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Crome Yellow

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(1921)

Huxley completed his first (unpublished) novel at the age of 17 and began writing seriously in his early 20's. His first published novels were social satires, beginning with Crome Yellow (1921). Huxley satirises the fads and fashions of the time. It is the story of a house party at Crome, a parodic version of Garsington Manor, home of Lady Ottoline Morrell, a house where authors such as Huxley and T. S. Eliot used to gather and write. The book contains a brief pre-figuring of Huxley's later novel, Brave New World. Mr. Scogan, one of the characters, describes an "impersonal generation" of the future that will "take the place of Nature's hideous system. In vast state incubators, rows upon rows of gravid bottles will supply the world with the population it requires. The family system will disappear; society, sapped at its very base, will have to find new foundations; and Eros, beautifully and irresponsibly free, will flit like a gay butterfly from flower to flower through a sunlit world."

On vacation from school, Denis goes to stay at Crome, an English country house inhabited by several of Huxley's most outlandish characters--from Mr. Barbecue-Smith, who writes 1,500 publishable words an hour by "getting in touch" with his "subconscious," to Henry Wimbush, who is obsessed with writing the definitive "History of Crome". Denis's stay proves to be a disaster after his weak attempts to attract the girl of his dreams, and endures the ridicule regarding his plan to write a novel about love and art. Lambasting the post-Victorian standards of morality, Crome Yellow is a witty masterpiece that, in F. Scott Fitzgerald's words, "is too ironic to be called satire and too scornful to be called irony."

Regardless of what it was meant to be, this novel, from a 21st century viewpoint is socially-advanced fiction. The moral and intellectual viewpoints of the curious bunch of characters that inhabit it are so far removed from the accepted attitudes of the 1920's that its impact at that time must have been weakened by incomprehension. The apparently vapid main character, is subjected to such a barrage of opinions from his fellow guests at Crome, an isolated but civilised country house, that he departs even more irresolute and confused than when he arrived a few days earlier. How familiar this is to we few media-saturated inhabitors of the present who can find time to read a book! As with all works more than forty years old it helps if the reader has some feeling for historical context. Crome is very much a reflection of Garsington Manor, a refuge for pacifists and refugees during the First World War, and the home of Lady Ottoline Morrell. She was a great supporter of nascent literary talent, including Huxley himself, and liked to be surrounded by artists and intellectuals, so the fictional gathering at Crome is certainly autobiographical; often a fascinating aside to first novels. At a loose end after leaving Oxford University, Huxley moped around at Garsington hoplessly smitten by a very young Belgian refugee with lesbian tendancies, Maria Nys. He would certainly have met Lady Ottoline's rather domineering lover, the philosopher Bertrand Russell. Needless to say, all appear mutatis mutandis in Crome--I just couldn't resist that Huxleyan touch! It means 'with necessary changes'). Approach Crome Yellow as you would a painting by Rene Magritte; it is surreal yet civilised. A Magritte-like character even tells a story within a story, and a cynic cross-dresses to seduce a country maiden, so maybe it's not all intellectual chat. One thing is very striking. All the players get along fine. Crome could be the stereotypical setting for a Twenties murder mystery, but these eccentrics express their views, listen politely, and depart amicably.--Submitted by John Rowland

Becoming once more aware of the outer world, he found himself on the crest of a descent. The road plunged down, steep and straight, into a considerable valley. There, on the opposite slope, a little higher up the valley, stood Crome, his destination. He put on his brakes; this view of Crome was pleasant to linger over. The facade with its three projecting towers rose precipitously from among the dark trees of the garden. The house basked in full sunlight; the old brick rosily glowed. How ripe and rich it was, how superbly mellow! And at the same time, how austere! The hill was becoming steeper and steeper; he was gaining speed in spite of his brakes. He loosed his grip of the levers, and in a moment was rushing headlong down. Five minutes later he was passing through the gate of the great courtyard. The front door stood hospitably open. He left his bicycle leaning against the wall and walked in. He would take them by surprise.--Chapter 1

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Chapter 1
Along this particular stretch of line no express had ever passed. All the trains--the few that there were--stopped at all the stations. Denis knew the names of those stations by heart. Bole, Tritton, Spavin Delawarr, Knipswich for Timpany, West Bowlby, and, finally, Camlet-on-the-Water. Camlet was where he always got out, leaving the train to creep indolently onward, goodness only knew whither, into the green heart of England. They were snorting out of West Bowlby now. It was the next station, thank Heaven. Denis took his chattels off the rack and piled them neatly in the corner opposite his own. A futile proceeding. But one must have something to do. When he had finished, he sank back into his seat and closed his eyes. It was extremely hot. Oh, this journey! It was two hours cut clean out of his life; two hours in which he might have done so much, so much--written the perfect poem, for example, or read the one illuminating book. Instead of which--his gorge rose at the smell of the dusty cushions against which he was leaning. Two hours. One hundred and twenty minutes. Anything might be done in that time. Anything. Nothing. Oh, he had had hundreds of hours, and what had he done with them? Wasted them, spilt the precious minutes as though his reservoir were inexhaustible. Denis groaned in the spirit, condemned himself utterly with all his works. What right had he to sit in the sunshine, to occupy corner seats in third-class carriages, to be alive? None, none, none. Misery and a nameless nostalgic distress possessed him. He was twenty-three, and oh! so agonizingly conscious of the fact. The train came bumpingly to a halt. Here was Camlet at last. Denis jumped up, crammed his hat over his eyes, deranged his pile of baggage, leaned out of the window and shouted for a porter, seized a bag in either hand, and had to put them down again in order to open the door. When at last he had safely bundled himself and his baggage on to the platform, he ran up the train towards the van. "A bicycle, a bicycle!" he said breathlessly to the guard. He felt himself a man of action. The guard paid no attention, but continued methodically to hand out, one by one, the packages labelled to Camlet. "A bicycle!" Denis repeated. "A green machine, cross-framed, name of Stone. S-T-O-N-E." "All in good time, sir," said the guard soothingly. He was a large, stately man with a naval beard. One pictured him at home, drinking tea, surrounded by a numerous family. It was in that tone that he must have spoken to his children when they were tiresome. "All in good time, sir." Denis's man of action collapsed, punctured. He left his luggage to be called for later, and pushed off on his bicycle. He always took his bicycle when he went into the country. It was part of the theory of exercise. One day one would get up at six o'clock and pedal away to Kenilworth, or Stratford-on-Avon--anywhere. And within a radius of twenty miles there were always Norman churches and Tudor mansions to be seen in the course of an afternoon's excursion. Somehow they never did get seen, but all the same it was nice to feel that the bicycle was there, and that one fine morning one really might get up at six. Once at the top of the long hill which led up from Camlet station, he felt his spirits mounting. The world, he found, was good. The far-away blue hills, the harvests whitening on the slopes of the ridge along which his road led him, the treeless sky-lines that changed as he moved--yes, they were all good. He was overcome by the beauty of those deeply embayed combes, scooped in the flanks of the ridge beneath him. Curves, curves: he repeated the word slowly, trying as he did so to find some term in which to give expression to his appreciation. Curves--no, that was inadequate. He made a gesture with his hand, as though to scoop the achieved expression out of the air, and almost fell off his bicycle. What was the word to describe the curves of those little valleys? They were as fine as the lines of a human body, they were informed with the subtlety of art... Galbe. That was a good word; but it was French. Le galbe evase de ses hanches: had one ever read a French novel in which that phrase didn't occur? Some day he would compile a dictionary for the use of novelists. Galbe, gonfle, goulu: parfum, peau, pervers, potele, pudeur: vertu, volupte. But he really must find that word. Curves curves...Those little valleys had the lines of a cup moulded round a woman's breast; they seemed the dinted imprints of some huge divine body that had rested on these hills. Cumbrous locutions, these; but through them he seemed to be getting nearer to what he wanted. Dinted, dimpled, wimpled--his mind wandered down echoing corridors of assonance and alliteration ever further and further from the point. He was enamoured with the beauty of words. Becoming once more aware of the outer world, he found himself on the crest of a descent. The road plunged down, steep and straight, into a considerable valley. There, on the opposite slope, a little higher up the valley, stood Crome, his destination. He put on his brakes; this view of Crome was pleasant to linger over. The facade with its three projecting towers rose precipitously from among the dark trees of the garden. The house basked in full sunlight; the old brick rosily glowed. How ripe and rich it was, how superbly mellow! And at the same time, how austere! The hill was becoming steeper and steeper; he was gaining speed in spite of his brakes. He loosed his grip of the levers, and in a moment was rushing headlong down. Five minutes later he was passing through the gate of the great courtyard. The front door stood hospitably open. He left his bicycle leaning against the wall and walked in. He would take them by surprise.

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