Chapter 1: Alone in the Penthouse
Manhattan twinkled in the distance like a grid of man-made stars. On the forty-third floor of the Hayden Tower, Ethan Bane didn't blink. His penthouse windows stretched across the room, the kind of view one sent on postcards. Gold dripped from all corners—in light fixtures, in the glow of imported champagne chilled, in brass-tipped ladders up the bookshelf. And still, inside Ethan, nothing but gray.
Some jazz album was played in the background, not quite loud. Coltrane, probably. He didn't have the time to glance. The music was something familiar, an old friend who no longer asked. It was played as though it too expected something to move.
He sipped from a glass of untouched scotch, not that he wanted to, but because the ritual gave his hands something to do. Rituals were his structure now: Wake. Stare. Drink. Scan a headline. Enrage. Repeat. But today, there was a new element added to the routine.
His phone buzzed. He ignored it. He knew already. The last knot tied, the last paper signed. Celeste—gorgeous, talented Celeste—was no longer his wife.
She was now Capitol Hill's sweetheart. The headline confirmed it:
CELESTE KENSINGTON-BANE WINS SENATE SEAT IN LANDSLIDE VICTORY.
He exhaled through his nose and let the phone drop face-first onto the counter. The media never let anyone forget what Ethan had built—and who had left him behind in the process. Four wives. Four kingdoms. None survived.
The world called it the "Empowerment Curse."
Each one of them whom he loved had turned out to be more brilliant in his absence. Monique began the most successful AI startup in the country. Jada redefined civil rights law. Heather turned her photography into a revolutionary education campaign. And Celeste, oh Celeste, now wore pearls and talked about policy reform on CNN.
Ethan Bane was forever the quiet designer behind them all. The man in the designer suit, dark in the shadows of their success tales.
He walked to the desk. The letter was there—crisp white stationery. Monogrammed. He had chosen it specifically.
He read the words one final time. Not out loud. Just enough to get them to sink in that they were final.
> 'This is no act of weakness, but of letting go. I have nothing more to give the world, or to take from it. Leave my property to the foundation and bury me beside my mother.'"
No rage. No grief. Only detachment. Pure.
He folded it neatly, placed it in an envelope, and left it wedged between the pages of a closed volume of Rilke. Second shelf from the left. It would be discovered one day. Or not. It didn't really matter.
He poured the scotch down the drain. No use for dullness. The ending needed precision.
Outside, the sky was bruised. Purple and steel-colored clouds smeared the skyline of the sunset. Ethan took his keys and headed for the elevator, the soft click of his loafers the only sound other than the ever-present jazz. The elevator rang. Empty. Good.
The guard in the lobby glanced up but did not utter a word. They knew better.
Before Ethan got into his Bentley and took off west on the expressway, Manhattan was already gone from his rearview mirror. No radio. No music. Only the rumble of tires over asphalt and the rush of air through the gaps in the window seals.
No plan. No schedule. Only road. For the first time in years.
He passed by a sign: WESTCHESTER 12 MILES.
And another one: NEWARK 24.
He didn't care.
His former wives came back in whispers. Monique, a resentful logician, had once told him, "You don't empower people, Ethan. You rescue them. Then you resent them for leaving the tower."
He hadn't spoken at the time.
Now, he wasn't sure she was right.
He continued driving. City lights softened and dissolved, and trees lined the road. The GPS flashed wildly. He turned it off.
Darkness was welcome.
At mile marker seventy-two, the engine coughed. Jerked.
It ceased to move.
He swore and crossed to the shoulder. Steam billowed from the hood. He hadn't had the engine serviced in months. Maybe ever. He popped it and headed into the cold.
It reeked of pine and damp asphalt.
He peered into the maze of machinery, pretending to understand what he saw. The irony was not lost on him. He could pay for medical miracles but couldn't even change a fan belt.
A low growl formed behind him. Headlights curled around the curve. An SUV slowed and halted behind him. Doors creaked open.
A woman's voice, crisp and cool:
"It appears you got to the breakdown before me."
He stood.
She was tall, beautiful, with curls jammed into a loose bun and eyes like tempered glass. Black slacks, trench coat, boots that announced business. She clutched jumper cables in one hand and a dead phone in the other.
"Battery's dead," she added, gesturing towards her Lexus. "You headed west?"
Ethan blinked. "Eventually."
"Good. Because I don't wait for the roadside patrol in the middle of nowhere."
He started to protest, opening his mouth to do so, but her look cut him off. She wasn't asking permission. She was giving an order.
And for reasons that he didn't fully understand, Ethan Bane—ex-husband of four, architect of empires, and man on his last drive—opened the passenger door and allowed destiny to ride in.
The door shut.
So did the old plan.
—