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Sempre Com Você (Always With You)

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Blurb

DRAFT 1: EMOTIONAL/INTIMATE TONE

Magnólia has always been too much—too scattered, too loud, too impulsive. Her ADHD makes her the chaotic friend, the one people tolerate despite her scattered energy. But Cesária doesn't make her feel broken. Cesária listens the way other people love.

They've been best friends since childhood in Porto Alegre, inseparable through everything. Magnólia never questioned what Cesária meant to her—until Cesária announces she's leaving for São Paulo, and suddenly everything feels like goodbye.

So when Cesária suggests one last adventure—seven weeks traveling down the southern Brazilian coast, just the two of them, no phones, no distractions—Magnólia says yes. She thinks she knows what she's getting. A last summer before everything changes.

She doesn't know Cesária planned every detail. She doesn't know about Cesária's hidden feelings, buried for years. She doesn't know that this trip is Cesária's attempt to clarify something she's been terrified to name.

But as they drive toward small coastal towns and slower days, as nights stretch long and conversations deepen, and as boundaries between friendship and something else begin to blur, both girls realize: sometimes the person you're most afraid of losing is the person you're falling in love with.

Magnólia is learning that her scattered mind isn't a flaw—it's what makes her see beauty others miss. Cesária is learning that planning can't protect you from heartbreak, and sometimes you have to leap.

But what happens when the trip ends? When university calls? When you have to choose between safety and risk, between protecting yourself and being brave enough to love?

A luminous, heartbreaking sapphic romance about the courage it takes to choose someone—and yourself.

DRAFT 2: HOOK-DRIVEN TONE (BOOKTOK STYLE)

Some people destroy you slowly. Some people save you without knowing it.

Magnólia Rocha has spent seventeen years being "too much"—too chaotic, too scattered, too loud for a girl with ADHD who can't seem to fit anywhere. But Cesária Bittencourt has never made her feel broken. Cesária sees her. Cesária chooses her. Cesária is everything.

They're best friends. They've always been best friends.

But when Cesária announces she's leaving for São Paulo and will never come back the same, Magnólia feels something c***k. So when Cesária proposes a final adventure—seven weeks driving down the Brazilian coast, just them, no escape—Magnólia doesn't hesitate.

What she doesn't know: Cesária orchestrated every moment. What she doesn't know: Cesária has been in love with her for years. What she doesn't know: this trip isn't goodbye. It's a confession wrapped in sand and salt and late-night conversations.

As they travel through quiet towns and empty beaches, sleeping in the same beds and sharing the kind of vulnerability that rewrites everything, Magnólia starts to understand. The person she thought would leave her is the person trying to stay. The person she was terrified to lose is the person she's falling in love with.

But love doesn't solve logistics. Universities don't wait. Families have expectations. And sometimes choosing someone means risking the friendship that kept you alive.

A sapphic love story about broken girls learning they're not broken at all. About the terrifying, beautiful choice to love someone with everything you have—even when the future is uncertain.

DRAFT 3: LITERARY/EMOTIONAL TONE

Sempre Com Você (Always With You)

There are people who fit into the world seamlessly. Cesária is one of them. She plans. She's organized. She knows exactly who she is and where she's going.

Then there's Magnólia—scattered, impulsive, ADHD, the kind of girl who is always apologizing for taking up space. But Cesária has never asked her to be smaller. Cesária has loved her exactly as she is.

For seventeen years, this has been enough. A best friendship so deep it required no labels, no definitions, no questions about what it meant to share a life. Until Cesária gets accepted to university in São Paulo, and suddenly Magnólia understands: their childhood is ending.

Cesária's solution is a summer road trip—seven weeks driving the southern Brazilian coastline, two girls and the ocean, searching for something neither can name. What begins as an escape becomes an awakening.

On empty beaches and in small hostels, in late-night conversations and stolen glances that mean something new, Magnólia discovers that the person she was most afraid of losing is the person she's been falling in love with all along. Cesária finally confesses what she's carried silently for years: I chose you. I've always chosen you.

But love is more complicated than confession. It's more terrifying than friendship. And when the trip ends and real life demands impossible choices, both girls must decide: Is love worth the risk of losing everything? Is being brave enough to choose each other more important than safety?

A stunning sapphic debut about two girls learning that the most revolutionar

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CHAPTER 1: THE ANNOUNCEMENT
Magnólia arrives at Café Entre Mundos seven minutes late, which is normal enough that Cesária doesn't comment on it. What makes Magnólia pause is finding Cesária already sitting, hands wrapped around a café com leite that hasn't been touched, steam rising in thin spirals. Cesária is never early. Cesária is precisely, ruthlessly on time—not a minute before, not a minute after, a quality that makes everyone else seem chaotic by comparison. The café is half-full with the afternoon crowd. A couple in the corner arguing quietly about something that involves hand gestures. An older woman reading a newspaper from three days ago. Two university students arguing about philosophy or economics or something equally pointless. The smell of coffee and butter and the particular warmth of a place designed to make people linger. Magnólia slides into the chair across from Cesária, already spinning through worst-case scenarios. Bad grade? Family fight? Someone died? "Okay, what happened? You're doing the serious face. You're scaring me." Cesária's dark eyes don't waver. She sets down her coffee cup with deliberate care, the kind of careful movement that suggests she's been practicing this moment. "I got in." "Got in where?" Magnólia's leg starts bouncing. She hates when Cesária makes her extract information like she's playing detective. "The volunteer program? The internship? The lab assistant thing?" "University of São Paulo. Engineering program. Early admission decision." Cesária pauses, and Magnólia feels something settle in her chest because this was always the dream. This was always the plan. This was supposed to happen in September, after graduation, after they'd had one last summer of being seventeen and infinite. "I got in." Magnólia reaches across the table without thinking, wanting to grab Cesária's hand, wanting to celebrate, wanting to do something with this moment that feels enormous. "That's amazing. That's literally everything you—" "I'm leaving in July." The words land wrong. Magnólia's hand freezes halfway across the table, her coffee cup catching the light from the window behind her. July. She processes the word like it's in a language she almost understands. "July?" Magnólia repeats. Her leg bounces harder. "Like... July this summer? But graduation isn't until—" "I got offered a summer internship. With the São Paulo engineering firm that recruited me. They want me to start immediately after my senior year ends." Cesária's voice is steady, rehearsed, the voice of someone who has prepared for this conversation the way she prepares everything. "If I turn it down, they move to the next candidate. This is the only way in." Magnólia pulls her hand back. The café suddenly feels too small, too warm, the noise of other people's conversations pressing in. She wraps her fingers around her own coffee cup, needing something to hold that isn't Cesária's hand. "So you're not going in September. You're going in July." "Six weeks after graduation." Six weeks. Magnólia repeats the words internally like they might mean something different if she thinks them hard enough. Six weeks is supposed to be infinite. Six weeks was supposed to be their last summer before everything changed. She'd made plans. Stupid plans involving road trips and sleeping on the beach and pretending time moved differently when you weren't thinking about the future. "And I'm not coming back until Christmas break," Cesária continues. She's still in her work voice, the one she uses in student council meetings. "After that, I'll be too busy with the program. The internship might extend into the fall semester. It's competitive. If I want to graduate early, if I want this trajectory..." She trails off, but the implication sits there between them like something physical. Everything ends. Everything changes. Now. The waiter appears to ask if Magnólia wants anything. She orders a café com leite without tasting the words. When he leaves, the space between them feels heavier. "There's one thing I want to ask you," Cesária says, and her voice is different now—softer, almost uncertain, which is so unlike her that Magnólia looks up. Cesária never sounds uncertain. "Before I leave. I want to take a trip. Just us. Down the coast. Seven weeks driving. I already looked into it. I've been looking into it for months." Magnólia stares at her. The way she said it—I've been looking into it for months—suggests planning on a level that goes beyond casual consideration. This isn't something she just decided last week. "Seven weeks?" Magnólia's mind is already doing math. Seven weeks meant the entire time before São Paulo. Seven weeks meant almost the full summer. Seven weeks meant there was a way to stretch this out, to make it last longer than she'd thought possible. "The route is already planned. I researched hostels, towns, the best beaches. We'd drive down the coast toward Uruguay, stay in small places, figure things out as we go." Cesária's hands unclasp on the table. "I need this. Before everything changes. I need this with you." Magnólia watches her for a moment. There's something underneath this request that doesn't quite add up, something Cesária isn't saying. But there's also something desperate in how she's framing it, like this trip is the difference between okay and not okay. "Why are you asking like this is the last time we'll see each other?" Magnólia asks quietly. "Because it is," Cesária says. "Once I'm in São Paulo, it's different. The summer before university is the last time we get to just be us. No university demands, no internship requirements. Just time." The words settle into Magnólia's chest like a stone. She wants to argue, to say they'll stay close no matter what, to promise things that probably can't be kept. But she also knows Cesária is right. People leave for university and they're supposed to leave. People get internships and they're supposed to let them go. "Okay," Magnólia whispers. "Okay?" "Yeah. Okay. I'll do it. The trip." Magnólia picks up her coffee cup, finally, and takes a sip. It's cooled enough to drink. "Seven weeks. Down the coast. Just us." Cesária's shoulders drop like she's been holding her breath. "You're sure?" "I'm sure." Magnólia isn't sure of anything, actually. She's terrified. She's heartbroken that Cesária is leaving. She's already spiraling about how she's going to survive this without the person who's been the constant in her life since she was seven years old. But she's also seventeen and in love with the possibility of something, even if she can't name what that something is yet. The café feels warmer now, or maybe that's just the coffee. Cesária's phone buzzes with a message. She glances at it and doesn't respond, which means she was waiting for Magnólia's answer before checking the world. "We'll need money," Magnólia says, already thinking practical. "And a car. And—" "I have money saved. My parents have given me birthday money for the last three years. I have enough for the trip and then some." Cesária pulls out her phone and opens her notes app. The list is already there, fully formed. Hostels. Gas estimates. Food budget. An itinerary with specific towns marked for specific days. She's been planning this for months. Magnólia reads through it, watching the evidence of Cesária's planning unfold. This isn't spontaneous. This is orchestrated. This is Cesária doing what Cesária does best—making something improbable become inevitable through sheer force of organization. "When do we leave?" Magnólia asks. "Two weeks. After we finish finals. Right after graduation." Cesária looks up from her phone. "If you're sure." Magnólia is not sure. Magnólia is terrified and excited and sad and angry all at once. But she's also seventeen and desperate to hold onto something that's already slipping away. "I'm sure," she says.

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