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The Real Story Of 'O'

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Blurb

Heather the builder who everyone loves has a past she’s kept hidden. Her ex however has other ideas. Will he spill the beans?

Heather has a dream to create her own business. She even has a partner and their first big gig which should set them on the DIY map of Argyll.

But Argyll is a small place where everyone knows everyone including her ex, a builder who spreads gossip quicker than a muck spreader.

However, when her first ‘big’ job slaps her back into the past, Heather is forced to face the un-face-able. A woman scorned, cheated on, and tossed aside like an empty crisp packet. Not an easy thing to do with the ex lurking about…claiming Heather doesn’t know a hammer from a screwdriver.

Will Heather let her past rule her head or will she lift herself up by her took kit and become the builder she always dreamed of?

The real Story Of “O” is the fifth book in the Bellydancing and Beyond series. If you like real-life sagas that make you laugh, then you will love Kerrie Noor's wonderfully funny Bellydancing and Beyond series.

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Prologue
Prologue McTaggart had been a councillor for decades and spent most of it defending the councils’ right to have decent offices. Known to many as “the Maggot,” although no one could remember why, McTaggart liked to think of his nickname as a positive thing—because he cleared up issues, dispersed discontent, “like a maggot demolishing a bed sore.” McTaggart was still recovering from his TV interview a few weeks before. His main argument (“different budgets for different departments”) had gone down like a lead balloon, and the “use it or lose it” theory only made things worse. He had to reclaim his name, turn things around; the election was coming up, and he wanted to remain—keep his seat—at least until the mortgage was paid off. Then he came up with an idea, an innovative pop-up idea stolen from his granddaughter Annabel. Annabel had a thing for Barbie dolls, especially Barbie’s camper van, and as McTaggart idly watched her pull a kitchen from rear, an idea hit him, causing him to sit up like a jack-in-the-box. “I’ve got it,” he shouted. Annabel, lost in the pleasure of rearranging her dolls, didn’t hear, but by the time she had Barbie’s tiny tea towels hung in a row, McTaggart had his pop-up library hung, drawn, and implemented on the back of a fag packet. It covers all bases, he told himself: demolition of that damn wall of gratitude (which was a complete health and safety nightmare) and literature for the masses on a shoestring. “Embrace the digital age,” he yelled at Isobel, his long-suffering wife, causing Annabel to pause over her miniature tea set and look up at her silly granddad. McTaggart could not wait to impress the councillors, the town, the whole of Argyll. His pop-up idea was innovative, ahead of its time, a financial godsend. “If it’s good enough for Mattel Inc., it’s good enough for Argyll,” said McTaggart, and the council swallowed it whole. They loved the idea. Soon they’ll be everywhere, McTaggart told himself, despite Ms Frasier and her motormouth objections. All he needed was the right event, with the right audience and the right press; not only would they buy it, but his seat would be as safe as a Barbie in a camper van.

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