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Hers To Choose

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opposites attract
friends to lovers
shifter
kickass heroine
heir/heiress
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werewolves
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mythology
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magical world
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Blurb

She wasn’t supposed to be anyone’s. She wasn’t even supposed to be whole.

Sofia Falconetti turned sixteen three days ago, and the ceremony that was supposed to claim her — body, blood, bloodline — never happened. No one will tell her why. Her grandmother just grips her wrist and whispers that they didn’t finish it.

What her family gives her instead is five men.

Roc. Dante. Emi. Julian. Mars.

Five guys who grew up in her brother’s shadow, sworn by blood to protect her — and sworn, in the same breath, to never, ever want her. One rule. One pact. One burn seared into five palms at once.

They weren’t supposed to feel it answer in hers too.

Sofia tells herself the math is simple: want one of them, lose all of them. Want none of them, keep everyone safe. She repeats it to herself in the dark so often it almost works.

It doesn’t survive contact with Roc’s hands not-quite-touching her. Or Dante almost saying the real thing, miles outside the city where no pact can hear him. Or Emi fixing what she didn’t ask him to fix. Or Julian’s charm slipping just once, just for her. Or Mars, steady as a heartbeat, telling her he was never waiting for permission.

Five men who’d burn the city down for her. One rule that says none of them can have her.

And now a sixth hand is reaching for her too — a rival family’s heir, offered to her like peace, meant like a claim, and backed by a debt three hundred years old that no one in her family will name out loud.

Sofia Falconetti isn’t choosing. She refuses to make this a competition with one winner. But refusing to choose is its own kind of choice — and the ritual that was supposed to protect her from all of this, the one her family never finished, is still waiting. Her grandmother has the missing piece. She’s just been waiting for Sofia to want it.

When five men who swore never to claim her finally tell her, together, exactly what they want instead — she runs.

The binding she finally chooses for herself will cost more than anyone warned her.

Because when the ritual completes, and the smoke clears, and Sofia counts the hands that bled for her there are only five.

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Chapter One
Tonight is my sixteenth birthday party, and I’m a ghost at it. Underneath that is the particular warmth of too many bodies in the room. Laughter spikes from the dining room: a cousin's loud and pleased voice, someone else playfully shushes them. I slide through the press of people, a tray passing so close that I catch the food's heat. I'm already counting without meaning to: the aunts in the front room. Five. The cousins in the hallway. Three visible, probably more. Also, the fact that it's three days past my birthday and nobody has said why we waited. The party is supposed to be for me. A late celebration, they told me when I woke up, like it was nothing. This house doesn't make mistakes about dates. This house remembers things the way other people remember their own names. I take a napkin from the side table to keep my hands occupied. I fold it. Once. Twice. Again. And again. It's something to keep me occupied while I pretend to smile at the aunts who pull me close, kiss both cheeks, and say, "Bellisima, you're so tall now," and "Your mama would be so proud!" They don't talk about her at parties anymore. Nobody does. It's been four years, and her absence is so normal now that naming it would feel like naming something everyone agreed not to see. The main room is packed: extended family, friends, people who aren't technically family but have always been there. Federal Hill people. Neighbors. It's the kind of crowd that makes a house feel smaller and bigger at once. The window facing the street is colder than it should be for the season. The air sits against the glass like something pressing from the other side. I move deeper into the noise. That’s when I start to feel it. Not like a thought. Like an absence. A shape cut out of the evening where something should be but isn’t. I scan the room the way I’ve been counting all night (aunts, cousins, neighbors) and come up one short. There’s no priest. My brain catalogs it without permission: No priest. That’s not normal. For this. Every important birthday in this family is a carbon-copy: candles, old words, a priest in a corner, half-known, half-honored, the way old families do it. Now that corner's just empty. Aunt Teresa, who keeps vinegar and wine in her purse and smells like cigarettes and rosemary, opens her mouth to say something. I watch her swallow the words as she turns away and fusses with a candle for longer than the gesture requires. I know immediately that something's wrong. The party flows around the absence like water around a stone. A man across the dining room raises his glass mid-toast, Matteo catches his eye and gives a small shake of his head. The man lowers his glass, smiles, and changes the subject to the fish shipment, the docks, anything except whatever blessing was supposed to mark my sixteenth birthday. It's like watching a door close in slow motion, deliberate and practiced. Matteo isn't celebrating. My brother clearly isn't enjoying the party. He's working the room the way our father used to: reading it, controlling it, making sure certain silences hold their shape. He does this so well, that I know he's already inherited something I didn't know was his to inherit. The family has shifted under my feet, and nobody told me. I fold the napkin again, the linen starting to shred at the edges. I know my family loves me. I feel it in the way they place their hands on my shoulders, but something cold runs underneath the warmth. Something was supposed to happen to me at sixteen, but it didn't. Everyone knows it, and everyone is choosing, together, not to say the words that would make it real. I'm sixteen years old. This is my birthday party, and I'm standing at the center of my own family like a ghost they're all too polite to acknowledge. Nonna Calla's hand closes around my wrist before I register her presence. Her grip isn't rough, but it's decisive. Her fingers press where my pulse lives. She says nothing, just pulls me into the hallway. I follow, because ou follow Nonna Call. The hallway is dim; she's never believed in turning on lights until the sun's completely set. Her jaw's set, her grip hasn't loosened. An old ring on her third finger, worn smooth, presses into my skin. My pulse thrums against her palm as if she's checking that I'm real, that nothing's broken. "They didn't finish it," she says quietly. "God help you, they didn't finish it." The words land like stones dropped into still water. I know instantly that I'm supposed to understand them, that this is the answer to the question I've been asking all night. Yet it's only the outline of an answer. "What do you mean, Nonna?" My voice sounds younger than sixteen. "What didn't they finish?" Her fingers press a bit deeper, checking, verifying. Her eyes are the color of church glass, deep, shadowed, and old. "Soon," she says. "You'll understand soon." “But what—” “It isn’t your fault.” She says it like it’s the only thing that matters, even though it makes everything worse. If it isn’t my fault, then someone else decided something about me, for me, without asking. “You understand? You can’t think it’s something you did.” “Why?” My nerve is gone. She shakes her head very slightly. It might mean there’s no time, or you’re not going to like this, or something I don’t have the vocabulary for. “Nonna—” “Nonna Calla!” One of my aunts is calling from deeper in the house, in the tone that means she’s needed. “Where did you go?” The grip releases so suddenly that the absence of pressure is sharper than the pressure was. The ring has left a pale indentation on my wrist, a ghost-print of contact. Nonna Calla is already moving back toward the light and the noise, taking the rest of the truth with her. She doesn’t look back. I stand alone in the dim hallway and understand that something was owed to me. Someone, more than one someone, decided it wouldn’t happen. Or not yet. Or maybe not at all. My sixteenth birthday is half over, and nobody in my family will say the words out loud because the words would mean admitting they already failed me. My room is cold. The party sounds thin from downstairs as people head home to normal nights where nobody pulls them into dark hallways and tells them something is broken. I sit on the edge of the bed, folding and unfolding the napkin, while my mind circles the same words: They didn’t finish it. I press my thumb to the ring mark. It’s still tender. I didn’t imagine it. Nonna Calla’s fear was real, so the thing she was afraid of is real too. I know the ceremony should have happened. I know it has candles, old words, and a priest who exists half outside the normal world, the way priests do when they’re doing something the Church doesn’t officially know about. I know that’s why the party was three days late, but I don’t know what it’s for. I don’t know what changes at sixteen that requires this ritual, this magic. Because it is magic; I understand that now, the way you understand things nobody states out loud. I try to solve it like a logic problem. Sixteen is the trigger. The rituals go back to Federal Hill’s first generation, maybe further. Skipping the ceremony scares Nonna Calla. And it can be “finished” or “not finished,” so it’s a process, a working, something that needs completion the way a spell does, or the way a contract needs a signature. My family is not normal, that isn’t new, but the shape of it is finally clear, and it’s worse than strange. It’s intentional. Systematic. Something they do. They just didn’t do it for me. The napkin is nearly destroyed, the linen separating into threads. I fold it again anyway. The action is pointless. The repetition is what matters. The mark is fading. By tomorrow it will be gone, and I’ll be the only one who knows it was ever there. My bedroom door is open a c***k. Through it, I can see the hallway where Nonna Calla grabbed me, and at the far end, another door. I’ve walked past it a thousand times, but I’ve never noticed how it sits just barely open, like it’s waiting for something. Or like something has been waiting behind it for a long time. I don’t move toward it. I stay on the bed with the ruined napkin and the fading mark. I understand that something was supposed to mark me at sixteen, complete me, make me part of whatever my family is and whatever they keep so carefully in the spaces between words. Someone decided, deliberately and collectively, without asking, that I wouldn’t get it. Not tonight. Not yet. Maybe not ever. The mark fades. The napkin falls apart. The door at the end of the hall stays slightly open, waiting, and I’m still sitting in the cold, trying to answer a question nobody in this house will say out loud.

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