. This territory had been remembering for a very long time. She exhaled slowly into the cold. Late autumn, the oak leaves copper-dark and the ash trees already bare, their silver bark the only pale thing in a landscape that had settled on grey and meant it. The mist was low here — knee-height on Bróg — the patient kind that didn't lift. Old mist. The kind that had been here long enough to learn the particular shapes of every stone and root it moved between. She shifted the harp case on her back and let Bróg choose her own pace. ✦✦✦ The Fáidh had been building a verse for her for nearly two years. It arrived in fragments, the way her gift always worked — images carried in sound, assembling themselves like a poem written by someone who refused to be hurried. People assumed seers received their knowing in clean sentences, warnings delivered with the clarity of a spoken command. Ollam Aifric, her teacher, had lived to one hundred and two and said that the Fáidh had not once, in eighty years of practice, given her a single fact without metaphor attached. Liadan had started her Ban-Fhile training at twelve already knowing this was true. The Fáidh spoke in poetry because poetry was the only human structure old enough and flexible enough to carry what it needed to carry. The first four lines had come to her two autumns ago, on a hillside above Loch Corrib, when the wind had changed direction at dusk and carried something across the hillside that wasn't quite sound and wasn't quite scent but had assembled itself, by the time she'd unsaddled Bróg and made camp, into this: Where the old stone drinks the cold river, where the mist remembers what the forest forgets, there waits the wolf of winter and iron— and the thing he has been holding. She had written it in the margin of a monastery text she was borrowing from the brothers at Tuam, which had earned her a particular look when she returned it. She had been adding lines ever since — one fragment at a time, one season at a time — and following the feeling of the verse the way she followed the sound of water when she was thirsty: not always in a straight line, not always at a pace that made immediate sense, but always, eventually, toward something real. Twelve lines now, as of this morning. She had the sense there were more coming. ✦✦✦ The scouts found her at the second boundary stone. She had been expecting them. The Fáidh had given her a brief image — three shapes moving through the trees with the unhurried deliberateness of people who had been running these paths long enough that the ground was an extension of their bodies — and she had adjusted her pace accordingly, making herself readable: unhurried, hands loose on the reins, presenting the combination of calm and attentiveness that told a wolf's instincts she was neither prey nor threat. There were three of them. Two men and a woman, all in their apparent thirties, wearing the grey-green of the western territory. They stopped at twenty paces and waited, assessing her with the layered attention of wolves — not just the visible surface, but the layers beneath it. She let them look. The wolf-moon mark was visible on her inner left wrist. She had pushed up her sleeve when the morning warmed an hour back and had not thought to pull it down again. The mark: a crescent over a full circle, the colour of old silver, the size of a large thumbprint. She had always found it beautiful. She had never, in twenty-six years, been able to explain it to anyone's satisfaction, including her own. She did not cover it. "Fáilte roimh an gcuairteoirí," she said, when she was close enough not to raise her voice — welcome to the traveler — and shifted to the formal Brehon register before they could respond. "Liadan Ní Fáelán, Ban-Fhile of the sixth grade, traveling under the protection of the hospitality-right as established in the Cáin Iarraith. I request shelter and passage through these territories." The formal speech did what it usually did: it sorted the room. She watched the three wolves recalibrate. The taller man in the centre — grey-templed, with the economy of movement that belonged to someone who had been doing this for decades — exchanged a brief look with the woman to his right. The woman was looking at Liadan's wrist. Not the harp case. Not the travel-worn quality of her clothes. The mark. "You're a seer?" the woman asked. "I read fate-patterns," Liadan said. "I compose formal verse for courts and councils, keep lore-records where they're needed, and perform at the halls of lords with the sense to value what I carry. I travel alone, I hold no other lord's allegiance, and I am not a threat to your territory." A beat. "The Cáin Ádamnáin covers women of learning. Your king will know this." A silence settled over the three of them with the texture of a conversation conducted without words. Then the grey-templed man smiled — brief and involuntary, the smile of someone who had just heard something that had caught him pleasantly off-guard. "Follow us," he said. "The king will receive you." She followed them deeper into the fold of the Cúige Faoladh, and the trees closed behind her. ✦✦✦ Dún Ruarc was not what she had expected, and she had expected a great deal. She had twelve lines of verse describing this place. She had imagined the old stone in various forms — a ring fort of the older type, a hill seat, perhaps a cliff settlement built low against the rock. She had not imagined this: the fortress that sat on the basalt cliff as if it had grown from it, enormous and grey-dark and so old that it had stopped looking like a construction and started looking like geology. The cliff had chosen it, or it had chosen the cliff, and the matter had been settled long before anyone currently living had been born. The gate was iron-fitted oak, blackened with age, and it opened before they reached it. She made her assessments quickly, the way she always did in a new place. The wolves on the walls moved with the ease of long practice — unhurried but attentive, tracking her approach with the peripheral awareness of people who had learned to watch without appearing to watch. The courtyard: well-kept, longhouses to the east with fresh thatch, the training ground swept clean of autumn leaves despite the considerable number of trees overhanging the walls. This was a household that functioned rather than performed. The difference mattered. Then she saw the standing stone at the courtyard's heart. White — or it had been, once. Pale now, the particular pale of stone that had been outdoor-ancient long enough that the colour had deepened into something closer to bone. Tall. Clearly older than everything around it, older than the fortress, older possibly than the cliff itself. There was a crack running its full length — dark against the pale stone, visible from the gate — and at the crack's edges someone had applied something, resin or treated wax or perhaps something older than either, that had not fully held. The repair had been attempted, and the attempt had failed, and the failure had been ongoing long enough to have the quality of a settled situation rather than a recent crisis. Bróg stopped and turned her head toward the white stone, ears pitched forward, nostrils wide. "Stól," Liadan said quietly. The mare stilled but kept watching. She dismounted and handed the reins to a boy who appeared without being called, and that was when she smelled it. Not the woodsmoke — there were fires in the great hall and the longhouses both, their smoke layered and familiar. Not the underlying warmth that wolf territories always carried, the particular animal heat of creatures who had two forms and let both of them breathe. Not the wet stone smell of the cliff, or the cold, or the way late autumn smelled this far west when the rain hadn't come yet but was deciding to. Underneath all of it. Below everything she could name. Iron and the cold specific to first frost before it commits — that particular bite that isn't quite winter yet but has made the decision. And beneath even those, something so particular she had no word for it except him — a word she had not yet assigned to anyone in this courtyard, which was assigning itself now without her permission, with the absolute conviction of a thing her Fáidh had been trying to tell her for two years. Her pulse abandoned its professional steadiness without consulting her. She kept her face still. She had been performing composure for audiences since she was twelve; she could do it with her heart rate in her throat and her Fáidh writing new lines at the back of her mind. She followed Séamas — the grey-templed scout, who had named himself on the road, nothing else — across the courtyard and through the great hall's open door, and she did not look around immediately, which was a technique she had developed in difficult rooms: give your eyes a moment to settle before you ask them to report, or they would catastrophize every shadow. When she did look, the great hall was vast and firelit and full of the particular quiet that belonged to a place that had seen too much to be easily unsettled. Long tables down the centre. Iron torch-brackets along the walls. Three fires — one at each end, one in the central pit — all burning well, the smoke drawn up through the roof-opening with the efficiency of very old architecture. The walls held no tapestries, no decorative hangings. Stone and torchlight and the banked warmth of a hall that had been keeping people warm for centuries and saw no reason to be dramatic about it. There was a woman in the far doorway. Old — not the apparent-old of a long-lived wolf, which Liadan had learned to recognize; this was old in the human count, old in the way that arrived from years lived in the full mortal measure. White-haired. Small enough that the doorframe made her look smaller still. Her eyes were filmed at their edges with age, but the look in them was entirely clear — the look of someone reading a text they had been waiting a long time to see, checking whether it said what they thought it would say. She said nothing. She looked at Liadan for a span that felt longer than it measured. Then she turned and walked through the doorway without a word, and the door settled behind her with the quiet finality of something deliberately closed. Liadan filed this in the part of her mind that held the things her Fáidh had flagged for later. "You'll be given a chamber and supper," Séamas said beside her. "The king will receive you tomorrow morning." "My thanks," she said. Her voice was perfectly even. ✦✦✦ The chamber was off the eastern longhouse — warm, stone-walled, with a sleeping pallet and a brazier already lit and a low table where someone had left a clay cup of herb-water still faintly steaming. Practical hospitality, offered without ceremony. She set her harp case down with the careful habit of eight years of road. The harp was the most valuable thing she owned, which was both materially and metaphysically true. She unpacked it first — always first, before anything else — and checked the strings with her fingers in the dim warmth, less from need than from the particular settling-down that happened in her hands when she touched it, the same way some people needed to wash their face after a long journey, or say a prayer, or simply sit down long enough to let their body catch up with the fact that it had stopped moving. Then she sat on the edge of the pallet and permitted herself, for the first time since the boundary stones, to simply feel what she was feeling. Afraid. Not the fear of dark crossroads or hostile halls or the occasional minor lord who had mistaken her solitude for vulnerability — that kind of fear she had managed so many times it had become something close to competence. This was the particular fear that arrived when her Fáidh turned out to be correct about something significant: not the fear of danger, but the fear of accuracy. The recognition that she was standing in the exact place she was supposed to be standing, and every path forward from here was one she had not mapped in advance. She had followed this verse for two years. She had expected, when she finally arrived at its end, to feel relief. The relief was present, somewhere underneath everything else. She could identify it the way you could identify a colour through thick glass. What was on top of it was something else entirely: the knowledge that the verse was not finished. She had arrived at the end of what she knew, not at the end of what was coming. She opened her ink-case, unrolled the vellum where she kept the wolf verse — the margins crowded with annotations, the corrections from six months ago still visible where she'd revised the ninth line — and added the fragment that had arrived in the courtyard. Sudden. Clear. With the particular quality of a thing her Fáidh had been building toward without telling her: What he has been holding is himself. She set the pen down and read the thirteen lines from the beginning. When she reached the last line, she did not move for a moment. Then she rolled the vellum carefully and replaced it in the case and went to the slit-window of the chamber and looked out at the courtyard below. The torches were being lit one at a time as the evening settled. The white stone stood at the courtyard's heart in the growing dark, its crack visible as a shadow running the length of it, and something in the way the torchlight caught the pale stone made the crack look less like damage and more like inscription — like something that had been written there rather than something that had happened to it. She drank the herb-water, which had gone cool, and then unpacked what she needed for the night with the methodical calm she used for things that needed her hands occupied while her mind worked. Changed from road-clothes into clean wool. Ate the supper Séamas brought — bread and broth and a small portion of cold meat — and answered his brief, courteous questions about her route and the condition of the western roads with the equally brief courtesy of a woman who was very much elsewhere in her head but understood the function of conversation. Later, after the fire in the brazier had settled to embers and the sounds of the fortress had shifted into the particular register of a settlement settling into night — the calls between watch-wolves, the distant sound of the pack in their quarters, the deep silence of old stone — she extinguished the candle and lay down and looked at the ceiling. The verse had a new last line. She had been following her Fáidh since she was twelve years old. She had walked into a hundred uncertain rooms and come out the other side. She had made mistakes — one significant one, the kind that cost you something specific and permanent and made you careful in ways you hadn't been before — but she had never once doubted the essential reliability of the thread that led her. She had gone where the verses sent her and it had been the right answer every time, even when the right answer was painful, even when it cost her something she would rather have kept. She had never been afraid of where her Fáidh was taking her. She lay in the dark and listened to the fortress find its night position — the sounds of an old stone building doing what old stone buildings did, that slow settling of walls that had been standing long enough to have settled a thousand times before — and admitted, in the particular honesty that only the dark permitted, that she was reconsidering that now. The scent was still with her. Winter and iron and something older than either, something her Fáidh had been describing for two years and which had arrived in the courtyard exactly as it had arrived in the verse: not as a warning, but as a beginning. She closed her eyes and let the darkness of the chamber hold her, and thought: twelve lines, and a thirteenth now, and somewhere above her in this fortress the source of every one of them was awake and moving and probably as aware of her as she was of him. She was not sure whether that was more frightening or more clarifying. She thought it might be both.

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