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Neron: Doctor of Silent Nights

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Tanıtım Yazısı

In villages and in small towns, they died in droves.

The s*******r came from neither virus nor from war.

They were treated as if they had never lived at all,

and were laid in the ground quietly, without a sound.

It was such a sorrowful sight

it saddened even their merciless killer.

Humankind never feared God this much.

Not even the questioning in the grave

is as cruel as the way they died,

nor that final command of a wrath-dealing God.

All the grief and all the pain that could be loosed

broke free of its chains;

its source was the one, the only true killer:

a ruthless origin, stirring in its grave.

On the back of Istanbul, there is a hill that speaks with the wind: Facility Hill.

By day it is science and protocol, white coats and sterile light.

By night, the same hill listens to a much older breath rising from deep beneath the earth.

In official records, Dr. Cem Aksoy is a brilliant physician:

a mind that silences diseases, slows down aging,

and stretches the human lifespan, inch by inch.

In unofficial records, he walks under another name: Nerkynatiochen.

He was seen in Messina just before the Black Death,

stood in the shadow of Nemrut as mass graves were opened,

and kept watch in a black cloak at the mouth of a sealed crypt near ancient Antioch.

Every age has remembered the same three traces:

Cities that die without a single scream.

Four scratches and a circle carved into stone.

And a figure running on four legs in the dark,

whose shadow still insists on being human.

Elif is a young researcher working in the lab on that hill.

All she ever wanted was to save a few more lives—

until, one night, she forces open the door of a locked folder: NARAM_CASES.

In a monk’s page dated 1347,

she finds a drawing that looks disturbingly like Cem’s face,

titled in a quiet hand: “Il medico Neron.”

From that moment, the pages begin to trade places:

medical papers blur into chronicles,

clinical notes read like prophecies,

statistics of death melt into stories whispered in the dark.

What seeps out between the lines is this:

a dark name, Naram, that latches onto any human

whose lifespan is pushed too far beyond its natural edge;

a werewolf-like “indicator creature” seen before disasters;

and an ancient vampire, said to frighten even the gods,

whose origin runs straight back to humanity itself.

Now the same pattern is being drawn, slowly, over Istanbul.

Beneath Facility Hill lies an old vein of graves.

Above it, a project races forward under the promise of “immortality.”

Caught in the very middle stands a young woman, Elif,

pinned between her heart and her science.

In this story, the werewolf is only the shadow of the catastrophe to come;

the vampire is an echo history never managed to bury.

The real question is:

Who is the true monster?

The entity that leaves the night without a single scream,

the doctor who has walked the centuries beside death—

or the human who, the moment he escapes dying,

dares to claim the right to rule all those who still can?

chap-preview
Ücretsiz ön okuma
Night Shift
If anyone had told Elif Koral that her life would change at three in the morning under cold fluorescent lights, she wouldn’t have believed it. At 03:02, she was doing something extremely ordinary for a young scientist: staring into a microscope and fighting sleep. The lab was quiet in that heavy, artificial way. The ceiling lights hummed softly. Incubators blinked with small green LEDs. A centrifuge somewhere in the corner made a low, continuous sound like distant traffic. Outside, rain hammered against the tall windows. The research facility stood on a hill at the edge of the city, away from houses and lights. In the dark glass, Elif could see nothing but her own reflection and a few blurred red dots from cars far, far below. She adjusted the focus. On the screen connected to her microscope, the cells came into view: pale shapes, stained with weak color, crowding together like a small, quiet city. The problem was that they weren’t quiet at all. They should have been dying. This was AION – Phase II, a series testing how long certain modified cells could survive. A control group always started to break down around hour thirty-six. That was what the textbooks, the literature, and the project notes said. These cells were at hour forty-eight. They weren’t dying. They were… glowing. Not literally. Not like a movie. But here and there, a faint ring formed around the nucleus, as if the cells were drawing some invisible line and refusing to cross it. “Come on,” Elif muttered under her breath. “You’re not supposed to be this stubborn.” She took a screenshot, saved the image, and checked the automatically generated file name. AION_PHASE2_SERIES_09 AION. She knew what the name meant: “age,” “eternity,” “time.” When the project had started, everyone had laughed about it. Of course the immortality project would get a dramatic name. Officially, they weren’t working on immortality. They were “exploring cellular resilience and age-related disease.” Unofficially, everyone still called it the immortality project. Elif moved her chair back and rubbed her eyes. She had been in the lab since late afternoon. She was tired, hungry, and her phone screen, lying face down beside the keyboard, hadn’t lit up once. Her father had sent a message earlier in the evening: “Don’t work too hard. Sleep is also science.” She’d sent back a laughing emoji and kept working. The door clicked softly. Elif looked up, half expecting the night technician, Murat, to walk in with another terrible coffee from the machine downstairs. No one came in. She frowned and turned to the security panel on the wall. A small light flashed green above the door. The card reader had beeped, but the handle hadn’t moved. Probably just the system testing itself. It did that sometimes. She tapped the screen beside the microscope and opened the security camera view anyway. Four small windows appeared: – Corridor outside the lab – empty. – Stairwell – empty. – Elevator lobby – empty. – Main entrance – rain, darkness, and the faint shape of the glass doors. She watched the entrance camera for a moment. The rain blurred everything. The parking lot lamps turned drops into bright streaks, like falling needles of light. She was about to close the window when something shifted. A shadow separated itself from the darkness near the fence. Elif leaned closer. The camera resolution was terrible, and the rain made things worse. Still, she could see a tall shape moving slowly along the line of the fence, staying just outside the direct light. It looked like a man at first. But his shoulders seemed too broad for his height, and the way he moved wasn’t right. Too low, too fluid, as if his center of gravity was shifting between two different bodies. The shape stopped. It turned its head toward the camera. Elif held her breath. For a brief second, two small points seemed to catch the light — like eyes reflecting a car’s headlights at night. The entrance camera flickered. A warning message flashed in the corner of the screen: WARNING: ENTRANCE CAMERA – SIGNAL WEAK The image glitched, turned to gray static for half a heartbeat, then returned. The fence was empty. The shadow was gone. Elif exhaled, a short, nervous laugh escaping her throat. “Great,” she whispered. “Now I’m hallucinating.” She switched off the camera window. It was stormy. Cameras glitched. Shadows moved. That was all. The card reader above the door beeped again. This time, more sharply. She turned her head fast. “Murat?” she called. No answer. She stood up, walked to the door, and peered through the small glass square into the corridor. Empty. Just the pale floor, the white walls, and the emergency exit sign glowing green at the far end. She pressed her lips together. Her heart was beating faster than it should for such a simple thing. Nothing is happening. You’re just tired, she told herself. Don’t be stupid. Her gaze drifted to the only thing on the workbench that didn’t belong to her: a gray folder with a red label. AION – PHASE III – DRAFT (AUTHORIZED PERSONNEL ONLY)

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