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Poul Anderson: Golden Age Space Opera Tales

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Poul William Anderson (November 25, 1926 – July 31, 2001) was an American science fiction author who began his career in the 1940s and continued to write into the 21st century. Anderson authored several works of fantasy, historical novels, and short stories. His awards include seven Hugo Awards and three Nebula Awards.While he was an undergraduate student at the University of Minnesota, Anderson's first stories were published by John W. Campbell in Astounding Science Fiction: "Tomorrow's Children" by Anderson and F. N. Waldrop in March 1947 and a sequel, "Chain of Logic" by Anderson alone, in July. He became a free-lance writer after his graduation in 1948, and placed his third story in the December Astounding.Space Opera is a subgenre of science fiction that emphasizes space warfare, melodramatic adventure, interplanetary battles, chivalric romance, and risk-taking. Set mainly or entirely in outer space, it usually involves conflict between opponents possessing advanced abilities, futuristic weapons, and other sophisticated technology.The term has no relation to music, as in a traditional opera, but is instead a play on the terms "soap opera", a melodramatic television series, and "horse opera", which was coined during the 1930s to indicate a formulaic Western movie. Space operas emerged in the 1930s and continue to be produced in literature, film, comics, television, and video games.The Golden Age of Pulp Magazine Fiction derives from pulp magazines (often referred to as "the pulps") as they were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". (Wikipedia)The pulps gave rise to the term pulp fiction. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many writers wrote for pulps, the magazines were proving grounds for those authors like Robert Heinlein, Louis LaMour, "Max Brand", Ray Bradbury, Philip K. d**k, and many others. The best writers moved onto longer fiction required by paperback publishers. Many of these authors have never been out of print, even long after their passing.  Collection contains:- Industrial Revolution- Sentiment, Inc.- The Valor of Cappen Varra- Security- Catalysis- What Shall It Profit?- SnowballScroll Up and Get Your Copy Now.

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INDUSTRIAL REVOLUTION-1
INDUSTRIAL REVOLUTION Ever think how deadly a thing it is if a machine has amnesia— or how easily it can be arranged.... - - - - * * * * WELL, YES,” AMSPAUGH admitted, “it was a unique war in many ways, including its origin. However, there are so many analogies to other colonial revolutions—” His words trailed off as usual. “I know. Earth’s mercantile policies and so forth,” said Lindgren. He fancies himself a student of interplanetary history. This has led to quite a few arguments since Amspaugh, who teaches in that field, joined the Club. Mostly they’re good. I went to the bar and got myself another drink, listening as the mine owner’s big voice went on: “But what began it? When did the asterites first start realizing they weren’t pseudopods of a dozen Terrestrial nations, but a single nation in their own right? There’s the root of the revolution. And it can be pinned down, too.” “‘Ware metaphor!” cried someone at my elbow. I turned and saw Missy Blades. She’d come quietly into the lounge and started mixing a gin and bitters. The view window framed her white head in Orion as she moved toward the little cluster of seated men. She took a fat cigar from her pocket, struck it on her shoe sole, and added her special contribution to the blue cloud in the room after she sat down. “Excuse me,” she said. “I couldn’t help that. Please go on.” Which I hope relieves you of any fear that she’s an Unforgettable Character. Oh, yes, she’s old as Satan now; her toil and guts and conniving make up half the biography of the Sword; she manned a gun turret at Ceres, and was mate of the Tyrfing on some of the earliest Saturn runs when men took their lives between their teeth because they needed both hands free; her sons and grandsons fill the Belt with their brawling ventures; she can drink any ordinary man to the deck; she’s one of the three women ever admitted to the Club. But she’s also one of the few genuine ladies I’ve known in my life. “Uh, well,” Lindgren grinned at her. “I was saying, Missy, the germ of the revolution was when the Stations armed themselves. You see, that meant more than police powers. It implied a degree of sovereignty. Over the years, the implication grew.” “Correct.” Orloff nodded his bald head. “I remember how the Governing Commission squalled when the Station managers first demanded the right. They foresaw trouble. But if the Stations belonging to one country put in space weapons, what else could the others do?” “They should have stuck together and all been firm about refusing to allow it,” Amspaugh said. “From the standpoint of their own best interests, I mean.” “They tried to,” Orloff replied. “I hate to think how many communications we sent home from our own office, and the others must have done the same. But Earth was a long way off. The Station bosses were close. Inverse square law of political pressure.” “I grant you, arming each new little settlement proved important,” Amspaugh said. “But really, it expressed nothing more than the first inchoate stirrings of asteroid nationalism. And the origins of that are much more subtle and complex. For instance ... er....” “You’ve got to have a key event somewhere,” Lindgren insisted. “I say that this was it.” A silence fell, as will happen in conversation. I came back from the bar and settled myself beside Missy. She looked for a while into her drink, and then out to the stars. The slow spin of our rock had now brought the Dippers into view. Her faded eyes sought the Pole Star—but it’s Earth’s, not our own any more—and I wondered what memories they were sharing. She shook herself the least bit and said: “I don’t know about the sociological ins and outs. All I know is, a lot of things happened, and there wasn’t any pattern to them at the time. We just slogged through as best we were able, which wasn’t really very good. But I can identify one of those wriggling roots for you, Sigurd. I was there when the question of arming the Stations first came up. Or, rather, when the incident occurred that led directly to the question being raised.” Our whole attention went to her. She didn’t dwell on the past as often as we would have liked. A slow, private smile crossed her lips. She looked beyond us again. “As a matter of fact,” she murmured, “I got my husband out of it.” Then quickly, as if to keep from remembering too much: “Do you care to hear the story? It was when the Sword was just getting started. They’d established themselves on SSC 45—oh, never mind the catalogue number. Sword Enterprises, because Mike Blades’ name suggested it—what kind of name could you get out of Jimmy Chung, even if he was the senior partner? It’d sound too much like a collision with a meteorite—so naturally the asteroid also came to be called the Sword. They began on the borrowed shoestring that was usual in those days. Of course, in the Belt a shoestring has to be mighty long, and finances got stretched to the limit. The older men here will know how much had to be done by hand, in mortal danger, because machines were too expensive. But in spite of everything, they succeeded. The Station was functional and they were ready to start business when—” - - - -

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